Sarah Charlesworth Studio
SELECTED BIOGRAPHY

Born: 1947; East Orange, NJ
Education: 1969; Bachelor of Arts, Barnard College, New York, NY
Worked: 1965 – 2013; New York City
Died: 2013; Falls Village, Connecticut
INDIVIDUAL EXHIBITIONS:

2020 Printed Matter, New York, NY; "Sarah Charlesworth: Image Language," curated by Christine Robinson (February 27 - April 19)
2019 Paula Cooper Gallery, New York, NY, "In-Photography" (February 16 - March 16)
Krakow-Witkin Gallery, Boston, MA; "The Small Versions, 2000-2012" (March 30 - May 4)
2018 Campoli Presti, London, UK, "Available Light" (May 10 - June 23)
2017 Maccarone, New York, NY; "Natural Magic" (February 18 - May 6)
LACMA, Los Angeles, CA; "Sarah Charlesworth: Doubleworld" (August 20 - November 26)
2015 New Museum, New York, NY; "Sarah Charlesworth: Doubleworld", curated by Massimiliano Gioni and Margot Norton (June 24 - September 20)
2014 The Art Institute of Chicago, Chicago, IL; "Stills", curated by Matthew S. Witkovsky (September 18 - January 4)
Maccarone Gallery, New York, NY; "Objects of Desire: 1983 - 1988" (April 25 - June 14)
2013 Baldwin Gallery, Aspen, CO; "Available Light" (June 21 - July 21)
2012 Susan Inglett Gallery, New York, NY; “Available Light” (March 8 – April 14)
2010 Baldwin Gallery, Aspen, CO; “Work in Progress" (July 30 - September 6)
2009 Galerie Tanit, Munich, Germany; "Selected Works 1978-2009" (September 11 – October 31)
Susan Inglett Gallery, New York, NY; "Work in Progress" (May 7 - June 13)
2007 Baldwin Gallery, Aspen, CO; "Concrete Color" (November 23 - December 20)
2006 Margo Leavin Gallery, Los Angeles, CA; "Concrete Color" (October 28 - November 25)
2005 Baldwin Gallery, Aspen, CO; "A Simple Text" (November 25 - December 22)
2003 Baldwin Gallery, Aspen, CO; "0 + 1" (February 11 - March 10)
2002 Gorney Bravin + Lee, New York, NY; "Neverland" (November 22 - December 22)
2000 Margo Leavin Gallery, Los Angeles, CA; "0 + 1" (January 15 - February 12)
Gorney Bravin + Lee, New York, NY; "0 + 1" (January 8 - February 5)
1998 Fay Gold Gallery, Atlanta, GA; "Doubleworld"
Camera Obscura, San Casciano dei Bagni, Italy
1997 – 1999 Sarah Charlesworth: A Retrospective, curated by Louis Grachos and Susan Fisher Sterling (cat.); Site, Santa Fe, NM (Nov. 1, 1997-Jan. 25, 1998); Museum of Contemporary Art, San Diego, CA (Mar. 23 - Jun. 13, 1998); National Museum of Women in the Arts, Washington, DC (Jul. 9 - Sep. 9, 1998); Cleveland Center for Contemporary Art, Cleveland, OH (Nov. 20, 1998 - Jan. 29, 1999); Rose Art Museum, Brandeis University, Waltham, MA (Mar. 25 - May 28, 1999)
1996 Margo Leavin Gallery, Los Angeles, CA; "Doubleworld" (February 24 - March 23)
1995 S. L. Simpson Gallery, Toronto, Canada; "Doubleworld" (September 28 - October 31)
Jay Gorney Modern Art, New York, NY; "Doubleworld" (October 21 - November 25)
1993 Galerie Rizzo, Paris, France; "Natural Magic" (April 3 - May 15)
S. L. Simpson Gallery, Toronto, Canada; "Natural Magic" (September 8 - October 5)
Jay Gorney Modern Art, New York, NY; "Natural Magic" (March 20 - April 24)
1992 The Queens Museum of Art, Queens, NY; "Herald Tribune: November, 1977" and "Herald Tribune: January 18 - February 28, 1991" (February 15 - April 12) (brochure)
Galerie Carola Mosch, Berlin, Germany; "Objects of Desire" (June 16 - August 1)
Rena Bransten Gallery, San Francisco, CA; "Renaissance Paintings" (with Judith Barry) (October 8 - November 7)
1991 Paley Wright Gallery, London, UK; "Renaissance Paintings"
Jay Gorney Modern Art, New York, NY; "Renaissance Paintings & Drawings" (March 2 - March 30)
Galerie Xavier Hufkens, Brussels, Belgium; "Renaissance Paintings" (April 26 - May 25)
1990 S. L. Simpson Gallery, Toronto, Canada; "Academy of Secrets" (November 1 - November 27)
1989 Jay Gorney Modern Art, New York, NY; "Academy of Secrets" (April 8 - April 29)
Interim Art, London, UK; "Objects of Desire" (April 16 - May 14)
1988 Galerie Hufkens Noirhomme, Brussels, Belgium; "Objects of Desire" (June 7 - July 2)
1987 Tyler Gallery, Tyler School of Art, Temple University, Elkins Park, PA; "Objects of Desire" (December 3 - January 8, 1988)
Margo Leavin Gallery, Los Angeles, CA; "Objects of Desire IV" (April 25 - May 23)
International with Monument, New York, NY; "Objects of Desire IV" (April 18 - May 10)
1986 S.L. Simpson Gallery, Toronto, Canada; "Objects of Desire III" (November 28 - December 20)
International with Monument, New York, NY; "Objects of Desire III" (March 8 - March 29)
1985 International with Monument, New York, NY; "Objects of Desire III" (March 1 - March 31)
1984 The Clocktower, New York, NY; "Objects of Desire I", "In-Photography", "Tabula Rasa" (April 5 - May 6)
Light Work, Syracuse, NY; "In-Photography"
California Museum of Photography, Riverside, CA ; "Modern History" (cat.)
1982 CEPA Gallery, Buffalo, NY; "In-Photography" (cat.)
421 West Broadway, New York, NY; "Tabula Rasa" (January 17 - January 23)
1981 - 1982 Tony Shafrazi Gallery, New York, NY; "In-Photography" (December 19, 1981 - January 16, 1982)
1981 Galerie Micheline Szwajcer, Antwerp, Belgium; "The White Lady" (September 22 - October 24)
1980 Tony Shafrazi Gallery, New York, NY; "Stills" (February 14 - March 5)
1979 New 57 Gallery, Edinburgh, Scotland; "Modern History: April 21, 1978 and The Arc of Total Eclipse, February 26, 1979" (cat.)
1978 Galerie Eric Fabre, Paris, France; “Modern History: April 21, 1978” and “Osservatore Romano, March 17 - May 10, 1978” (October 21 - through November)
Centre d'Art Contemporain, Geneva, Switzerland; "Modern History: Herald Tribune, September, 1977 and April 21, 1978"
C Space, New York, NY; "Modern History: Herald Tribune, September, 1977" (March 19 - March 30)
Pio Monti Gallery, Rome, Italy; "Modern History: April 21, 1978" (August 8 - through September)
Zona, Florence, Italy; "Modern History: April 20, 1978" (September 4 - through October)
1977 MTL Gallery, Brussels, Belgium; "Fourteen Days" (cat.)
GROUP EXHIBITIONS:

2021 Solomon R. Guggenheim Museum, New York, NY; "Off The Record", curated by Ashley James (April 2 - September 27)
Paula Cooper Gallery, Palm Peach, FL; "The Politics of Desire" (February 12 - March 14)
2020-2021 Tang Teaching Museum, Sarasota Springs, NY; "Energy In All Directions", curated by Ian Berry (October 10, 2020 - June 13, 2021)
Metropolitan Museum of Art, New York, NY; "Pictures Revisited" (October 19, 2020 - May 9, 2021)
2020 Paula Cooper Gallery, New York, NY, "Bernd and Hilla Becher, Sarah Charlesworth, Sherrie Levine" (February 29 - April 4)
Deitch Gallery, Los Angeles, CA; "All of Them Witches," organized by Dan Nadel and Laurie Simmons (February 8 - April 11)
2019-2020 Solomon R. Guggenheim Museum, New York, NY; "Artistic License: Six Takes on the Guggenheim Collection (May 24, 2019 - January 12, 2020)
Museum of Contemporary Art, Chicago, IL, "Direct Message: Art, Language, and Power" (October 26, 2019 - January 26, 2020)
2019 Ruby City, San Antonio, TX; "Waking Dream" (October 13 - )
Castelli Gallery, New York, NY, "'Dot, Point, Period' a curated installation by Joseph Kosuth" (April 4 - July 20)
Off Paradise, New York, NY; "Glenn O'Brien: Center Stage" (September 17 - November 27)
Campoli Presti, London, UK; "Manifest Content" (February 1 - March 17)
Swiss Institute, New York, NY; "life and limbs" curated by Anna-Sophie Berger (September 25 - December 29)
The Metropolitan Museum of Art, New York, NY; "Apollo's Muse: The Moon in the Age of Photography" (July 2 - September 22)
The Artist's Institute at Hunter College, New York, NY; "Maneuver" curated by Lynne Cooke (September 18 - December 14)
2018-2019 The Metropolitan Museum of Art, New York, NY; "Everything is Connected: Art and Conspiracy" (September 18 - January 6)
McClain Gallery, Houston, TX; "Downtown: Collage Culture in the East Village" (November 1 - January 5, 2019)
LUMA Arles, Arles, France, "Picture Industry : une histoire provisoire de l’image technique, 1844–2018" (October 13 - Jan 6, 2019)
2018 Hirshhorn Museum, Washington, DC; "Brand New: Art and Commodity in the 1980s" (February 14 - May 13)
2017-2018 Museum of Contemporary Art Chicago, Chicago, IL; "MCA Screen: Paul Pfeiffer" (December 23 - May 20)
2017 Hessel Museum of Art, Annandale-on-Hudson, NY; "Picture Industry" (June 24 - December 15)
Birmingham Museum of Art, Birmingham, AL; "Third Space/Shifting Conversations About Contemporary Art" (January 28 - January 6, 2019)
Campoli Presti, London, UK; "Plages" (February 17 - March 18)
École Nationale Supérieure d’Arts de Paris Cergy, Paris, France; "Le Secret" (May 5 - May 28)
Museum für Neue Kunst, Freiburg, Germany; "Dying Well – False Death" (May 27 - September 24)
Philadelphia Museum of Art, Philadelphia, PA; "Another Way of Telling: Women Photographers from the Collection" (April 8 - July 16)
2016 - 2017 J. Paul Getty Museum, Los Angeles, CA; "Breaking News: Turning the Lens on Mass Media" (December 20, 2016 - April 30, 2017)
Columbus Museum of Art, Columbus, OH; "The Sun Placed in the Abyss" (October 7, 2016 - January 8, 2017 )
Campoli Presti, Paris, France; "Sarah Charlesworth / Liz Deschenes" (October 20, 2016 - January 14, 2017)
2016 Elizabeth Dee Gallery, New York, NY; "Every Future Has a Price: 30 Years After Infotainment" (October 29 - December 17)
Albright Knox Art Gallery, Buffalo, NY; "For the Love of Things: Still Life" (February 27 - May 29)
Art Museum at the University of Toronto, Toronto, ON; "Counterpoints: Photography Through the Lens of Toronto Collections" (May 6 - July 30)
Los Angeles County Museum of Art, Los Angeles; "Physical: Sex and the Body in the 1980s" (March 20 - July 31)
Miguel Abreu Gallery, New York, NY; "In Place Of" (January 10 - February 21)
Walker Art Center, Minneapolis, MN; "Ordinary Pictures" (February 27 - October 9)
2015 - 2016 Museum of Contemporary Art, Los Angeles, CA; "The Art of Our Time" (August 15, 2015 - September 12, 2016)
Fondazione Prada, Milan, Italy; "Recto Verso" (December 3, 2015 - February 14, 2016)
2015 Whitney Museum of American Art, New York, NY; "America Is Hard To See" curated by Donna De Salvo et al. (May 1 - September 27)
White Columns, New York, NY; "Looking Back / The 9th White Columns Annual" (January 13 - February 21)
Villa du Parc, Annemasse, France; "The Appropriationnist (Against and With)" (January 16 - March 14)
The Metropolitan Museum of Art, New York, NY; "Reconstructions, Recent Photographs and Video from the Met Collection" (September 21, 2015 - March 13, 2016)
Karma, Amagansett, NY; "Popular Images" (June 13 - July 5)
Burlington City Arts, Burlington, VT; "Taking Pictures" (January 30 - April 4)
2014 Museum Folkwang, Essen, Germany; "(Mis)Understanding Photography" (June 14 - August 17)
McCagg Gallery, Barnard College, New York, NY; "Lucid Gestures: An Exhibition of Barnard Alumnae Artists" (October 24 - November 17)
Murray Guy Gallery, New York, NY; "Someone Like Me" (January 16 - February 22)
Gallery Lelong, New York, NY; "Re-Framing History" (March 21 - April 26)
On Stellar Rays, New York, NY; "No Drink No Talk Just Beautiful", curated by Mary Simpson (June 28 - August 1)
Whitney Museum of American Art, New York, NY; "Whitney Biennial" curated by Stuart Comer, Anthony Elms, Michelle Grabner (March 7 - May 25)
Senior & Shopmaker Gallery, New York, NY; "Objects & Fictions" (June 6 - July 25)
2013 Wallspace Gallery, New York, NY; "Ten Years" (June 27 - August 2)
Janet Borden, Inc, New York, NY; "Of,by,for,about ... Women" (September 17 - October 19)
2012 Margo Leavin Gallery, New York, NY; "Arctic Summer" (July 31 - September 29)
Fort Worth Contemporary Arts, Fort Worth, TX; “Color Pictures”, curated by Frances Colpitt (March 3 – April 14)
Carl Solway Gallery, Cincinnati, OH; "Body / Objects" (October 28 - December 22)
National Gallery of Art, Washington, DC; “Shock of the News”, curated by Judith Brodie (September 23 – January 27, 2013)
The Art Institute of Chicago, Chicago, IL; "Photography From The Collection Of The Art Institute of Chicago" (May 1 – December 1)
2011 - 2012 Neuberger Museum of Art, Purchase, NY (January 15 – April 3) The Nasher Museum of Art, Durham, NC (August 25 – December 5), Contemporary Arts Museum Houston, TX (February 11, 2012 – April 29, 2012); “The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1992”, curated by Helaine Posner and Nancy Princenthal
2011 Victoria and Albert Museum, London, UK; “Signs of a Struggle: Photography in the Wake of Postmodernism”, curated by Marta Weiss (August 11 – November 27)
MoMA PS1, Long Island City, NY; “September 11”, curated by Peter Eleey (September 11 – January 9, 2012)
Moderna Museet, Stockholm, Sweden; "Another Story: Photography from the Moderna Museet Collection" (February 1, 2011 – February 19, 2012)
Hudson Valley Center for Contemporary Art, Peekskill, NY, “CIRCA 1986: The ‘80s from Six Important New York Art Collections”, (September 18 – July, 2012)
C/O Berlin, Berlin, Germany; “The Uncanny Familiar: Images of Terror”, curated by Felix Hoffmann (September 10 – December 4)
Berkeley Art Museum, Berkeley, CA; “Sun Works” (November 9 – May 6, 2012)
2010 Musée d’Art Moderne et d’Art Contemporain, Nice, France; “Human” (June 12 - October 31)
Kunstmuseum St. Gallen, St. Gallen, Switzerland (January 30 – June 20), Museum der Moderne, Salzburg, Austria (July 3 – October 24); “Press Art: The Collection of Annette and Peter Nobel”, curated by Christoph Doswald (cat.)
Leslie Tonkonow Gallery, New York, NY; Ordover Collection; (July 28 – September 3)
Museum für Photographie, Braunschweig, Germany; "Rhetorik der Bilder" ("Rhetoric of Images"), curated by Florian Ebner (March 12 - April 25)
Corcoran Gallery of Art, Washington, D.C.; in conjunction with “Helios: Eadweard Muybridge in a Time of Change”, curated by Philip Brookman, Interpretation Gallery Exhibition, curated by Linda Powell, (April 10 - July 18)
New Museum, New York, NY; “The Last Newspaper”, curated by Richard Flood and Benjamin Godsill, (October 6 – January 9, 2011)
Whitney Museum of American Art, New York, NY; “Singular Visions: A Selection of Seldom-Seen Postwar Works From The Whitney’s Collection”, curated by Dana Miller and Scott Rothkopf, (December 16 - August 5, 2012)
Renwick Gallery, New York, NY; “Held Up By Columns”; (July 8 – August 6)
Walker Art Center, Minneapolis, MN; “Abstract Resistance”, curated by Yasmil Raymond (February 27 – May 23)
Solomon R. Guggenheim Museum, New York, NY (March 26 – September 6), Guggenheim Museum, Bilbao (November 9 – March 13, 2011); “Haunted: Contemporary Photography/Video/Performance”, curated by Jennifer Blessing & Nat Trotman (cat.)
2009 The Metropolitan Museum of Art, New York, NY; “The Pictures Generation, 1974 -1984”, curated by Doug Eklund (April 21 – August 2) (cat.)
The American Standard Gallery, New York, NY; “Better History” (March 12 – May 9) (cat.)
Susan Inglett Gallery, New York, NY; The Armory Show (March)
Sue Scott Gallery, New York, NY; “We’re All Gonna Die”, curated by Ron Keyson (June 25 – July 31)
Margo Leavin Gallery, Los Angeles, CA; "Reading Standing Up" (January 31 - March 14)
Lehmann Maupin, New York, NY; “The Glamour Project” (February 23 – March 21)
Le Magasin, Centre National d’Art Contemporain, Grenoble, France; “Images et (Re)Presentations”, curated by Yves Aupetitallot (May 25 – September 6) (cat.)
Harris Lieberman, New York, NY; “A Twilight Art” (January 17 - February 28)
Guild and Greyshkul, New York, NY; “On From Here” (February 6 - February 8)
Fotomuseum, Winterthur, Switzerland; “Printed Matter” (February 28 – October 11)
APF Lab & The American Standard Gallery, New York, NY; "Small Packages" (September 16 - October 10)
2008 Fotomuseum Winterthur, Switzerland; “Jedermann Collection- Set 5 from the Fotomuseum Winterthur Collection”(March 1 - October 12) (cat.)
Guild & Greyshkul, New York, NY; "The Human Face is a Monument" (March 30 - May 3)
Margo Leavin Gallery, Los Angeles, CA "Summer 2008" (May 31 - August 9)
Sue Scott Gallery, New York, NY; “Legerdemain” (November 14 - December 20)
The American Standard Gallery, Miami, FL; (Dec)
The Metropolitan Museum of Art, New York, NY; “Photography on Photography: Reflections on the Medium Since 1960” (April 8 - October 19)
2007 Zimmerli Art Museum, Rutgers. The State University of New Jersey,New Brunswick, NJ, "A New Reality: Black-and-White Photography in Contemporary Art." (September 1 - November 25) (cat.)
The Foundation To-Life Exhibition Space, Mount Kisco, NY, "Making and Finding", curated by Katy Siegel
Rose Art Museum, Brandeis University, Waltham, MA "RoseArt: Works from the Permanent Collection" (January 25 - April 1)
2006 Addison Gallery of American Art, Andover, MA; "75 Years of Collecting American Photography" (April 28 - July 31)
Aspen Art Museum, Aspen, CO; "Belief and Doubt" (August 4 - October 1)
Grey Art Gallery, New York, NY (January 10 - April 1), The Andy Warhol Museum, Pittsburgh, PA (27 May - 3 September) "The Downtown Show: The New York Art Scene, 1974 -1984", curated by Carlo McCormick in consultation with Lynne Gumpert and Marvin J. Taylor (cat.)
The Metropolitan Museum of Art, New York, NY; "Modern Photographs from the Collection XII" (April 4 - October 15)
Tony Shafrazi Gallery, New York, NY; "The Other Side" (May 5 - June 30)
2005 - 2006 Vancouver Art Gallery, Vancouver, BC; "Classified Materials: Accumulations, Archives, Artists" (October 15, 2005 - January 2, 2006)
2005 Von Lintel Gallery, New York, NY; "The Photograph in Question" (June 9 - July 29)
Princeton University Art Museum, Princeton, NJ; "For Presentation and Display: Some Art of the 80s" curated by Johanna Burton and Hal Foster; (March 19 - June 12)
New Museum of Contemporary Art, New York, NY; “East Village USA,” (December 9 – March 19)
New Britain Museum of American Art, New Britain, CT; Contemporary Photography in the Age of Mechanical Reproduction (January 15 - March 13)
Kunstmuseum Basel, Switzerland; "Covering the Real" (May 1 - August 21) (cat.)
2004 Charles Cowles Gallery, New York, NY; "Unframed" edition produced for ACRIA: Aids Community Research Initiative (April)
The Art Institue of Boston At Lesley University, Boston, MA: ”Breathtaking” (March 31 – May 14)
Solomon R. Guggenheim Museum, New York, NY (June 4 - September 8) Guggenheim Museum Bilbao, Bilbao, Spain (November 25, 2005 - March 22, 2006); Speaking with Hands, Photographs from the Buhl Collection (cat.)
The Wexner Center for the Arts, Columbus, OH; Visions from America (July - August)
Walker Art Center, Minneapolis, MN (October 11 – January 4), UCLA Hammer (February 8 – May 11), Museo de Arte Contemporanea, de Vigo, Spain (May 28 – September 19), Fotomuseum Winterthur, Switzerland (November 26 – February 13, 2005), Miami Art Central, Miami, Florida (March 10 – June 12, 2005); The Last Picture Show: Artists Using Photography 1960-1982, curated by Douglas Fogle (cat.)
2003 Southeast Museum of Photography, Daytona Beach, FL; "Off the Press: Recontextualizing the Newspaper in Contemporary Art" (March 25 - May 25) (cat.)
Orlando Museum of Art, Orlando, FL; "Constructed Realities: Contemporary Photography" (March 8 - May 18) (cat.)
Memphis College of Art, Memphis, TN; "Cold Comfort" (January 13 - February 13)
Margo Leavin Gallery, Los Angeles, CA; "Sarah Charlesworth, Louise Lawler and Laurie Simmons: Designs for Living" (September 6 - October 4)
Margo Leavin Gallery, Los Angeles, CA; "Raid the Icebox" (March 22 - April 26)
2002 The Site Gallery, Sheffield, UK; "Con Art: Magic/Object/Action", curated by Helen & PierGiorgio Varola (February 16 - April 6)
National Museum of Women in the Arts, Washington DC; "Feminism and Art: Selections from the Permanent Collection" (June - August)
Whitney Museum of American Art, New York, NY; "Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001", curated by Sylvia Wolfe (June 27 - September 22)
The Victoria and Albert Museum, London; "Seeing Things: Photographing Objects, 1850-2001" (February 21 - August 18) (cat.)
2001 Tang Museum, Saratoga Springs, NY; "Still Photography: Works from the Tang Collection", curated by Charles Stainback (June 16 - Aug 16)
Skidmore College, Saragota Springs, NY; "Still Photography" (June 16 - August 26)
Margo Leavin Gallery, Los Angeles, CA; "Seeing or Believing" (June 9 - July 28)
Kunsthalle Wien, Vienna, Austria; "Tele[visions]", curated by Joshua Decter (October 18 - January 6, 2002)
Gallery Camino Real, Boca Raton, FL; "Photo-Synthesis", curated by Douglas Maxwell (January 11 - February 3)
2000 Contemporary Arts Center, New Orleans, LA; "Photography Now", curated by David Rubin (July 15 - September 24)
Collection Lambert en Avignon, France; “Rendez-Vous 1” (June 27 - October 1)
De Saisset Museum, Santa Clara, CA; Brauer Museum, Valparaiso, IN; “The One Chosen” (August 2000 - November 2001)
Museum of New Mexico, Museum of Fine Arts, Sante Fe, NM; "20/20 Twentieth Century Photography Acquisitions", (February 4 - August 20)
1999 Whitney Museum of American Art, New York, NY; "The American Century: Art & Culture 1950-2000" (September 26 - February 27, 2000) (cat.)
Nexus Contemporary Art Center, Atlanta, GA; "Double Vision", curated by Michael Pittari
1998 Museo Santa Maria Della Scala, Siena, Italy; “Civic Art In Sienese Villages: Three Contemporary Artists Create Public Works”, curated by Cornelia Lauf (September 11 - October)
Dorfman Projects, New York, NY; “The Tip of the Iceberg: A Response to New York Museums”, curated by Bill Bartman (March 28 - April 25)
Art Museum of South Texas, Corpus Christi, TX; “From The Heart: The Power of Photography - A Collector’s Choice”, curated by Adam D. Weinberg (March 6 - June 7)
1997 International Center of Photography, New York, NY; “Eye of the Beholder: Photographs from the Avon Collection” (September 12 - November 13)
California Center for the Arts Museum, Escondido, CA; “Table Tops: Morandi’s Still Lifes to Mapplethorpe’s Flower Studies” (September 21 - January 21, 1998)
Milwaukee Art Museum, Milwaukee, WI; “Identity Crisis: Self Portraiture at the End of the Century”, curated by Dean Sobol (September 12 - November 16) (cat.)
Thomas J. Walsh Art Gallery, Quick Center for the Arts at Fairfield University, Fairfield, CT; “The One Chosen: Images of Christ in Recent New York Art” (April 18 - May 31) (cat.)
1996 The Clocktower Gallery, Institute of Contemporary Art, New York, NY; “Model Home,” organized by Alanna Heiss and Sabina Streeter (February 26 - March 31) (cat.)
S. L. Simpson Gallery, Toronto, Canada; “Sarah Charlesworth, Louise Lawler, Ian Wallace” (July 5 - July 26)
S. L. Simpson Gallery, Toronto, Canada; “Sarah Charlesworth, Hannah Collins, General Idea, Laurie Simmons, Carolyn White”
Nicole Klagsbrun Gallery, New York, NY; (December 14 - January 18, 1997) Bernard Toale Gallery, Boston, MA; (December 14 - January 18, 1997) “Making Pictures: Women and Photography, 1975-Now”, curated by Nicole Klagsbrun
Museum of Contemporary Art, Los Angeles, CA; “Just Past: The Contemporary in M.o.C.A.’s Permanent Collection, 1975-96” (September 29 – January 19, 1997)
Los Angeles County Museum of Art, Los Angeles, CA; "Some Grids", organized by Carol S. Eliel and Lynn Zelevansky
1994 Offshore Gallery, East Hampton, NY; "Seasights", curated by Nessia Pope (November 12 - December 31)
Whitney Museum of American Art, New York, NY; "From the Collection: Photography, Sculpture, Painting"
Thread Waxing Space, New York, NY; "Don't Look Now", curated by Josh Decter (January 22 - February 26) (cat.)
The InterArt Center, New York, NY; "Gift", organized by Gideon Ponte, Birgit Spears & Neville Wakefield
The Art Museum, Florida International University, Miami, FL; "American Art Today: Heads Only", curated by Dahlia Morgan (April 8 - May 6) (cat.)
School of the Art Institute of Chicago, Chicago, IL; "Transmitting the Truth: Reformulating News Media Information" (September 2 - October 19)
Musée d’art moderne et contemporain (MAMCO), Genève, Switzerland; "Rudiments d'un Musée Possible 1" (September 23 - January 29, 1995)
Christinerose Gallery, New York, NY; "Chasing Angels" (December 3 - January 21, 1995) (cat.)
Carl Solway Gallery, Cincinnati, OH; "Desire & Loss" (January 15 - April 2)
1993 - 1996 Neuberger Museum, Purchase, NY; Virginia Beach Center for the Arts, Virginia Beach, VA; University Gallery, Univ. of North Texas, Denton, TX; Art Gallery, Sir Wilfred Grenfell College, Univ. of Newfoundland, Newfoundland, NS, Canada; Mackenzie Art Gallery, Regina, Sas.,Canada; The Gallery/Stratford, Stratford, Ont., Canada; California Center for the Arts, Escondido, CA; SelbyGallery Ringling School of the Arts, Sarasota, FL; The Rubelle & Norman Schafler Gallery, Pratt Institute, Brooklyn, NY; "Empty Dress: Clothing as Surrogate in Recent Art", curated by Nina Felshin for IndependentCurators Intl. (cat.)
1993 - 1994 International Center of Photography, New York, NY; Institute of Contemporary Art, Boston, MA; Laguna Art Museum, Laguna Beach, CA; "Commodity Image" (cat.)
Center for the Fine Arts, Miami, FL; Museo Amparo, Puebla, Mexico; Centro Cultural Consolidado, Nacional de Bellas Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile; "Photoplay: Works from the Chase Manhattan Collection", organized by Lisa Phillips in association with Manuel E. Gonzalez (cat.)
1993 The Herbert F. Johnson Museum of Art, Cornell University, NY; "Up Close: Chemistry Imagined Photogenics: Contemporary Art from the Mallin Collection" (April 2 - June 13)
The Drawing Center, New York, NY; "The Return of the Cadavre Exquis" (November 6 - December 18) (cat.)
Raab Galerie, Berlin, Germany; Galleria Gian Ferrari Arte Contemporanea, Milano, Italy; “Vivid: Intense Images by American Photographers”, curated by Victoria Espy-Burns (May 19 - July 31)
Nassau County Museum of Art, Roslyn Harbor, NY; "Image Makers", curated by Franklin Hill Perrell and Constance Schwartz (October 3 - January 2, 1994) (cat.)
L'Espace Lyonnais d'Art Contemporain, Lyon, France; "Here's Looking At Me / A Mes Beaux Yeux: Autoportraits Contemporains", curated by Bernard P. Brunon (January 29 - April 30) (cat.)
Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, NV; "From New York:Recent Thinking in Contemporary Photography" (March 1 - March 28)
1992 - 1993 Art Gallery of New South Wales, Sydney, Australia (sponsor, & various local sites); The "Boundary Rider: 9th Biennale of Sydney", curated by Anthony Bond (December 15 - March 14, 1993) (cat.)
The New Jersey Center for Visual Arts, Summit, NJ; "New Jersey Collects: Photography" curated by Elynn Dennison, Sharon Gill and Perijane Zarembok (November 15 - January 8, 1993)
1992 University Art Museum, Santa Barbara, CA; The Santa Monica Museum of Art, Santa Monica, CA; The North Carolina Museum of Art, Raleigh, NC; "Knowledge: Aspects of Conceptual Art", curated by Frances Colpitt and Phyllis Plous (cat.)
The Aldrich Museum of Contemporary Art, Ridgefield, CT; "Quotations: The Second History of Art", organized by Barry Rosenberg (May 16 - September 20) (cat.)
International Center of Photography, New York, NY; "The Photographic Order from Pop to Now" (July 31 - October 16) (cat.)
Centro Cultural Arte Contemporaneo, Polanco, Mexico; "The Disasters of War"
1991 New Museum of Contemporary Art, New York, NY; "The Interrupted Life", curated by France Morin (September 13 - December 29) (cat.)
Barbara Mathes Gallery, New York, NY; "The Conceptual Eye"
Cleveland Center for Contemporary Art, Cleveland, OH; "Cruciformed: Images of the Cross Since 1980" (cat.)
Foto e.V. München and Barbara Gross Galerie, München, Germany; "Das Sibyllinische Auge: Fotokünstlerinnen aus dem Anglo-Amerikanischen Raum", curated by Isabelle Graw and Pia Lanzinger (January 9 - February 3) (cat.)
Museum of Contemporary Art, Los Angeles, CA; "Recent Work / Recent Acquisitions" (January 20 – February 17)
Museum of Contemporary Art, Los Angeles, CA; "Selections from the Permanent Collection: 1975-1991" (August 25 - December 15)
National Museum of American Art, Smithsonian Institution, Washington, DC; "Motion and Document - Sequence and Time: Eadweard Muybridge and Contemporary American Photography", curated by James Sheldon and Jock Reynolds (cat. - travelling show)
Victoria and Albert Museum, London, UK; “Postmodern Prints” (July 17 - October 27)
Norton Gallery of Art, West Palm Beach, FL and Samuel P. Harn Museum of Art at the Univ. of Florida, Gainesville, FL; "Southeast Bank Collects: A Corporation Views Contemporary Art", curated by Lisa Liebmann (December 1 - February 9, 1992) (cat.)
Palazzo delle Albere, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto,Trento, Italy; "American Art of the 80's", curated by Gabriella Belli and Jerry Saltz (December 18 - March 1, 1992) (cat.)
Robert Miller Gallery, New York, NY; Lorence Monk Gallery, New York, NY; "In a Dream...(portfolio published by Photographers and Friends Against AIDS)"
Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL; "Images from the Eighties Part 1, American Paintings and Drawings from the Samuel P. Harn Museum of Art's Skowhegan Collection"
Setagaya Art Museum, Tokyo; The National Museum of Art, Osaka; Fukuoka Art Museum, Fukuoka, Japan; "Beyond the Frame: American Art 1960-1990", curated by Lynn Gumpert (cat.)
Tony Shafrazi Gallery, New York, NY; "A Passion for Art: Watercolors and Works on Paper" (December 7 - January 25, 1992)
1990 International Center of Photography , New York, NY; Los Angeles Municipal Art Gallery, Los Angeles, CA; "The Indomitable Spirit" (February 9 - April 7) (cat.)
Feigen Gallery, Chicago, IL; "Sarah Charlesworth, Jeanne Dunning, Annette Messager, Adrian Piper, Laurie Simmons" (March 30 - April 28) (cat.)
Galerie Samia Saouma, Paris, France; "Figures et Lectures" (June 7 - July 21)
Galleri Nordanstad-Skarstedt, Stockholm, Sweden; “Disconnections” (March 26 - April 21)
Hallwalls Contemporary Arts Center, Buffalo, NY; "Insect Politics: Body Horror / Social Order" (March 17 - April 13) (cat.)
Leo Castelli Gallery, New York, NY; Gallery, Milan, Italy; "Taking the Picture: Photography and Appropriation", curated by Manuela Gandini (April 7 - April 28)
Krygier/Landau Contemporary Art, Santa Monica, CA; "Prints and Multiples"
Museum of Fine Arts, Boston, MA; "Figuring the Body", curated by Trevor Fairbrother and Kathy Halbreich (July 28 - October 28)
Nicola Jacobs Gallery, London, UK; Third Eye Center, Glasgow, Scotland; "Reorienting: Looking East", curated by Lynne Cooke (cat.)
White Columns, New York, NY; "Fragments, Parts, Wholes; The Body & Culture"
XPO Galerie, Hamburg, Germany; "The Point of View"
1989 - 1990 Cambridge Darkroom, Cambridge; City Museum and Art Gallery, Stroke-on-Trent; Newport Museum and Art Gallery; Harris Museum and Art Gallery, Preston (all England); "Shifting Focus: An International Exhibition of Contemporary Women's Photography", curated by Susan Butler for The Arnolfini Gallery, Bristol and The Serpentine Gallery, London (cat.)
1989 Frac Rhône-Alpes, Lyon, France; "Avant 1989", curated by Haim Steinbach (cat.)
Josh Baer Gallery, New York, NY; "Natura-Naturata (An Argument for Still-Life)", curated by Cornelia Lauf (March 4 - March 11)
International Center of Photography, New York, NY; "Culture Medium: A Notion of Truth", curated by Charles Stainback (July 21 - September 3) (cat.)
Hirschl & Adler Modern, New York, NY; "Departures: Photography 1924-1989" (November 2 - December 2)
Grita Insam Gallery, Vienna, Austria (July 9 - September 9); Museum voor Hedendaagse Kunst Het Kruithuis, Hertogenbosch, The Netherlands (September 22 - October 29); "Vis-A-Vis: Aspects of Contemporary Portrait Photography"
Carleton Art Gallery, Carleton College, Northfield, MN; Women's Art Registry of Minnesota, Minneapolis, MN; "What Does She Want?: Current Feminist Art from the First Bank Collection", curated by Lynne Sowder and Nathan Braulick (cat.)
Emerson Gallery, Hamilton College, Clinton, NY; Anderson Gallery, Virginia Commonwealth University, Richmond, VA; "Abstraction in Contemporary Photography", curated by Jimmy De Sana (cat.)
Editions Ilene Kurtz, New York, NY; "Sarah Charlesworth and Laurie Simmons: Prints & Photographs" (April 28 - May 29)
Museum of Contemporary Art, Los Angeles, CA; "A Forest of Signs: Art in the Crisis of Representation", curated by Mary Jane Jacob and Ann Goldstein (May 5 - August 13) (cat.)
Art Center College of Design, Pasadena, CA; "Fauxtography", curated by Nora Halpern Brougher (September 16 - October 25)
Aldrich Museum of Contemporary Art, Ridgefield, CT; "Selections from the Collection of Marc and Olivia Straus" (June 24 - October 8) (cat.)
Messepalast, Vienna, Austria; Moskau - Wien - New York: "Kunst zur Zeit", curated by Viktor Misiano and Oliver Wasow (cat.)
National Museum of American Art, Smithsonian Institution, Washington, DC; The Museum of Contemporary Art, Chicago, IL and Walker Art Center, Minneapolis, MN; "The Photography of Invention: American Pictures of the 1980s", curated by Joshua P. Smith and Merry A. Foresta (cat.)
Tony Shafrazi Gallery, New York, NY; "Don't Bungle the Jungle! A benefit exhibition for the rainforest" (June 3 - June 30)
S. L. Simpson Gallery, Toronto, Canada; "Sarah Charlesworth, Christine Davis, Judith Schwarz" (July 22 - August 30)
Salama-Caro Gallery, London, UK; "International Camera" (January 27 - February 25)
The John and Mable Ringling Museum of Art, Sarasota, FL; Center for the Fine Arts, Miami, FL; "Contemporary Perspective I: Abstraction in Question", curated by Bruce Ferguson, Joan Simon and Roberta Smith (cat.)
The Serpentine Gallery, London, UK; “Shifting Focus” (June 30 - August 28)
The Squibb Gallery, Princeton, NJ; "Fictive Strategies; Actuality and Originality in Contemporary Photography", curated by Joseph Rauch (February 26 - April 2) (cat.)
Thomas Segal Gallery, Boston, MA; "Camera Culture", curated by Brent Sikkema (September 16 - October 18)
Nicola Jacobs Gallery, London, UK; "Subject: Object" (cat.)
Vienna Secession, Vienna, Austria; "The Play of the Unsayable-Wittgenstein and the Art of the XXth Century", curated by Joseph Kosuth (cat.)
Whitney Museum of American Art, New York, NY; "Image World: Art and Media Culture", curated by Marvin Heiferman and Lisa Phillips (November 9 - December 2) (cat.)
Wight Art Gallery, University of California, Los Angeles, CA; Joslyn Museum of Art, Omaha, NE; Neuberger Museum, Purchase, NY; Akron Art Museum, Akron, OH; "Selected Works from the Frederick R. Weisman Foundation" (cat.)
1988 Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; "Fabrications", curated by Anne Hoy (book)
Greenville County Museum of Art, Greenville, SC; "Just like a Woman"
Jay Gorney Modern Art, New York, NY; "Gallery Artists" (January 9 - January 30)
Burden Gallery / Aperture Foundation, New York, NY; "The Return of the Hero", curated by Karen Marta
Artculture Resource Center, Toronto, Canada; "The Discursive Field of Recent Photography", curated by Tom Folland
Haggerty Museum of Art, Marquette University, Milwaukee, WI; "Photography on the Edge" (March 24 – June 8) (cat.)
Robert Koch Gallery, San Francisco, CA; "Photography in Art Today"
Scott Hanson Gallery, New York, NY; "Media / Post Media", curated by Collins and Milazzo (January 6 - February 9) (cat.)
The University of North Texas Art Gallery, Denton, TX; The J. B. Speed Art Museum, Louisville, LA; Alberta College Gallery of Art, Alberta, Canada; The Cincinnati Contemporary Art Center, Cincinnati, OH, Richard F. Brush Art Gallery, Santa Fe Community College Art Gallery, Santa Fe, NM; "Hybrid Neutral: Modes of Abstraction and the Social" curated by Tricia Collins & Richard Milazzo for Independent Curators Intl. (cat.)
Wallach Art Gallery, Columbia University, New York, NY; "Sexual Difference: Both Sides of the Camera", curated by Abigail Solomon-Godeau (March 24 - May 7) (cat.)
White Columns, New York, NY; "Female (Re)production", curated by Marilu Knode (January 28 - February 20)
Rooseum, Malmö, Sweden; "Art at the End of the Social", curated by Collins & Milazzo (July 29 - October 2) (cat.)
1987 – 1988 Sala de Exposiciones de la Fundacion Caja de Pensiones, Madrid, Spain; Fundacio Caixa de Pensions, Barcelona, Spain; "Art and Its Double: A New York Perspective", curated by Dan Cameron (cat.)
1987 Alternative Museum, New York, NY; "Poetic Injury: The Surrealist Legacy in Post Modern Photography", curated by Roger Denson (November 14 - December 23)
Musee St. Pierre, Espace Lyonnais d'Art Contemporain, Lyon, France; "Contemporary Photographic Portraiture", curated by Bernard Brunon (October 7 - November 22) (cat.)
Barbara Toll Fine Arts, New York, NY: "Monsters: The Phenomena of Dispassion", curated by Dennis Kardon and Maria Reidelbach
The John and Mable Ringling Museum of Art, Sarasota, FL; Akron Art Museum, Akron, OH; Chrysler Museum, Norfolk, VA: "This is not a Photograph: Twenty Years of Large Scale Photography; 1966-1986", curated by Joseph Jacobs (cat.)
Sidney Janis Gallery, New York, NY; "Recent Tendencies in Black and White", curated by Jerry Saltz (December 3 - December 24) (cat.)
University Art Gallery, San Diego State University, San Diego, CA; "Industrial Icons"
Whitney Museum of American Art at Champion Plaza, Stamford, CT; Whitney Museum of American Art at Equitable Center, New York, NY; "Contemporary Diptychs: The New Shape of Content", curated by Roni Feinstein (cat.)
1986 Institute of Contemporary Art, Boston, MA; "As Found, part III of Dissent: The Issue of Modern Art in Boston" (April 29 - June 22) (cat.)
303 Gallery, New York, NY; Photography Bard College, Annandale-on Hudson, NY; "Altered States", curated by Vikky Alexander (April 3 - April 30)
Brooke Alexander Gallery, New York, NY, "Benefit for The Kitchen", curated by Brooke Alexander and Paula Cooper (December 13 - December 21)
CEPA Gallery, Buffalo, NY; "Spiritual America", curated by Collins and Milazzo (March 3 - June 15) (cat.)
Editions Ilene Kurtz, New York, NY; "Sarah Charlesworth, Jeff Koons, Laurie Simmons" (Tartan Sets portfolio)
S.L. Simpson Gallery, Toronto, Canada; "Ultrasurd", curated by Collins and Milazzo (September 26 - October 15) (cat.)
Lightsong Gallery, University of Arizona, Tucson, AZ
Margo Leavin Gallery, Los Angeles, CA; "Paravision", curated by Collins and Milazzo (July 12 - August 23)
Michael Kohn Gallery, Los Angeles, CA; "Post Pop Art" (June 5 - July 12)
The Queens Museum of Art, New York, NY; "The Big Picture", curated by Marvin Heiferman (cat.)
Venice Biennale, Venice, Italy; "Aperto" (June 29 - September 28) (cat.)
1985 – 1986 Rhona Hoffman Gallery, Chicago, IL; Texas Gallery, Houston, TX; Aspen Art Museum, Aspen, CO; Vanguard Gallery, Philadelphia, PA; "Infotainment", curated by Peter Nagy (cat.)
1985 Feature Gallery, Chicago, IL
Holly Solomon Gallery, New York, NY; "Selected Artists from The East Village"
International with Monument, New York, NY; “Still Life with Transaction” (March 28 - April 21)
Cable Gallery, New York, NY
55 Mercer Street Gallery, New York, NY; "Smart Art Too", curated by Joe Masheck (January 8 - January 26)
New Museum of Contemporary Art, New York, NY; "The Art of Memory, The Loss of History",curated by Bill Olander (November 22 - December) (cat.)
Light Gallery, New York, NY; “In the Tradition of: Photography” (February 11 - March 24)
Laguna Gloria Art Museum, Austin, TX; "Figure it Out"
Nexus Contemporary Art Center, Atlanta, GA; C. W. Woods Gallery, Hattiesburg, MS; Carolina Program Union, Columbia, SC; Austin Peay State University, Clarksville, TN; Valencia Community College, Orlando, FL; North Carolina Museum of Art, Raleigh, NC; University of the South, Sewanee, TN; Public Art, organized by Nexus Contemporary Art Center, Atlanta (cat.)
Postmasters Gallery, New York, NY; “Photo Object” (December 13 - January 26, 1986)
The Institute for Contemporary Arts, Santa Fe, NM; "Playing It Again, Strategies of Appropriation" (traveling show), curated by Sam Samore
Tibor de Nagy Gallery, New York, NY; "Cult and Decorum", curated by Collins and Milazzo (December 7 - January 4, 1986) (cat.)
Tony Birckhead Gallery, Cincinnati, OH
White Columns, New York, NY; "Seduction: Working Photographs", curated by Marvin Heiferman (February 6 - March 2)
Whitney Museum of American Art, New York, NY; "1985 Biennial Exhibition" (March 21 - June 9) (cat.)
1984 - 1985 White Columns, New York, NY; The New Capital, curated by Collins and Milazzo (December 4 - January 5, 1985)
Riverside Studios, London; Kettle's Yard, Cambridge; Midland Group Gallery, Nottingham, UK; "Between Here and Nowhere", curated by Rosetta Brooks (cat.)
1984 Galerie Jurka, Amsterdam, Netherlands; International with Monument, New York, NY; "Still Life with Transaction", curated by Collins and Milazzo
Cable Gallery, New York, NY; "Sex Show"
Dart Gallery, Chicago, IL; "Large Scale Photographs" (September 14 - October 10)
Fine Arts Gallery, Florida State University, Tallahassee, FL; "Natural Genres", curated by Collins and Milazzo (August 31 - September 30)
Blum Helman Warehouse, New York, NY; “Bomb Magazine Show”
Museum of Modern Art / Art Advisory Service, New York, NY; "Ten Years of Contemporary Art" (September - January, 1985)
School of the Art Institute of Chicago Gallery, Chicago, IL; "Sex Specific: Photographic Investigations of Contemporary Sexuality" (November 2 - November 24) (cat.)
Spiritual America, New York, NY; "Pop" (February 1 - March)
Washington Project for the Arts, Washington, DC; "The Magazine Store", curated by Jock Reynolds
Nature Morte Gallery, New York, NY; “Wedge Benefit” (June 27 - June 29)
1983 Castelli Graphics, New York, NY; "Three-Dimensional Photographs" (April 12 - May 4)
Allen Memorial Art Museum, Oberlin College, Oberlin, OH; "Art and Social Change U.S.A.", curated by Bill Olander (April 19 - May 30) (cat.)
American Graffiti Gallery, Amsterdam, Netherlands
Brooklyn Army Terminal, New York, NY; "Terminal New York"
Barbara Gladstone Gallery, New York, NY; "State of the Art, The New Social Commentary" (June 14 - July 29)
Marianne Deson Gallery, Chicago, IL; "Artists Use Photographs" (January 7 - February 16)
Marlborough Gallery, New York, NY; "In Plato's Cave", curated by Abigail Solomon-Godeau (November 4 - November 29) (cat.)
Olsen Gallery, New York, NY; "Eight Women Artists" (June 16 - July 16)
Palais de Beaux Arts, Brussels, Belgium
1982 The Renaissance Society, University of Chicago, Chicago, IL; "Art and the Media: A Fatal Attraction", curated by Tom Lawson (cat.) (May 2 – June 12)
Proctor Art Center, Bard College, Annandale-On-Hudson, NY; “Resource Material: Appropriation In Current Photography”, curated by Stephen Frailey (October 30 - December 1)
Olsen Gallery, New York, NY; (June 11 - August)
1981 Tony Shafrazi Gallery, New York, NY (December 19 - January 16)
P.S.1, Long Island City, NY; New York, “New Wave”, curated by Diego Cortez (February 15 – April 5)
Metro Pictures, New York, NY; “Photo” (September 12 - October 3)
1980 The Times Square Show, New York, NY; organized by Colab (June)
Carmen Lamanna Gallery, Toronto, Canada; “General Idea” (May 31 - June 19)
1979 Galerie Yvon Lambert, Paris, France; Paula Cooper Gallery, New York, NY; "Artemisia", curated by Yvon Lambert (cat.)
P. S.1, Long Island City, NY; “The Altered Photograph” (April 22 – June 10)
1978 Bibliotheque National, Paris, France
Gallery 76, Toronto, Canada
1977 Art Net, London, UK
Carmen Lamanna Gallery, Toronto, Canada
1976 Galerie Durand-Dessert, Paris, France; MTL Gallery, Brussels, Belgium; PMJ Self Gallery, London, UK; "Face / Surface", collaborative project with Joseph Kosuth
CURATORIAL PROJECTS:

1995 Artists Space, New York, NY; "Somatogenics", group show co-curated with Cindy Sherman and Laurie Simmons.
John Simon Guggenheim Fellowship Award, Visual Art
1983 National Endowment for the Arts
1980 National Endowment for the Arts
1977 New York State Creative Artists Public Service
1976 National Endowment for the Arts
BOOKS & CATALOGUES ABOUT THE ARTIST:

2017 Steiner, Rochelle,
ed.
Sarah Charlesworth, monograph with contributions by Eric Crosby, Mark Godfrey, Thomas Lawson and Rebecca Morse, Delmonico-Prestel (ISBN: 9783791356815)
2015 Gioni, Massimiliano Norton,
Margot
Sarah Charlesworth: Doubleworld, exhibition catalogue published by New Museum, New York, NY
2014 Witkovsky, Matthew S.
Sarah Charlesworth: Stills, exhibition catalogue published by the Art Institute of Chicago, Chicago, IL
1997 Fisher-Sterling, Susan Hickey,
Dave Phillips, Lisa
Sarah Charlesworth, exhibition catalogue published by Site, Santa Fe, NM and National Museum of Women in the Arts, Washington, DC
1992 Grachos, Louis
Contemporary Currents: Sarah Charlesworth, Special Project: Herald Tribune: Nov., 1977 / Herald Tribune: Jan. 18 - Feb. 28, 1991, exhibition brochure published by The Queens Museum of Art, Queens, NY (no ISBN)
1984 unsigned Sarah Charlesworth: April 21 1978, special issue of C. M. P. Bulletin published as exhibition brochure by California Museum of Photography, University of California, Riverside, CA, Vol.3 No.5 (ISSN: 0731-2377)
1983 Charlesworth, Sarah
A Lover's Tale, special issue of Wedge Magazine, Summer/Fall (a visual text pamphlet by Sarah Charlesworth)
1982 Charlesworth, Sarah Simmons,
Laurie
Sarah Charlesworth: In - Photography, exhibition catalogue published by CEPA Gallery, Buffalo, NY (ISBN: 0-939784-03-3) (includes artist statement: In-Photography)
1979 Charlesworth, Sarah
Sarah Charlesworth: Modern History (Second Reading), exhibition catalogue published by The New 57 Gallery, Edinburgh, Scotland (no ISBN, edition: 500) (includes artist statement: Unwriting: Notes on Modern History)
1977 unsigned Sarah Charlesworth: Fourteen Days, exhibition catalogue published by MTL Galerie, Brussels, Belgium
PUBLISHED WRITINGS BY THE ARTIST:

2016 Charlesworth, Sarah
Liz Deschenes, Liz Deschenes On My Mind (article)
2012 Charlesworth, Sarah
==. Liz Deschenes On My Mind. (article)
2011 Charlesworth, Sarah
Artforum, Best Books of 2011: Believing is Seeing (Observations on the Mysteries of Photographs) by Errol Morris. December. (review)
1999 Charlesworth, Sarah
Interview Magazine, Oct.; Full page photo
1995 Charlesworth, Sarah
October, Questions of Feminism: 25 Responses, #71, Winter
Charlesworth, Sarah
College Art Association Journal, Sarah Charlesworth, Spring, p.78, illus. (statement)
Charlesworth, Sarah Simmons,
Laurie
Laurie Simmons, A.R.T. Press, Pasadena (interview)
1994 Charlesworth, Sarah
Tema Celeste, La Differenza Tra I Sessi Nell'Arte, Jan. (editorial)
1992 Charlesworth, Sarah
Tema Celeste, The Role of Gender in Art: Sarah Charlesworth, Autumn (editorial)
1983 Charlesworth, Sarah
Bomb Magazine, Glossolalia, Spring (collaborative article and special section with Barbara Kruger)
1982 Charlesworth, Sarah
Artforum, Books: Camera Lucida: Reflections on Photography’ by Roland Barthes, April, p.72-73 (review)
1979 Charlesworth, Sarah
Art in America, China: Visiting Socialism, March-April
1977 Charlesworth, Sarah et al.
The Anti-Catalog (collaborative project)
1976 Charlesworth, Sarah
The Fox, For Artists Meeting, vol. I, #3
1975 Charlesworth, Sarah
The Fox, Declaration of Dependence, vol. I, #1
Charlesworth, Sarah
The Fox, Memo for the Fox, vol. I, #2
SELECTED BIBLIOGRAPHY: PERIODICALS:

2020 Strand, Nina
Modern Times, Virtual Walks. Summer 2020.
2019 Yu, Ashley
Musee Magazine, Remembering a Spotlight Artist: Sarah Charlesworth, Issue 21: Risk, February, 2019.
Moffitt, Evan
Frieze, The Best Shows in New York During Armory Week, March 5, 2019
Liberty, Megan
ArtReview, Sarah Charlesworth at Paula Cooper Gallery (review), April 2019
ElGenaidi, Deena
Hyperallergic, Your Concise Guide to Armory Week 2019, March 5, 2019
Deitcher, David
4Columns, Sarah Charlesworth: A Look Back at the Artist's Quintessential Postmodernism, March, 15, 2019.
Binlot, Ann
Document Journal, The Story Behind Sarah Charlesworth's Haunting 'Stills' Series, February 26, 2019
Bigman, Alexander R.
Art in America, Sarah Charlesworth (review), May, 2019
Artnews, 9 Art Events in New York This Week..., February 18, 2019
2018 Woodward, Richard B.
Wall Street Journal, ‘Everything Is Connected: Art and Conspiracy’ Review: Paranoid Imaginings, September 24, 2018
Valentovic, Amanda
AM New York, The Met Breuer's "Everything is Connected" Exhibit Examines Facts, Conspiracy and Power, September 20, 2018
Lachowskyj, Cat
British Journal of Photography, Everything is Connected: Art and Conspiracy at The Met Breuer, New York (review), September 13, 2018
Conti, Riccardo
Vogue Italia, Sarah Charlesworth, Available Light (review), May 25, 2018
2017 The New Yorker, Sarah Charlesworth, April 2017
Hutt, John.
Musee Magazine, "Sarah Charlesworth: she stands alone", March 28, 2017
Indiana, Gary
The New York Times Style Magazine, These ’80s Artists Are More Important Than Ever, February 13, 2017
Tarasoff, Sabrina
Flash Art, Sarah Charlesworth at Campoli Presti, January / February 2017
2016 Respini, Eva
Aperture, On Defiance: Experimentation as Resistance, Winter 2016, pp. 100-107
Dick, Leslie
X-tra Contemporary Art Quarterly, Intentional Accidents: Reflections on Sarah Charlesworth's Stills, Vol. 18, No. 3, Spring 2016.
Davis, Ben
Artnet, Do You Have to Be Rich to Make It as an Artist?, January 14, 2016
2015 Caranicas, Devon
Sleek, Sarah Charlesworth’s Retrospective Gives You Double Vision, July 1st, 2015
Felsenthal, Julia
Vogue, Decoding Sarah Charlesworth’s Patricia Cawlings, Los Angeles at New York’s New Museum, July 9, 2015
Dorenbaum, Frances
F Newsmagazine, The Last Dance: Sarah Charlesworth’s Stills, January 30, 2015
Denson, G. Roger
Huffington Post, Where Doubt Is Faith and the Sign Is Spirit: Sarah Charlesworth's Art of Personal Religion, September 8, 2015
Cruz, Cynthia
Hyperallergic, With Photography, Sarah Charlesworth Deconstructs the World, September 11, 2015
PDN, The Double World of Sarah Charlesworth, September 4, 2015
Budick, Ariella
Financial Times, Sarah Charlesworth/Albert Oehlen, New Museum, New York, August 19, 2015
Aletti, Vince
The New Yorker, Optic Nerve, The New Museum Surveys the Enigmatic Pictures of Sarah Charlesworth, July 20, 2015
Halle, Howard
Time Out New York, Best Art Shows of 2015, December 10, 2015
Musée Magazine, Sarah Charlesworth: Doubleworld at New Museum, July 3, 2015
Art in America, Museum Previews - Sarah Charlesworth, July 2015
Gopnik, Blake
artnet Magazine, At the New Museum, Sarah Charlesworth's Jumpers Leap for Us All, August 14, 2015
Krasinski, Jennifer
Village Voice, Doubledowner: New Museum Retrospective Gives Too Brief a Look at Sarah Charlesworth’s Work, July 14, 2015
Herd, Colin
Aesthetica Magazine, Subversive Photography. August-September, 2015
Smith, Roberta
The New York Times, ‘Sarah Charlesworth: Doubleworld’ Studies Perceptions Shaped by Photography, June 25, 2015
Jovanovich, Alex
Artforum, Critics' Picks, July 2015
Yerebakan, Osman Can
Art Observed, New York – Sarah Charlesworth: “Doubleworld” at The New Museum Through September 20th, 2015, September 3, 2015
Wyma, Chloe
Modern Painters, The Double World of Sarah Charlesworth, June 21, 2015
Woodward, Richard B.
The Wall Street Journal, ‘Sarah Charlesworth: Doubleworld’ Review: Should We Look Away?, July 8, 2015
Solomon, Deborah
The New York Times, Recalling Sarah Charlesworth’s Photographs, June 26, 2015
Schwendener, Martha
The New York Times, Review: Metropolitan Museum Looks at Photos That May Last, December 31, 2015
O'Neill, David
Bookforum, Sarah Charlesworth: Doubleworld, Fall 2015
Murg, Stephanie
Wallpaper, The artist and linguist: Sarah Charlesworth's 'Doubleworld' on show at the New Museum, July 9, 2015
Mohammad, Sehba
Flavorpill, 5 Reasons to See Sarah Charlesworth at the New Museum, June 18, 2015
Krug, Simone
The Brooklyn Rail, Sarah Charlesworth - Doubleworld, September 8, 2015
2014 Heinrich, Will
New York Observer, ‘Sarah Charlesworth: Objects of Desire: 1983-1988’ at Maccarone, May 7, 2014
Coleman, Sarah
Artnews, ‘Sarah Charlesworth: Objects of Desire, 1983–1988′ at Maccarone, July 30, 2014
Cristello, Stephanie
Pier Review, Sarah Charlesworth: Stills at the Art Institute of Chicago, Chicago, IL, September 19, 2014
The New Yorker, Sarah Charlesworth, April 25 2014 – June 21 2014
Fiske, Courtney
Art in America, Sarah Charlesworth at Maccarone, September 3, 2014
Guarino, Mark
The Guardian, Considering the humanity of falling bodies in Sarah Charlesworth's Stills, September 18, 2014
Russeth, Andrew
Artnews, ‘Challenged to Encompass Everything', September 18, 2014
Hutt, John
Musée Magazine, Sarah Charlesworth “Objects of Desire 1983-1988″ at Maccarone, May 3, 2014
Laster, Paul
Timeout New York, Sarah Charlesworth, "Objects of Desire: 1983-1988", May 20, 2014
MacDonnell, Nancy
W Magazine, Ahead of her Time, April 28, 2014
Schjeldahl, Peter
The New Yorker, Get with It
Vogel, Carol
The New York Times, Hurtling Bodies, Frozen in Time: 'Stills' by Sarah Charlesworth, September 12, 2014, p. AR4
2013 Kazakina, Katya
Bloomberg, Sarah Charlesworth Leaves Magic Images, Beloved Garden, June 29, 2013
Artlyst, Sarah Charlesworth American Conceptual Artist And Photographer Dies, June 29, 2013
Boucher, Brian
Art in America, Sarah Charlesworth 1947-2013, June 26, 2013
Gallun, Lucy
Inside/Out, A MoMA / MoMA PS1 Blog. Unwriting: Sarah Charlesworth, November 15, 2013 (blog)
Goldstein, Andrew M. Corbett,
Rachel
Artspace, Remembering Sarah Charlesworth, Groundbreaking "Pictures Generation" Photographer, June 28, 2013
Handzo, Ben
Bomb Magazine, Sarah Charlesworth, 1947 - 2013, July 17, 2013
Woodward, Richard B.
The Wall Street Journal, Pictures, Without Their Thousand Words, July 3, 2013
Lee, Soo Ji
PDN, Obituary: Fine-Art Photographer Sarah Charlesworth, 66, June 27, 103
Russeth, Andrew
New York Observer, Sarah Charlesworth, Incisive Conceptual Photographer, Dies at 66, June 26, 2013
Simmons, Laurie
Artforum, Sarah Charlesworth (1947–2013), November 2013
Smith, Roberta
The New York Times, Sarah Charlesworth, Artist of Deconstructed Photographs, Dies at 66, June 30, 2013
Traub, Charles Lange,
Matthew C.
The Brooklyn Rail, Remembering Sarah Charlesworth (1947-2013), July 15, 2013
Putrino, Matt
Nothing Major, R.I.P. Sarah Charlesworth, July 1, 2013
2012 Modern Painters, Reviews in Brief: Sarah Charlesworth. June 2012.
Flash Art, Sarah Charlesworth & Sara VanDerBeek: A Space in Between. Summer 2012. pp. 80-83. (interview)
Life + Times, Lights Please: Sarah Charlesworth, April 16, 2012.
Columbia: A Journal, No. 50, 2012. pp. 83-84.
The New Yorker, Goings on About Town: Art. April 9, 2012, p. 10.
Frolov, Oleg
Populist Magazine, Interview with Sarah Charlesworth, February 2012, p. 4-16.
Smith, Roberta
The New York Times, Sarah Charlesworth: Available Light, March 29, 2012, p. C26.
2011 Moyer, Carrie
Art in America, “The Deconstructive Impulse” (review) May 2011, p. 163
Hodara, Susan
The New York Times, “Taking on the Role of Gender in Media” March 13, 2011
Cembalest, Robin
ARTnews, A Terrible Beauty?, Summer 2011
2009 Tikhonova, Julia
FLASH ART, "Sarah Charlesworth at Susan Inglett" (review) July-Sep 2009, Vol XLII, pp 98
Hafner, Hans-Jurgen
Artnet Magazine, “Sarah Charlesworth bei Galerie Tanit, Munich: The Colour of Conceptual Criticism” (review) Oct 13
Barnes, Steve
ARTnews, Sarah Charlesworth (review), Summer pp 128
2008 Smith, Roberta
The New York Times, "The Human Face is a Monument" April 25, 2008
ARTnews, "Concrete Color" (review) March 2008
2007 Fitzpatrick, Andrea D.
Art Journal, "The Movement of Vulnerability: Images of Falling and September 11" Winter 2007. col 66. no 4. pp. 85-102
North Drive Press, "Sarah Charlesworth and Sara Vanderbeek: An Interview" #4, Fall
2006 BOMB Magazine (cover), Summer, Number 96
2005 O'Brien, Glenn
GQ, "How to Collect Photography," Sept, pp 302
2004 Deitcher, David
Artforum, "Spiritual America: David Deitcher on pre-teen spirit," Oct, p.
Spicer, Jakki
artUS, "The Last Picture Show," January and February; pp. 36-37
2003 Hamilton, Jeanne
Artforum, One Year Under the Mast, Alexander Alberro on The Fox, Summer 2003 ; pp. 162 - 164, p. 206
Hainley, Bruce
Artforum, "Designs for Living," December; p. 151
(Eds.) O'Brien, Glenn and Max Blagg
Bald Ego; Fall 2003, Vol. 1 and Vol. 2 (ill. cover and reproductions)
Hamilton, Jeanne
The Commercial Appeal, 'Cold Comfort' clutches a warm and fuzzy void, 21 January;p. C4
2002 unsigned The New Yorker, Photography: Sarah Charlesworth, 16 Dec.; p.20
Johnson, Ken
The New York Times, Art Guide: Sarah Charlesworth, 13 Dec.; p.E45
2001 Marschall, Laurence A.
The Sciences, Book in Brief: The Story of P (illustr.), Jan.-Feb.; p.44
2000 Aletti, Vince
The Village Voice, Voice Choice: Photo: Sarah Charlesworth, 25 Jan.; p.79
Cotter, Holland
The New York Times, Surging Into Chelsea, 21 Jan.; pp. E37, E41
Cohen, Michael
Flash Art, Review: Sarah Charlesworth at Gorney Bravin + Lee, May - June; p. 116
Saltz, Jerry
The Village Voice, The I-Don't-Get-It-Aesthetic, 25 January; p.57
Pagel, David
Los Angeles Times, Sarah Charlesworth - Magical Forms, 28 January
Schwendener, Martha
Time Out New York, Art reviews: Sarah Charlesworth at Gorney Bravin + Lee, 27 Jan-3 Feb., p. 58
1999 unsigned The Chronicle of Higher Education, A Poetry of Metaphor and Magic, 7 May.
Temin, Christine
The Boston Globe, Photo Synthesis: in a 20 year retrospective at the Rose Art Museum, Sarah Charlesworth transforms the medium and themessage of photography, 7 May.
1998 Shaw-Eagle, Joanna
Sunday Times, Exhibition of Shifting Realities, 12 July
Morgan, Anne Barclay
Camera Austria International (Graz), Sarah Charlesworth - A Retrospective, Vol.64, illus. (review)
O'Sullivan, Michael
The Washington Post, Charlesworth's truth in pictures, 17 July (review: Nat'l. Museum...)
Pincus, Robert
San Diego Union Tribune, Pool of images, pearles of truth, 5 April(review: LaJolla)
Litt, Steven
The Plain Dealer (Cleveland), Photography as a form of Contemplation:Charlesworth's Artistic Images a Rich and Compelling Presence, Sun.,22 Nov., p.4-I (review: CCA)
Smith, Roberta
The New York Times, Art Review: Evocative Cells: Uptown, Downtown,All Around, 27 Nov.
Swarski, Lindsey
UCSD Guardian, Cutting-edge photography is candy for the mind, 2 April (review: LaJolla)
unsigned Antiques and the Arts Weekly, First Retrospective of Sarah Charlesworth's Photo-Objects, 28 Aug. (review: Nat'l. Museum...)
unsigned Flash Art, Sarah Charlesworth Retrospective, Jan.-Feb, p.46, illus. (newssection)
unsigned Vision Magazine, Recycling Culture: an interview with SarahCharlesworth, 28 May
Morgan, Anne
Art Papers, Peering through History: an interview with Sarah Charlesworth, May-June, p.17-21, illus. (feature)
Linker, Kate
Art in America, Sarah Charlesworth: Artifacts of Artifice, July, p.74-79, 106 + cover (feature)
Lewis, JoAnn
The Washington Post, Slight of Lens" Sarah Charlesworth, deconstruc-ting 'Truth' frame-by-frame, 10 August (review: Nat'l. Museum...)
Knight, Christopher
The Los Angeles Times, An Artist Taking Pictures (Literally), 22 April,p.F-1,4, illus. (review: LaJolla)
Green, Frank
Cleveland Free Press, Master Juggler: The Restless Experiments of Sarah Charlesworth, 16-22 Dec.
Goldberg, Vicki
The New York Times, Messages in the media: varied perceptions offactuality, 31 July, p.B33 (review: Nat'l. Museum...)
Forrest, Jason A
The Atlanta Journal Constitution, Look twice, then again, at thesecomplex photos, Fri., 27 Nov., p.Q8, illus. (review: Fay Gold)
Domandi, Marie-Charlotte
Aperture, Sarah Charlesworth: retrospective at SITE Santa Fe, June,p.76-7, illus. (review: Site)
Buckley, Patricia Morris
North County Times, Artist Explores philosophies in retrospective photoexhibit, 20 March (review: LaJolla)
Bolger, Michael
La Jolla Village News, Charlesworth tests sense, sensibilities in "Retrospective" 28 May
Baldridge, Charlene
La Jolla Village News, Artists offer resonant juxtapositions, 23 April
1997 Clemmer, David
Santa Fe Reporter, Context, Content and the Vessel of the Miraculous, 12-18 Nov., p.27 (review: Site)
Walker, Hollis
Pasatiempo, The New Mexican, A Landscape of Images, 31 Oct.-6 Nov.,pp.32-33 (review: Site)
MacNeil, William
Albuquerque Journal, Celebrated Photographer Blurs Line between Fact,Fiction, 4 Nov., pp.1&3 (review: Site)
1996 Goldstein, Laurence
Michigan Quarterly Review, Introduction, Vol. XXXV, No.4, Fall, p.574, illus.
Johnson, Paul
Cover, Sarah Charlesworth, March , p.53, illus. (review: J.G.M.A.)
unsigned New Observations, Sarah Charlesworth: Text, Jan/ Feb, pg. 22, illus.
unsigned At The Museum (Los Angeles County Museum of Art), Some Grids, p.9
unsigned The Sciences, Sept/ Oct, pg. 28, illus.
1995 Yablonsky, Linda
Time Out / New York, Sarah Charlesworth: Doubleworld, 15-22 Nov.,p.25, illus. (review: J.G.M.A.)
unsigned Canadian Art, Fast Forward, Fall, illus. (preview: S. L. Simpson)
Hagen, Charles
The New York Times, Sarah Charlesworth,17 Nov., p. C-30, (review: J.G.M.A.)
Aletti, Vince
The Village Voice, Choices: Sarah Charlesworth, 7 Nov.; supplementp. 8, illus. (review: J.G.M.A.)
1994 unsigned The New Theater Review, fall, #11,pg. 8, illus. + cover
Hickey, Dave
Parkett, A Matter of Time: On Flatness, Magic, Illusion, and Mortality,#40/41, Summer, (feature)
1993 Mifflin, Margot
Artnews, What do Artists Dream?, Oct. (editorial)
Hess, Elizabeth
The Village Voice, Materialized Girls: Nancy Rubins, Lisa Hoke, MeganWilliams, Sarah Charlesworth, 20 April (review: J.G.M.A.)
Romano, Gianni
Zoom (Milan), Sarah Charlesworth, Nov.-Dec., illus. (feature)
Heartney, Eleanor
Artnews, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.)
Hess, Elizabeth
The Village Voice, Body Triple, 30 Nov., illus. (review: Drawing Center)
1992 Campitelli, Maria
Juliet (Trieste), Sarah Charlesworth, Feb.-March (review: J.G.M.A.)
1991 Durand, Regis
Art Press (Paris), Fragments d'un Paysage d'images, #153, Dec.(feature)
Litt, Steven
The Plain Dealer, (Cleveland) Using or Abusing a Powerful Symbol?, 8 Sept.
Brenson, Michael
The New York Times, Sarah Charlesworth: Shifted Images of theRenaissance, 22 March, illus. (review: JGMA)
Dennis, Melvin
Puchong Folios, Sarah Charlesworth, Spring (review: J.G.M.A.)
Denson, G. Roger
Bijutsu Techo, (Tokyo) Traces of Feminity: Sarah Charlesworth, JanGroover & Ida Applebroog, reprint / translation of What's in a Word, pgs.28-43, illus. + cover (feature)
Weily, Susan
Artnews, Sarah Charlesworth's Abracadabra, March, pgs. 116-121, illus. + cover (feature)
Lewis, James
Artforum, Sarah Charlesworth, Summer, (review: J.G.M.A.)
Gardner, Paul
Artnews, What Artists Like About the Art They Like When They Didn't Know Why, Oct., illus. (questionnaire interview)
Meuris, Jacques
La Libre Belgique, (Brussels) Au temps de l'image: l'artiste américaine Sarah Charlesworth entend révéler ... froid les passions contemporaines...travers une imagerie omni-présente, 15 May, illus. (review:Hufkens)
O'Rourke, Meg
Arts Magazine, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.)
Stiwer, Pierre & Di Felice,
Paul.
Cafe-Creme, (Luxembourg), Sarah Charlesworth: L'immaculée conception, #15-Summer, pgs. 38-43, illus. + cover (interview)
Thompson, Elspeth
The Guardian (London), Portrait of a Friendship, 4 Dec., illus. (review:Interim Art)
unsigned Art and Man, Sept/ Oct, pg. 16, (feature)
Van der Ploeg, Kees
Flash Art, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.)
1990 New Observations, Issue.74, March 15-31, p.5
unsigned The New Yorker, Goings On About Town: Art, July 23, (review: J.G.M.A.)
unsigned Interview Magazine, full page reproduction, Feb.
Denson, G. Roger
Tema Celeste, The New Metaphysical Art and It's Legacy, July-Oct., No. 25, p.37-42, illus. (editorial)
Denson, G. Roger
Contemporanea, Sarah Charlesworth: What's in a Word, Oct., pgs.70-75, illus. (feature)
Charlesworth, Sarah
Artforum, A Grammar of Essence: A Project for Artforum by Sarah Charlesworth, Feb., pp.123-125, illus. (project)
1989 Jones, Bill
Arts Magazine, Born Again: Seeing the End of Photography, Oct.,pgs. 72- 77, illus. + cover (editorial)
Kimmelman, Michael
The New York Times, At the Whitney, 100 Works From the Last 30Years, Nov 10, (editorial)
Kent, Sarah
Time Out / London, Sarah Charlesworth, May 10-17, illus. (review: Interim Art)
Phillipi, Desa
Artforum, Shifting Focus, Nov., p.168 (review: Serpentine Gallery)
Heartney, Eleanor
Artnews, Sarah Charlesworth, Sept., illus. (review: J.G.M.A.)
Grundberg, Andy
The New York Times, Two Shows: One Works the Other Bogs Down,Sunday, Aug 13, illus., (review: I.C.P. & Metropolitan)
Faber, Monika
Camera Austria, (Graz) Vis a Vis der Kamera, #30, (review: Grita Insam)
Caley, Shaun
Flash Art, A Forest of Signs: One is Ushered into a Wonderland of Banality, Nov/Dec, (review: M.o.C.A.)
Levin, Kim
The Village Voice, April 25, (review:J.G.M.A.)
Princenthal, Nancy
Barron's, More Positives Than Negatives: Collectors Bids Up ArtisticPhotographs, May 22, illus. (editorial)
Mueller, Cookie
Details Magazine, Art and About, Sept., illus. (review: B.A.M.)
Scheuer, Daniel
Center Quarterly: A Journal of Photography and Related Arts, 150th at f2Snapshots of Contemporary Art Photography, Vol. 11, #1
Silko, Leslie M.
Artforum, The Fourth World, Summer, pgs.124-127, illus.: Madonna and Child, special project by Sarah Charlesworth (in special section designedby Robert Barry, pgs.124-135)
Smith, Roberta
The New York Times, Charting Traditions of Non-traditional Photography, June 11, (review: National Museum)
Sussler, Betsy
Bomb Magazine, Profile / Art: Sarah Charlesworth, Winter, pgs.30-33, illus. (feature)
unsigned Corriere della Serra (Roma/Milano), Sarah Charlesworth, Aug 18
Wise, Kelly
The Boston Globe, Redefining the Language of Photography, Oct.17(review: Segal)
Zampaglione, Arturo
La Repubblica, Il Venerdi (Rome), p.92, Sept 8, (interview)
1988 multiple authors The Print Collector's Newsletter, Photographs and ProfessionalsIV , Vol.XIX, No.3, July/Aug, pgs.81-91+cover illus. (panel discussion)
Glanzman, Judith
Journal of Contemporary Art, Sarah Charlesworth, Spring, pg. 56 (interview)
Kramer, Hilton
New York Observer, Sexual Difference:, April 18, p.1&11 (review: Wallach Art Gallery)
Smith, Roberta
The New York Times, Galleries Paint a Brighter Picture for Women,April 14 (editorial w/review: J.G. M.A.)
Saltz, Jerry
Arts Magazine, The Implacable Distance: Sarah Charlesworth's "Unidentified Woman, Hotel Corona, Madrid (1979-1985)", March, pgs.24-25, illus. (feature)
Sischy, Ingrid
The New Yorker, Photography: Sarah Charlesworth, April 24, (review: J.G.M.A.)
unsigned Flash Art News, Supplement # 143, Nov/Dec
1987 Selwyn, Marc
L.A. Weekly, Sarah Charlesworth, May 8- 14, pg.44 (review: Leavin)
Clarkson, David
Parachute, (Montreal) Sarah Charlesworth: An Interview, Dec., pgs.12-15 (interview)
Cohen, Ronny H
The Print Collectors Newsletter, New Abstraction V, Mar/Apr., p.9-13, illus.
Collins, Tricia & Milazzo,
Richard
New Observations, Oct.
Gilbert-Rolfe, Jeremy
Arts Magazine, Where Do Pictures Come From? Sarah Charlesworth and the Development of the Sign, Dec., pgs.58-60, illus. (feature)
Cameron, Dan
Flash Art, Art and Its Double, Summer
Shottenkirk, Dena
C Magazine, (Toronto) Sarah Charlesworth: Imaging the Other, Spring,pgs. 18- 23 + cover (feature)
Stretch, Bonnie Barrett
Art and Auction, Contemporary Photography, May, pgs.140-147, illus.
Turner, Dot
Vanguard (Toronto), Sarah Charlesworth, Feb./Mar., illus. (review:S.L. Simpson)
unsigned Artnews, October issue, p.135
unsigned Bomb, (Toronto), Issue CCI, Fall, cover
Wilson, William
Los Angeles Times, The Art Galleries: Joel Otterson / Sarah Charles-worth, May 1, (review: Margo Leavin)
1986 unsigned Effects Magazine, Winter 1986 (cover)
Jones, Alan
Galleries Magazine (Paris), Paravision: Une Interview avec TriciaCollins et Richard Milazzo, Aug./Sept., (interview)
Indiana, Gary
Village Voice, Liquid Memory, Solid Objects, April 1, illus. (review: Int'l with Monument)
Collins, Tricia and Milazzo,
Richard
Kunstforum (Köln), New York: Tropical Codes, April/May, p.308
Collins, Tricia
Kunstforum (Köln), Sarah Charlesworth: Natural Signs From Milazzo,Richard Structural Reformation to Iconic Abstraction, April/May, p.314-315
Cameron, Dan
Flash Art, Post-Feminism, Feb/Mar, pgs.80-83, illus. (editorial)
Brody, Jacky
The Print Collectors Newsletter, (review: print portfolio by Sarah Charlesworth)
Brenson, Michael
The New York Times, Sunday July 13, (review: Venice Biennale)
1985 Kohn, Michael
Flash Art, Sarah Charlesworth, April/May, illus. (review: Int'l with Monument)
Linker, Kate
Artforum, Sarah Charlesworth, Summer, pg.105, illus. (review: Int'l with Monument)
unsigned Aperture, Sarah Charlesworth, No. 100, Fall
Warren, Ron
Arts, Sarah Charlesworth, May, (review: Int'l with Monument)
1984 Indiana, Gary
Art in America, Sarah Charlesworth, Sept., illus. (review: Clocktower)
Bob, Paul
The East Village Eye, Cutting Up Culture: Photo Artist Sarah Charlesworth is Pointing to..., June, pgs. 15 & 17, illus. (feature)
Hathaway, Jane
New York Beat, Photography: Sarah Charlesworth, 2 May, p.15,illus. (review: Clocktower)
Deitcher, David
After-Image, Questioning Authority: Sarah Charlesworth's Photographs,Summer, pgs. 14-17, illus. (feature)
Linker, Kate
Artforum, Eluding Definition
Smith, Roberta
The Village Voice, Chrysler's Wings of Fashion, April (review:Clocktower / Feldman / Castelli)
unsigned Contact Sheet #41, published by Light Work, Syracuse, NY
unsigned Esquire, Openings: Sarah Charlesworth, Feb., p.100 (preview: Clocktower)
1983 unsigned Afterimage, May
Samore, Sam
Exposure (pub. by the Society for Photographic Education), Playing it Again, Winter
Grundberg, Andy
The New York Times, Post-Modernists in the Mainstream, Nov. 20
1982 Hagen, Charles
Artforum, Sarah Charlesworth, Dec., p.80, illus. (review: Gagosian)
unsigned Artistes, Fall (review)
unsigned Art in America Guide to Museums, Galleries, and Artists, Tabula Rasa, by Sarah Charlesworth, listed as an Outstanding Solo Show of1982)
Scully, Julia
Modern Photography, Seeing Pictures, June
Owens, Craig
Art in America, Sarah Charlesworth, May, (review: Gagosian)
1981 Castle, Ted
Flash Art, Verbal Art, Nov.
Sussler, Betty
Cover Magazine, Interview with Sarah Charlesworth, Spring / Summer (feature)
1980 Frank, Elizabeth
Art in America, Sarah Charlesworth, April, illus. (review: Shafrazi)
GROUP EXHIBITION CATALOGUES AND BOOKS:

2019 Fineman, Mia,
et al.
Apollo's Muse: The Moon in the Age of Photography, (Metropolitan Museum of Art, NY)
Great Women Artists, (Phaidon, New York, NY)
2018 Jetzer, Gianni; Pires,
Leah; Nickas, Bob
Brand New: Art and Commodity in the 1980's, (Hirshhorn Museum and Rizzoli Electa, New York, NY)
Ecklund, Douglas; Alteveer,
Ian
Everything is Connected: Art and Conspiracy, (The Metropolitan Museum of Art, NY)
Beshty, Walead,
ed.
Picture Industry: A Provisional History of the Technical Image (1844-2018), (JRP|Ringier, New York)
2017 Berry, Ian Shear,
Jack
Borrowed Light: Selections from the Jack Shear Collection, (Delmonico - Prestel, New York, NY)
Al-Khudhairi, Wassan
Third Space: Shifting Conversations about Contemporary Art, (Birmingham Museum of Art, Birmingham, AL)
2016 Hickey, Dave
25 Women: Essays on Their Art, Published by The University of Chicago Press
Crosby, Eric; Beard,
Thomas; Relyea, Lane; Respoini,
Eva
Ordinary Pictures. (Walker Art Center, Minneapolis, MN)
2014 Ebner, Florian Greiff,
Sophia et al.
(Mis)Understanding Photography, Sarah Charlesworth, Special Project: Herald Tribune: September 1977, Edited by Museum Folkwang, Essen, Germany
Migayrou, Frédéric
Bernard Tschumi - Architecture: concept & notation, Special Project: Stills, Published by Centre Pompidou, Paris, France
Le Bal / Éditions Textuel / Centre National des Arts Plastiques La Persistance des Images
2012 Brodie, Judith
Shock of the News. (National Gallery of Art, Washington, DC)
Colpitt, Frances
Color Pictures. (The Art Galleries of TCU, Fort Worth, TX)
2011 Ware, Katherine
Earth Now: American Photographers and the Environment. (Museum of New Mexico Press, Sante Fe, NM)
Princenthal, Nancy,
McDonough, Tom,
Pollock, Griselda,
Posner, Helaine,
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991. (Prestel USA, New York, NY)
Honold, Astrid
Circa 1986. (Black Cat Publishing, Amsterdam)
Hoffman, Felix
The Uncanny Familiar – Images of Terror, (Buchhandlung Walther Konig, Koln)
Eleey, Peter; Hoffman,
Felix
September 11. (MoMA PS1, Long Island City, NY)
2010 Modrak, Rebekah,
Anthes, Bill
Reframing Photography: Theory & Practice. (Routledge, London)
Klein, Alex
Words Without Pictures, Discussion Series curated by Charlotte Cotton and Alex Klein (LA County Museum, Los Angeles, CA; 2nd ed. Aperture Foundation, New York, NY, 2010)
Doswald, Christoph
Press Art: Sammlung Annette und Peter Nobel. (Stampfli Publikationen AG, Bern)
Blessing, Jennifer,
Trotman, Nat
Haunted: Contemporary photography, video, performance. (Guggenheim Museum, New York)
Captured in Time: ART in Embassies Exhibition Paris, France. (ART in Embassies, Washington, DC)
2009 Eklund, Douglas
The Pictures Generation, 1974 – 1984. (The Metropolitan Museum of Art, NY)
Aupetitallot, Yves
Images & (re)presentations: Les Annee 1980s, (Centre d'Art Contemporain, Grenoble, France)
2008 Jedermann Collection- Set 5 from the Fotomuseum Winterthur Collection, (Fotomuseum Winterthur, Switzerland)
Congdon, Kristin Hallmark,
Kara Kelley
Twentieth Century United States Photographers: A Student�s Guide, (Greenwood Press, Westport, CT)
2007 A New Reality: Black-and-White Photography in Contemporary Art. Jane Voorhees Zimmerli Art Museum, Rutgers. The State University of New Jersey, New Brunswick, NJ
2006 Traub, Charles Heller,
Stephen Bell, Adam B.
The Education of a Photographer, "Objects of Desire: An interview with Sarah Charlesworth" (Allworth Press and School of Visual Arts, NY)
2005 Foster, Hal Krauss,
Rosalind Bois, Yve-Alain Buchloh,
Benjamin
Art Since 1900: Modernism, Antimodernism, Postmodernism (Thames & Hudson, New York, NY)
2004 Witkovsky, Matthew S Mariño,
Melanie Trotman, Nat
Speaking with Hands: Photographs from the Buhl Collection, (Solomon R. Guggenheim Museum, New York, NY)
Fogle, Douglas
The Last Picture Show: Artists Using Photography 1960-1982; (Walker Art Center, Minneapolis, MN)
2003 Scott, Sue
Constructed Realities: Contemporary Photography, (Orlando Museum,Orlando, FL)
Off the Press: Recontextualizing the Newspaper in Contemporary Art,(Southwest Museum of Photography, Daytona, FL)
2002 Wolfe, Sylvia
Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001, (Whitney Museum of American Art, New York, NY)
Warner, Mariana Haworth-Booth,
Mark
Seeing Things: Photographing Objects, 1850-2001, (The Victoria and Albert Museum, London, UK)
Decter, Josh
Televisions, (Kunsthalle, Vienna, Austria)
2000 (various) Post Modernism, (Tate Gallery, London, UK)
1999 Phillips, Lisa
The American Century: Art & Culture 1950-2000, (Whitney Museum of American Art & Norton Publishers, New York, NY)
1998 Bunnell, Peter C.
Photography at Princeton, (Princeton University, Princeton, NJ)
1997 Blaettler, James Nieboer,
Jan willem Steensma, Regnerus
The One Chosen: Images of Christ in Recent New York Art, (ThomasWalsh Gallery, NY)
Sobel, Dean
Identity Crisis: Self Portraiture at the End of the Century, (Milwaukee Art Museum, Milwaukee, WI)
1996 Tallman, Susan
The Contemporary Print: From Pre-Pop to Postmodern (book)
Pierce Rosenberg, J.
A Question of Balance: Artists and Writers on Motherhood, (Papier Mache, Watsonville, CA)
Heiss, Alana Streeter,
Sabina
Model Home, (The Clocktower Gallery, Institute of Contemporary Art, New York, NY)
1995 Grigoteit, Ariane,
et al.
Tradition and Zeitgeist: Works from the Collection of Deutsche Bank North America, (DuMont Verlag, Köln, Germany)
Denson, G. Roger
Chasing Angels, (Christinerose Gallery, New York, NY)
1994 Morgan, Dahlia
American Art Today: Heads Only, (The Art Museum, Florida Int'l. University, Miami, FL)
Felshin, Nina
Empty Dress: Clothing as Surrogate in Recent Art, (Independent)
Decter, Joshua
Don't Look Now, (Thread Waxing Space, New York, NY)
1993 Hill-Perrell, Franklin
Image Makers, (Nassau County Museum of Art, Roslyn Harbor, NY)
Espy-Burns, Victoria
Vivid: Intense Images by American Photographers, (Raab Galerie, Berlin, Germany)
anonymous Sex Quake - Art After the Apocalypse, (1st Art- Genes Portable Museum)
Jacobson, Marjory
Art for Work: The New Renaissance in Corporate Collecting, (HarvardBusiness School Press, Boston, MA)
Phillips, Lisa
Photoplay: Works from the Chase Manhattan Collection, (The Chase Manhattan Corporation, New York, NY)
Schaffner, Ingrid
The Return of the Cadavre Exquis, (The Drawing Center, New York, NY)
Brunon, Bernard
Autoportraits Contemporains: Here's Looking at Me, (Espace Lyonnais d'Art Contemporain, Lyon, France)
1992 Rosenberg, Barry A. Leigh,
Christian Straus, Marc J.
Quotations: The Second History of Art, (The Aldrich Museum of Contemporary Art, Ridgefield, CT)
Bond, Anthony,
et al.
9th Biennale of Sydney: The Boundary Rider, (Art Gallery of New South Wales, Sydney, Australia)
Colpitt, Frances Plous,
Phyllis
Knowledge: Aspects of Conceptual Art, (University Art Museum, Santa Barbara, CA)
1991 Rubin, David S.
Cruciformed: Images of the Cross Since 1980, (Cleveland Center for Contemporary Art, Cleveland, OH)
Reynolds, Jock &Sheldon,
James
Motion and Document - Sequence and Time: Eadweard Muybridge and Contemporary American Photography, (National Museum of American Art, Smithsonian Institution, Washington, DC)
Morin, France,
et al.
The Interrupted Life, (New Museum of Contemporary Art, New York, NY)
Liebmann, Lisa
Southeast Bank Collects: A Corporation Views Contemporary Art, (Southeast Bank)(cat.)
Gumpert, Lynn Wallis,
Brian
Beyond the Frame: American Art 1960-1990, (Institute of Contemporary Art, Tokyo, Japan)
Belli, Gabriella Saltz,
Jerry
American Art of the 80's, (Electa, Milan, Italy)
1990 Gandini, Manuela
Taking the Picture: Photography and Appropriation, (Castelli, New York, NY and Gallery, Milan, Italy)
Graw, Isabella Lanzinger,
Pia
Das Sibyllinische Auge: Fotokünstlerinnen aus dem Anglo-Amerikanischen Raum, (Foto e.V. München and Barbara Gross Gallery, Munich, Germany)
Derrickson, Stephen
Insect Politics, Body Horror/ Social Order, (Hallwalls Contemporary Art Center, Buffalo, NY)
Cooke, Lynne
Reorienting: Looking East, (Third Eye Centre, Glasgow, Scotland and Nicola Jacobs, London, UK)
1989 Ferguson, Bruce Simon,
Joan Smith, Roberta
Contemporary Perspective I: Abstraction in Question, (The John and Mable Ringling Museum of Art, Sarasota, FL)
Goldstein, Ann Jacob,
Mary Jane
A Forest of Signs: Art in the Crisis of Representation, (Museum of Contemporary Art, Los Angeles, CA and M.I.T. Press, Cambridge, MA)
Foresta, Merry A. Smith,
Joshua P.
The Photography of Invention: American Pictures of the 1980's, (M.I.T.Press, Cambridge, MA)
Subject:Object, (Nicola Jacobs Gallery, London, UK)
Butler, Susan
Bristol and Serpentine Gallery, London)
Braulick, Nathan Haworth,
Dale K. Sowder, Lynne.
What Does She Want: Current Feminist Art from the First Bank Collection, (First Bank System Division of Visual Arts)
Halpern-Brougher Nora, Hopkins Henry T. Stein,
Donna.
Selected Works from the Frederick R. Weisman Foundation, (Wight Art Gallery, U.C.L.A.)
Grundberg, Andy Saltz,
Jerry
Abstraction in Contemporary Photography, (Emerson Gallery, Hamilton College and Anderson Gallery, Virginia Commonwealth University, Richmond, VA)
Misiano, Viktor Wasow,
Oliver, et al.
Moskau - Wien - New York, (Wiener Fastwochen, Vienna, Austria)
Hanhardt, John G. Heiferman,
Marvin Phillips, Lisa
Image World: Art and Media Culture, (Whitney Museum of American Art, New York, NY)
Hoy, Anne
Fabrications, Staged, Altered and Appropriated Photographs, (Abbeville Press, New York, NY)
Jones, Ronald Steinbach,
Haim
Avant 1989: Exposition con‡ue par Haim Steinbach, (Fonds Régional d'Art Contemporain, Rhônes-Alpes, France)
Kosuth, Joseph
The Play of the Unsayable-Wittgenstein and the Art of the XXth Century, (Wiener Secession, Vienna, Austria)
Rauch, Joseph
Fictive Strategies: Actuality and Originality in Contemporary Photography, (The Squibb Gallery, Princeton, NJ)
Rosenberg, Barry Straus,
Marc
Selections from the Collection of Marc and Livia Straus (Aldrich Museum of Contemporary Art, Ridgefield, CT)
Stainback, Charles
Culture Medium, (International Center of Photography, New York, NY)
1988 Collins, Tricia Milazzo,
Richard
Just Like a Woman, (Greenville County Museum of Art, SC)
Carter, Curtis L.
Photography On the Edge, (Haggerty Museum of Art, Marquette University, Milwaukee, WI)
Collins, Tricia
Collins, Tricia Milazzo,
Richard
Art at the End of the Social, (Rooseum, Malmö, Sweden)
Liebmann, Lisa Monforton,
Mary-Ann
Contemporary Art Auction to Benefit El Bohio. (Bohio Community and Cultural Center, New York, NY)
Collins, Tricia Milazzo,
Richard
Media Post Media, (Scott Hanson Gallery, New York, NY)
Collins, Tricia Milazzo,
Richard Indiana, Gary
Hybrid Neutral: Modes of Abstraction and the Social, (Independent Curators Intl., New York, NY)
Godeau, Abigail Sol.
Sexual Difference: Both Sides of the Camera, (Wallach Art Gallery, Columbia University, New York, NY)
1987 Saltz, Jerry
Recent Tendencies in Black and White, (Sidney Janis Gallery, New York, NY)
Jacobs, Joseph
This is not a Photograph: Twenty Years of Large Scale Photography; 1966-1986, (The John and Mable Ringling Museum of Art, Sarasota, FL)
Halley, Peter Saltz,
Jerry Smith, Roberta
Beyond Boundaries: New York's New Art, (Alfred van der Marck Editions, New York, NY)
Feinstein, Roni
Contemporary Diptychs: The New Shape of Content, (Whitney Museum of American Art, New York, NY)
Denson, G. Roger
Poetic Injury: The Surrealist Legacy in Postmodern Photography, (Alternative Museum, New York, NY)
Cameron, Dan
Art and Its Double: A New York Perspective, (Centre Cultural de la Fundacio Caixa de Pensions, Barcelona, Spain)
Brunon, Bernard
Contemporary Photographic Portraiture, (Musee St. Pierre, Lyon, France)
1986 Collins, Tricia Milazzo,
Richard
Spiritual America, (CEPA Gallery, Buffalo, NY)
Collins, Tricia Milazzo,
Richard
Ultrasurd, (S. L. Simpson Gallery, Toronto, ON)
Heiferman, Marvin
The Issue of Modern Art in Boston, (Institute of Contemporary Art, Boston, MA)
Heiferman, Marvin
The Big Picture, (The Queens Museum of Art, New York, NY)
Heller, Reinhold
Dissent: The Issue of Modern Art in Boston, (Institute of Contemporary Art, Boston, MA)
1985 various 1985 Biennial Exhibition, (Whitney Museum of American Art, New York, NY)
Olander, Bill
The Art of Memory, The Loss of History, (New Museum of Contemporary Art, New York, NY)
Lawson, Thomas Nagy,
Richard Robbins, David Trow,
George W.S.
Infotainment: 18 Artists from New York, (J. Berg Press, New York, NY)
Jones, Richard
Public Art, (Nexus Contemporary Art Center, Atlanta, GA)
Collins, Tricia Milazzo,
Richard
Cult and Decorum, (Tibor de Nagy Gallery, New York, NY)
1984 Wallis, Brian
Art After Modernism, Rethinking Representation, (The New Museum of Contemporary Art, New York, NY)
Brooks, Rosetta
Between Here and Nowhere: 9 New York Artists, (Riverside Studios, London, UK)
1983 Olander, Bill
Art and Social Change U.S.A., (Allen Memorial Art Museum, Oberlin College, Oberlin, OH)
Solomon-Godeau, A.
In Plato's Cave, (Marlborough Gallery, New York, NY)
1982 Lawson, Tom
Art and the Media: A Fatal Attraction, (The Renaissance Society, University of Chicago, Chicago, IL)
1979 Lambert, Yvon
Artemisia, (Paula Cooper Gallery, New York, NY)
GRANTS:

1995 John Simon Guggenheim Fellowship Award, Visual Art
1983 National Endowment for the Arts
1980 National Endowment for the Arts
1977 New York State Creative Artists Public Service
1976 National Endowment for the Arts
TEACHING:

2012 Princeton University, Princeton, NJ; Lecturer with Rank of Professor, Visual Arts in the Lewis Center
2000 - 2008 Rhode Island School of Design, Providence, RI; Graduate Tutorial Masters in Photography (Spring/Fall)
1994 Hartford University, Hartford Art School, Hartford, CT; adjunct faculty, Graduate Seminar and Critique, (Fall)
1993 New York University, Department of Art and Art Education, New York, NY; graduate photography critique
1992 - 2013 School of Visual Arts, New York, NY; Masters Program in Photography and Related Media, graduate faculty member, Masters Critique Seminar (1992-96)
1983- 1985 New York University, Department of Art and Art Education, New York, NY; graduate faculty instructor, Advanced Photography: Critical Seminar and Workshop (1983-1984, 1984-1985)
VISITING ARTIST / LECTURES / SEMINARS / RESIDENCIES:

2011 SUNY Purchase, Purchase, NY; Visiting artist/lecturer, March 17
Neuberger Museum of Art, Purchase, NY; “Panel Discussion: Feminism, Deconstruction, and Desire” with Sarah Charlesworth, Helaine Posner and Nancy Princenthal; March 17
Guggenheim Museum Bilbao, Spain; Sarah Charlesworth Lecture in Conjunction with “Haunted: Contemporary Photography/Video/Performance”, January 27
2010 Bard College, Annandale-on-Hudson, NY, Visiting artist/lecturer, Masters program in Fine Arts, September 20
The New Museum, New York, NY; “The Last Newspaper Artists in Conversation” Benjamin Godsill, Moderator, with Sarah Charlesworth, Nate Lowman, and Aleksandra Mir; October 9
Solomon R. Guggenheim Museum, New York, NY; Sarah Charlesworth Lecture, “Conversations with Artists”, 4 May
2009 Art Institute of Boston, Boston, MA, Visting artist/lecturer, Masters program in Fine Arts, June 23 – June 24
2008 LACMA, Los Angeles, "Remembering and Forgetting Conceptual Art" 15 April
School of Visual Arts, New York, Visiting Artist, Masters program in Fine Arts
2007 The Kitchen, New York, "Re-Take: A Panel on Art and Appropriation" Organized by Afterall. 27 Nov
Parsons, The New School for Design, New York, Visiting Artist, Masters program in Photography
2005 Princeton University, Panel curated by Johanna Burton in conjunction with "For Presentation andDisplay: Some Art of the 80s" curated by Johanna Burton and Hal Foster; 14 April
Bard College, Annandale-on-Hudson, NY, Visiting lecturer, Masters program in curatorial studies,15 March
Maine College of Art, Portland, ME, visiting artist and guest lecturer, 24 March
Bard College, Annandale-on-Hudson, NY, Visiting artist / lecturer, Masters program in Fine Arts.June
2004 Columbia University School of the Arts; Sarah Charlesworth: The Philosophical and Political Role of the Artist, New York, NY; 15 June
Rhode Island School of Design; TC Colley Visiting Artist and Lecturer, April
2003 Orlando Museum of Art, Orlando, FL; A Conversation with Sarah Charlesworth, April 9
Maine College of Art, Portland, ME; lecturer, March
2002 Bard College, Annandale-on-Hudson, NY; lecturer, March
2000 Rhode Island School of Design, Providence, RI; Public lecture & visiting artist / critic, May
Brandeis University, Waltham, MA; Public lecture / interdisciplinary seminar, April
New York University, American Photography Institute, Guest Lecturer.
1998-1999 The Cleveland Center for Contemporary Art, Cleveland, OH; The Photography of Sarah Charlesworth: A Psychoanalytic Perspective (series of five thematic discussions)
1998 Yale University, New Haven, CT; Masters Program in Photography, Oct.
Museo Santa Maria della Scala, Siena, Italy; Visiting Artist in Residence, Aug.
1997 New York University, New York, NY; American Photography Institute, lecturer
Bard College, Annandale-on-Hudson, NY; Lecturer, Visiting Artists and Masters program in theArts, July
1995 New York University, Tisch School of the Arts, New York, NY; artist / lecturer, Nov.
Rutgers University, New Brunswick, N.J.; artist / lecturer , Oct.
Independent Curators Incorporated, New York, NY; artist / lecturer , March
1994 Tel Aviv Museum of Art, Tel Aviv, Israel; artist / lecturer , Oct.
Camera Obscura School of Art, Tel Aviv, Israel; artist / lecturer - symposium Art andTechnology: 2009, Oct.
1993 University of Las Vegas, Las Vegas, NV; guest lecturer, March
Culture Lab, University of Toronto, Toronto, Canada; guest lecturer
Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico; guest lecturer, panelist: Photoplay
1990 Art Center College of Design, Pasadena, CA; visiting artist, March
La Jolla Museum of Contemporary Art, La Jolla, CA; guest lecturer, March
University of California, San Diego, CA; visiting artist / lecturer, March
New York University, New York, NY; panel/symposium with Jean Baudrillard, May
School of Visual Arts, New York, NY; panel Uses & Abuses of History, Peter Halley, moderator, March
California State University, Fullerton, CA; guest lecturer, May
New York University / International Center of Photography, New York, NY; graduateprogram visiting artist / critic, May
1989 Carleton College, Northfield, MN; symposium, What does she want?
The Whitney Museum of American Art, panel discussion, Image World: Art and Media Culture, Nov.
S.U.N.Y. Purchase, Purchase, NY; guest lecturer, The Politics of Representation, Oct.
National Gallery of American Art, Washington, DC; panel discussion in conjunction with the exhibition Photography of Invention, April
1988 Nova Scotia College Art and Design, Halifax, Nova Scotia, Canada; visiting artist / lecturer, March
1987 Tyler Gallery, Tyler School of Art, Temple University, Elkins Park, PA; guest lecturer, International Center of Photography, New York, NY; guest lecturer, May
Public Collections:

Addison Gallery of American Art, Phillips Academy, Andover, MA
Allen Memorial Art Museum, Oberlin College, Oberlin, OH
Art Gallery of Ontario, Toronto, Canada
Art Institute of Chicago, Chicago, IL
Baruch College, New York, NY
Berkeley Art Museum, University of California, Berkeley, CA
Birmingham Museum of Art, Birmingham, AL
Centre Pompidou, Paris, Fance
Cleveland Museum of Art, Cleveland, OH
Fotomuseum Winterthur, Switzerland
Harvard Business School, Boston, MA
High Museum of Art, Atlanta, GA
International Center of Photography, New York, NY
Israel Museum, Jerusalem, Israel
J. Paul Getty Museum, Los Angeles, CA
Los Angeles County Museum of Art, CA
Metropolitan Museum of Art, New York, NY
Moderna Museet, Stockholm, Sweden
Montclair Art Museum, Montclair, NJ
Museum of Contemporary Art Chicago, IL
Museum of Contemporary Art, Los Angeles, CA
Museum of Contemporary Art, San Diego, CA
Museum of Fine Arts, Boston, MA
Museum of Fine Arts, Houston, TX
Museum of Modern Art, New York, NY
Museum of New Mexico, Santa Fe, NM
Musée d’Art Moderne and d’Art Contemporaine, Nice, France
National Museum of Women in the Arts, Washington DC
New Britain Museum of American Art, New Britain, CT
New York Public Library, New York, NY
Orlando Museum of Art, Orlando, FL
Philadelphia Museum of Art, Philadelphia, PA
Princeton University Museum, Princeton, NJ
Pérez Art Museum Miami, FL
Rose Art Museum, Brandeis University, Waltham, MA
San Francisco Museum of Modern Art, San Francisco, CA
Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE
Smith College Art Museum, Northampton, MA
Smithsonian Institute, National Museum of American Art, Washington, DC
Solomon R. Guggenheim Museum, New York, NY
Stedelijk Van Abbemuseum, Eindhoven, Netherlands
Tang Museum, Saratoga Springs, NY
Vancouver Art Gallery, Vancouver, BC, Canada
Victoria and Albert Museum, London, England
Walker Art Center, Minneapolis, MN
Whitney Museum of American Art, New York, NY
Yale University Art Gallery, New Haven, CT
Albright Knox Art Gallery, Buffalo, NY
Norton Museum of Art, West Palm Beach, FL

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