|
|
| 2017 |
Steiner, Rochelle, ed. |
Sarah Charlesworth, monograph with contributions by Eric Crosby, Mark Godfrey, Thomas Lawson and Rebecca Morse, Delmonico-Prestel (ISBN: 9783791356815) |
| 2015 |
Gioni, Massimiliano
Norton, Margot
|
Sarah Charlesworth: Doubleworld, exhibition catalogue published by New Museum, New York, NY
|
| 2014 |
Witkovsky, Matthew S. |
Sarah Charlesworth: Stills, exhibition catalogue published by the Art Institute of Chicago, Chicago, IL |
| 1997 |
Fisher-Sterling, Susan
Hickey, Dave
Phillips, Lisa |
Sarah Charlesworth, exhibition catalogue published by Site, Santa Fe, NM and National Museum of Women in the Arts, Washington, DC |
| 1992 |
Grachos, Louis |
Contemporary Currents: Sarah Charlesworth, Special Project: Herald Tribune: Nov., 1977 / Herald Tribune: Jan. 18 - Feb. 28, 1991, exhibition brochure published by The Queens Museum of Art, Queens, NY (no ISBN) |
| 1984 |
unsigned |
Sarah Charlesworth: April 21 1978, special issue of C. M. P. Bulletin published as exhibition brochure by California Museum of Photography, University of California, Riverside, CA, Vol.3 No.5 (ISSN: 0731-2377) |
| 1983 |
Charlesworth, Sarah |
A Lover's Tale, special issue of Wedge Magazine, Summer/Fall (a visual text pamphlet by Sarah Charlesworth) |
| 1982 |
Charlesworth, Sarah
Simmons, Laurie |
Sarah Charlesworth: In - Photography, exhibition catalogue published by CEPA Gallery, Buffalo, NY (ISBN: 0-939784-03-3) (includes artist statement: In-Photography) |
| 1979 |
Charlesworth, Sarah |
Sarah Charlesworth: Modern History (Second Reading), exhibition catalogue published by The New 57 Gallery, Edinburgh, Scotland (no ISBN, edition: 500) (includes artist statement: Unwriting: Notes on Modern History) |
| 1977 |
unsigned |
Sarah Charlesworth: Fourteen Days, exhibition catalogue published by MTL Galerie, Brussels, Belgium |
|
|
| 2016 |
Charlesworth, Sarah |
Liz Deschenes, Liz Deschenes On My Mind (article) |
| 2012 |
Charlesworth, Sarah |
==. Liz Deschenes On My Mind. (article) |
| 2011 |
Charlesworth, Sarah |
Artforum, Best Books of 2011: Believing is Seeing (Observations on the Mysteries of Photographs) by Errol Morris. December. (review) |
| 1999 |
Charlesworth, Sarah |
Interview Magazine, Oct.; Full page photo |
| 1995 |
Charlesworth, Sarah |
October, Questions of Feminism: 25 Responses, #71, Winter |
|
Charlesworth, Sarah |
College Art Association Journal, Sarah Charlesworth, Spring, p.78, illus. (statement) |
|
Charlesworth, Sarah
Simmons, Laurie |
Laurie Simmons, A.R.T. Press, Pasadena (interview) |
| 1994 |
Charlesworth, Sarah |
Tema Celeste, La Differenza Tra I Sessi Nell'Arte, Jan. (editorial) |
| 1992 |
Charlesworth, Sarah |
Tema Celeste, The Role of Gender in Art: Sarah Charlesworth, Autumn (editorial) |
| 1983 |
Charlesworth, Sarah |
Bomb Magazine, Glossolalia, Spring (collaborative article and special section with Barbara Kruger) |
| 1982 |
Charlesworth, Sarah |
Artforum, Books: Camera Lucida: Reflections on Photography’ by Roland Barthes, April, p.72-73 (review) |
| 1979 |
Charlesworth, Sarah |
Art in America, China: Visiting Socialism, March-April |
| 1977 |
Charlesworth, Sarah
et al. |
The Anti-Catalog (collaborative project) |
| 1976 |
Charlesworth, Sarah |
The Fox, For Artists Meeting, vol. I, #3 |
| 1975 |
Charlesworth, Sarah |
The Fox, Declaration of Dependence, vol. I, #1 |
|
Charlesworth, Sarah |
The Fox, Memo for the Fox, vol. I, #2 |
|
|
| 2024 |
Sojit Pejcha, Camille |
The New York Times Style Magazine, "A Manhattan Group Show That Examines Artists' Intersecting Paths", June 20, 2024 |
|
Diehl, Travis; Elujoba, Yinka |
The New York Times, "What to See in N.Y.C. Galleries in July" (review), July 2, 2024 |
|
Als, Hilton |
The New Yorker, "Goings On" (Tabula Rasa review), June 28, 2024 |
|
Heinrich, Will |
The New York Times, "What to See in N.Y.C. Galleries In January" (review), January 18, 2024 |
| 2023 |
|
The Paris Review, (Cover), #246, Winter 2023 |
|
Zara, Janelle |
Artnews, "'Sarah Charlesworth: Neverland' at Karma" (review), June 22, 2023 |
|
Akers, Torey |
The Art Newspaper, "Twelve Must-See Exhibitions in South Florida During Miami Art Week", December 4, 2023 |
| 2022 |
Eckhardt, Stephanie |
W Magazine, "A Visual Appreciation of Fine Artists Appropriating Commercial Photography", September 5, 2022 |
|
Lloyd-Smith, Harriet |
Wallpaper, "Objects of Desire: The Seductive Exchange Between Fine Art and Advertising Photography", September 2, 2022 |
| 2021 |
Harris, Lauren |
Columbia Journalism Review, "Q&A: Dr. Ashley James on 'Off the Record' and the Limits of Documents", September 24, 2021 |
|
Silano, Pacifico |
Elephant Magazine, "Sarah Charlesworth Showed Me the Shape of Desire", June 9, 2021 |
|
Cotter, Holland |
The New York Times, Galleries: Sarah Charlesworth, November 26, 2021 |
|
Thomas, Alexandra M. |
Hyperallergic, "Off The Record Confronts Our Understanding of Objectivity", April 20, 2021 |
|
Dafoe, Taylor |
Artnet News, "What If An Artist Were Your History Teacher..." April 19, 2021 |
| 2020 |
Morgan, Robert C. |
The Brooklyn Rail, Sarah Charlesworth: Image Language (review), May 2020 |
|
Svirinavichyus, Nicole |
The Ticker, "A Look Into Baruch College's Art Collection: Sarah Charlesworth", May 3, 2020 |
|
Liberty, Megan N. |
Hyperallergic, "A Deep Dive Into Sarah Charlesworth's Image Archive", July 18, 2020 |
|
Strand, Nina |
Modern Times, Virtual Walks. Summer 2020. |
| 2019 |
Deitcher, David |
4Columns, Sarah Charlesworth: A Look Back at the Artist's Quintessential Postmodernism, March, 15, 2019. |
|
|
Artnews, 9 Art Events in New York This Week..., February 18, 2019 |
|
Bigman, Alexander R. |
Art in America, Sarah Charlesworth (review), May, 2019 |
|
Binlot, Ann |
Document Journal, The Story Behind Sarah Charlesworth's Haunting 'Stills' Series, February 26, 2019 |
|
ElGenaidi, Deena |
Hyperallergic, Your Concise Guide to Armory Week 2019, March 5, 2019 |
|
Liberty, Megan |
ArtReview, Sarah Charlesworth at Paula Cooper Gallery (review), April 2019 |
|
Moffitt, Evan |
Frieze, The Best Shows in New York During Armory Week, March 5, 2019 |
|
Yu, Ashley |
Musee Magazine, Remembering a Spotlight Artist: Sarah Charlesworth, Issue 21: Risk, February, 2019. |
| 2018 |
Woodward, Richard B. |
Wall Street Journal, ‘Everything Is Connected: Art and Conspiracy’ Review: Paranoid Imaginings, September 24, 2018 |
|
Valentovic, Amanda |
AM New York, The Met Breuer's "Everything is Connected" Exhibit Examines Facts, Conspiracy and Power, September 20, 2018 |
|
Lachowskyj, Cat |
British Journal of Photography, Everything is Connected: Art and Conspiracy at The Met Breuer, New York (review), September 13, 2018 |
|
Conti, Riccardo |
Vogue Italia, Sarah Charlesworth, Available Light (review), May 25, 2018 |
| 2017 |
Tarasoff, Sabrina |
Flash Art, Sarah Charlesworth at Campoli Presti, January / February 2017 |
|
Indiana, Gary |
The New York Times Style Magazine, These ’80s Artists Are More Important Than Ever, February 13, 2017 |
|
Hutt, John. |
Musee Magazine, "Sarah Charlesworth: she stands alone", March 28, 2017 |
|
|
The New Yorker, Sarah Charlesworth, April 2017 |
| 2016 |
Davis, Ben |
Artnet, Do You Have to Be Rich to Make It as an Artist?, January 14, 2016 |
|
Respini, Eva |
Aperture, On Defiance: Experimentation as Resistance, Winter 2016, pp. 100-107 |
|
Dick, Leslie |
X-tra Contemporary Art Quarterly, Intentional Accidents: Reflections on Sarah Charlesworth's Stills, Vol. 18, No. 3, Spring 2016. |
| 2015 |
Herd, Colin |
Aesthetica Magazine, Subversive Photography. August-September, 2015 |
|
|
Musée Magazine, Sarah Charlesworth: Doubleworld at New Museum, July 3, 2015 |
|
|
PDN, The Double World of Sarah Charlesworth, September 4, 2015 |
|
Aletti, Vince |
The New Yorker, Optic Nerve, The New Museum Surveys the Enigmatic Pictures of Sarah Charlesworth, July 20, 2015 |
|
Budick, Ariella |
Financial Times, Sarah Charlesworth/Albert Oehlen, New Museum, New York, August 19, 2015 |
|
Caranicas, Devon |
Sleek, Sarah Charlesworth’s Retrospective Gives You Double Vision, July 1st, 2015 |
|
Cruz, Cynthia |
Hyperallergic, With Photography, Sarah Charlesworth Deconstructs the World, September 11, 2015 |
|
Denson, G. Roger |
Huffington Post, Where Doubt Is Faith and the Sign Is Spirit: Sarah Charlesworth's Art of Personal Religion, September 8, 2015 |
|
Dorenbaum, Frances |
F Newsmagazine, The Last Dance: Sarah Charlesworth’s Stills, January 30, 2015 |
|
Felsenthal, Julia |
Vogue, Decoding Sarah Charlesworth’s Patricia Cawlings, Los Angeles at New York’s New Museum, July 9, 2015 |
|
Gopnik, Blake |
artnet Magazine, At the New Museum, Sarah Charlesworth's Jumpers Leap for Us All, August 14, 2015 |
|
Halle, Howard |
Time Out New York, Best Art Shows of 2015, December 10, 2015 |
|
|
Art in America, Museum Previews - Sarah Charlesworth, July 2015 |
|
Jovanovich, Alex |
Artforum, Critics' Picks, July 2015 |
|
Smith, Roberta |
The New York Times, ‘Sarah Charlesworth: Doubleworld’ Studies Perceptions Shaped by Photography, June 25, 2015 |
|
Krasinski, Jennifer |
Village Voice, Doubledowner: New Museum Retrospective Gives Too Brief a Look at Sarah Charlesworth’s Work, July 14, 2015 |
|
Yerebakan, Osman Can |
Art Observed, New York – Sarah Charlesworth: “Doubleworld” at The New Museum Through September 20th, 2015, September 3, 2015 |
|
Wyma, Chloe |
Modern Painters, The Double World of Sarah Charlesworth, June 21, 2015 |
|
Solomon, Deborah |
The New York Times, Recalling Sarah Charlesworth’s Photographs, June 26, 2015 |
|
Woodward, Richard B. |
The Wall Street Journal, ‘Sarah Charlesworth: Doubleworld’ Review: Should We Look Away?, July 8, 2015 |
|
Schwendener, Martha |
The New York Times, Review: Metropolitan Museum Looks at Photos That May Last, December 31, 2015 |
|
O'Neill, David |
Bookforum, Sarah Charlesworth: Doubleworld, Fall 2015 |
|
Murg, Stephanie |
Wallpaper, The artist and linguist: Sarah Charlesworth's 'Doubleworld' on show at the New Museum, July 9, 2015 |
|
Mohammad, Sehba |
Flavorpill, 5 Reasons to See Sarah Charlesworth at the New Museum, June 18, 2015 |
|
Krug, Simone |
The Brooklyn Rail, Sarah Charlesworth - Doubleworld, September 8, 2015 |
| 2014 |
Heinrich, Will |
New York Observer, ‘Sarah Charlesworth: Objects of Desire: 1983-1988’ at Maccarone, May 7, 2014 |
|
|
The New Yorker, Sarah Charlesworth, April 25 2014 – June 21 2014 |
|
Coleman, Sarah |
Artnews, ‘Sarah Charlesworth: Objects of Desire, 1983–1988′ at Maccarone, July 30, 2014 |
|
Cristello, Stephanie |
Pier Review, Sarah Charlesworth: Stills at the Art Institute of Chicago, Chicago, IL, September 19, 2014 |
|
Fiske, Courtney |
Art in America, Sarah Charlesworth at Maccarone, September 3, 2014 |
|
Guarino, Mark |
The Guardian, Considering the humanity of falling bodies in Sarah Charlesworth's Stills, September 18, 2014 |
|
Russeth, Andrew |
Artnews, ‘Challenged to Encompass Everything', September 18, 2014 |
|
Hutt, John |
Musée Magazine, Sarah Charlesworth “Objects of Desire 1983-1988″ at Maccarone, May 3, 2014 |
|
Laster, Paul |
Timeout New York, Sarah Charlesworth, "Objects of Desire: 1983-1988", May 20, 2014 |
|
MacDonnell, Nancy |
W Magazine, Ahead of her Time, April 28, 2014 |
|
Schjeldahl, Peter |
The New Yorker, Get with It |
|
Vogel, Carol |
The New York Times, Hurtling Bodies, Frozen in Time: 'Stills' by Sarah Charlesworth, September 12, 2014, p. AR4 |
| 2013 |
Lee, Soo Ji |
PDN, Obituary: Fine-Art Photographer Sarah Charlesworth, 66, June 27, 103 |
|
Boucher, Brian |
Art in America, Sarah Charlesworth 1947-2013, June 26, 2013 |
|
Gallun, Lucy |
Inside/Out, A MoMA / MoMA PS1 Blog. Unwriting: Sarah Charlesworth, November 15, 2013 (blog)
|
|
Goldstein, Andrew M.
Corbett, Rachel |
Artspace, Remembering Sarah Charlesworth, Groundbreaking "Pictures Generation" Photographer, June 28, 2013 |
|
Handzo, Ben |
Bomb Magazine, Sarah Charlesworth, 1947 - 2013, July 17, 2013 |
|
Kazakina, Katya |
Bloomberg, Sarah Charlesworth Leaves Magic Images, Beloved Garden, June 29, 2013 |
|
|
Artlyst, Sarah Charlesworth American Conceptual Artist And Photographer Dies, June 29, 2013 |
|
Putrino, Matt |
Nothing Major, R.I.P. Sarah Charlesworth, July 1, 2013 |
|
Simmons, Laurie |
Artforum, Sarah Charlesworth (1947–2013), November 2013 |
|
Smith, Roberta |
The New York Times, Sarah Charlesworth, Artist of Deconstructed Photographs, Dies at 66, June 30, 2013 |
|
Traub, Charles
Lange, Matthew C. |
The Brooklyn Rail, Remembering Sarah Charlesworth (1947-2013), July 15, 2013 |
|
Woodward, Richard B. |
The Wall Street Journal, Pictures, Without Their Thousand Words, July 3, 2013 |
|
Russeth, Andrew |
New York Observer, Sarah Charlesworth, Incisive Conceptual Photographer, Dies at 66, June 26, 2013
|
| 2012 |
|
Modern Painters, Reviews in Brief: Sarah Charlesworth. June 2012. |
|
|
Columbia: A Journal, No. 50, 2012. pp. 83-84. |
|
|
Flash Art, Sarah Charlesworth & Sara VanDerBeek: A Space in Between. Summer 2012. pp. 80-83. (interview) |
|
|
Life + Times, Lights Please: Sarah Charlesworth, April 16, 2012. |
|
|
The New Yorker, Goings on About Town: Art. April 9, 2012, p. 10. |
|
Frolov, Oleg |
Populist Magazine, Interview with Sarah Charlesworth, February 2012, p. 4-16. |
|
Smith, Roberta |
The New York Times, Sarah Charlesworth: Available Light, March 29, 2012, p. C26. |
| 2011 |
Moyer, Carrie |
Art in America, “The Deconstructive Impulse” (review) May 2011, p. 163 |
|
Hodara, Susan |
The New York Times, “Taking on the Role of Gender in Media” March 13, 2011 |
|
Cembalest, Robin |
ARTnews, A Terrible Beauty?, Summer 2011 |
| 2009 |
Tikhonova, Julia |
FLASH ART, "Sarah Charlesworth at Susan Inglett" (review) July-Sep 2009, Vol XLII, pp 98 |
|
Hafner, Hans-Jurgen |
Artnet Magazine, “Sarah Charlesworth bei Galerie Tanit, Munich: The Colour of Conceptual Criticism” (review) Oct 13 |
|
Barnes, Steve |
ARTnews, Sarah Charlesworth (review), Summer pp 128 |
| 2008 |
Smith, Roberta |
The New York Times, "The Human Face is a Monument" April 25, 2008 |
|
|
ARTnews, "Concrete Color" (review) March 2008 |
| 2007 |
|
North Drive Press, "Sarah Charlesworth and Sara Vanderbeek: An Interview" #4, Fall |
|
Fitzpatrick, Andrea D. |
Art Journal, "The Movement of Vulnerability: Images of Falling and September 11" Winter 2007. col 66. no 4. pp. 85-102 |
| 2006 |
|
BOMB Magazine (cover), Summer, Number 96 |
| 2005 |
O'Brien, Glenn |
GQ, "How to Collect Photography," Sept, pp 302 |
| 2004 |
Spicer, Jakki |
artUS, "The Last Picture Show," January and February; pp. 36-37 |
|
Deitcher, David |
Artforum, "Spiritual America: David Deitcher on pre-teen spirit," Oct, p. |
| 2003 |
Hamilton, Jeanne |
The Commercial Appeal, 'Cold Comfort' clutches a warm and fuzzy void, 21 January;p. C4 |
|
Hamilton, Jeanne |
Artforum, One Year Under the Mast, Alexander Alberro on The Fox, Summer 2003 ; pp. 162 - 164, p. 206 |
|
Hainley, Bruce |
Artforum, "Designs for Living," December; p. 151 |
|
(Eds.) O'Brien, Glenn and Max Blagg |
Bald Ego; Fall 2003, Vol. 1 and Vol. 2 (ill. cover and reproductions) |
| 2002 |
Johnson, Ken |
The New York Times, Art Guide: Sarah Charlesworth, 13 Dec.; p.E45 |
|
unsigned |
The New Yorker, Photography: Sarah Charlesworth, 16 Dec.; p.20 |
| 2001 |
Marschall, Laurence A. |
The Sciences, Book in Brief: The Story of P (illustr.), Jan.-Feb.; p.44 |
| 2000 |
Schwendener, Martha |
Time Out New York, Art reviews: Sarah Charlesworth at Gorney Bravin + Lee, 27 Jan-3 Feb., p. 58 |
|
Saltz, Jerry |
The Village Voice, The I-Don't-Get-It-Aesthetic, 25 January; p.57 |
|
Pagel, David |
Los Angeles Times, Sarah Charlesworth - Magical Forms, 28 January |
|
Cotter, Holland |
The New York Times, Surging Into Chelsea, 21 Jan.; pp. E37, E41 |
|
Cohen, Michael |
Flash Art, Review: Sarah Charlesworth at Gorney Bravin + Lee, May - June; p. 116 |
|
Aletti, Vince |
The Village Voice, Voice Choice: Photo: Sarah Charlesworth, 25 Jan.; p.79 |
| 1999 |
Temin, Christine |
The Boston Globe, Photo Synthesis: in a 20 year retrospective at the Rose Art Museum, Sarah Charlesworth transforms the medium and themessage of photography, 7 May. |
|
unsigned |
The Chronicle of Higher Education, A Poetry of Metaphor and Magic, 7 May. |
| 1998 |
unsigned |
Flash Art, Sarah Charlesworth Retrospective, Jan.-Feb, p.46, illus. (newssection) |
|
unsigned |
Vision Magazine, Recycling Culture: an interview with SarahCharlesworth, 28 May |
|
unsigned |
Antiques and the Arts Weekly, First Retrospective of Sarah Charlesworth's Photo-Objects, 28 Aug. (review: Nat'l. Museum...) |
|
Swarski, Lindsey |
UCSD Guardian, Cutting-edge photography is candy for the mind, 2 April (review: LaJolla) |
|
Lewis, JoAnn |
The Washington Post, Slight of Lens" Sarah Charlesworth, deconstruc-ting 'Truth' frame-by-frame, 10 August (review: Nat'l. Museum...) |
|
Baldridge, Charlene |
La Jolla Village News, Artists offer resonant juxtapositions, 23 April |
|
Bolger, Michael |
La Jolla Village News, Charlesworth tests sense, sensibilities in "Retrospective" 28 May |
|
Buckley, Patricia Morris |
North County Times, Artist Explores philosophies in retrospective photoexhibit, 20 March (review: LaJolla) |
|
Domandi, Marie-Charlotte |
Aperture, Sarah Charlesworth: retrospective at SITE Santa Fe, June,p.76-7, illus. (review: Site) |
|
Forrest, Jason A |
The Atlanta Journal Constitution, Look twice, then again, at thesecomplex photos, Fri., 27 Nov., p.Q8, illus. (review: Fay Gold) |
|
Green, Frank |
Cleveland Free Press, Master Juggler: The Restless Experiments of Sarah Charlesworth, 16-22 Dec. |
|
Knight, Christopher |
The Los Angeles Times, An Artist Taking Pictures (Literally), 22 April,p.F-1,4, illus. (review: LaJolla) |
|
Goldberg, Vicki |
The New York Times, Messages in the media: varied perceptions offactuality, 31 July, p.B33 (review: Nat'l. Museum...) |
|
Linker, Kate |
Art in America, Sarah Charlesworth: Artifacts of Artifice, July, p.74-79, 106 + cover (feature) |
|
Pincus, Robert |
San Diego Union Tribune, Pool of images, pearles of truth, 5 April(review: LaJolla) |
|
Litt, Steven |
The Plain Dealer (Cleveland), Photography as a form of Contemplation:Charlesworth's Artistic Images a Rich and Compelling Presence, Sun.,22 Nov., p.4-I (review: CCA) |
|
Shaw-Eagle, Joanna |
Sunday Times, Exhibition of Shifting Realities, 12 July |
|
Smith, Roberta |
The New York Times, Art Review: Evocative Cells: Uptown, Downtown,All Around, 27 Nov. |
|
O'Sullivan, Michael |
The Washington Post, Charlesworth's truth in pictures, 17 July (review: Nat'l. Museum...) |
|
Morgan, Anne Barclay |
Camera Austria International (Graz), Sarah Charlesworth - A Retrospective, Vol.64, illus. (review) |
|
Morgan, Anne |
Art Papers, Peering through History: an interview with Sarah Charlesworth, May-June, p.17-21, illus. (feature) |
| 1997 |
Walker, Hollis |
Pasatiempo, The New Mexican, A Landscape of Images, 31 Oct.-6 Nov.,pp.32-33 (review: Site) |
|
MacNeil, William |
Albuquerque Journal, Celebrated Photographer Blurs Line between Fact,Fiction, 4 Nov., pp.1&3 (review: Site) |
|
Clemmer, David |
Santa Fe Reporter, Context, Content and the Vessel of the Miraculous, 12-18 Nov., p.27 (review: Site) |
| 1996 |
unsigned |
The Sciences, Sept/ Oct, pg. 28, illus. |
|
unsigned |
New Observations, Sarah Charlesworth: Text, Jan/ Feb, pg. 22, illus. |
|
unsigned |
At The Museum (Los Angeles County Museum of Art), Some Grids, p.9 |
|
Johnson, Paul |
Cover, Sarah Charlesworth, March , p.53, illus. (review: J.G.M.A.) |
|
Goldstein, Laurence |
Michigan Quarterly Review, Introduction, Vol. XXXV, No.4, Fall, p.574, illus. |
| 1995 |
Hagen, Charles |
The New York Times, Sarah Charlesworth,17 Nov., p. C-30, (review: J.G.M.A.) |
|
Aletti, Vince |
The Village Voice, Choices: Sarah Charlesworth, 7 Nov.; supplementp. 8, illus. (review: J.G.M.A.) |
|
unsigned |
Canadian Art, Fast Forward, Fall, illus. (preview: S. L. Simpson) |
|
Yablonsky, Linda |
Time Out / New York, Sarah Charlesworth: Doubleworld, 15-22 Nov.,p.25, illus. (review: J.G.M.A.) |
| 1994 |
unsigned |
The New Theater Review, fall, #11,pg. 8, illus. + cover |
|
Hickey, Dave |
Parkett, A Matter of Time: On Flatness, Magic, Illusion, and Mortality,#40/41, Summer, (feature) |
| 1993 |
Hess, Elizabeth |
The Village Voice, Body Triple, 30 Nov., illus. (review: Drawing Center) |
|
Heartney, Eleanor |
Artnews, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.) |
|
Romano, Gianni |
Zoom (Milan), Sarah Charlesworth, Nov.-Dec., illus. (feature) |
|
Hess, Elizabeth |
The Village Voice, Materialized Girls: Nancy Rubins, Lisa Hoke, MeganWilliams, Sarah Charlesworth, 20 April (review: J.G.M.A.) |
|
Mifflin, Margot |
Artnews, What do Artists Dream?, Oct. (editorial) |
| 1992 |
Campitelli, Maria |
Juliet (Trieste), Sarah Charlesworth, Feb.-March (review: J.G.M.A.) |
| 1991 |
Litt, Steven |
The Plain Dealer, (Cleveland) Using or Abusing a Powerful Symbol?, 8 Sept. |
|
Brenson, Michael |
The New York Times, Sarah Charlesworth: Shifted Images of theRenaissance, 22 March, illus. (review: JGMA) |
|
Dennis, Melvin |
Puchong Folios, Sarah Charlesworth, Spring (review: J.G.M.A.) |
|
Denson, G. Roger |
Bijutsu Techo, (Tokyo) Traces of Feminity: Sarah Charlesworth, JanGroover & Ida Applebroog, reprint / translation of What's in a Word, pgs.28-43, illus. + cover (feature) |
|
Durand, Regis |
Art Press (Paris), Fragments d'un Paysage d'images, #153, Dec.(feature) |
|
Lewis, James |
Artforum, Sarah Charlesworth, Summer, (review: J.G.M.A.) |
|
Gardner, Paul |
Artnews, What Artists Like About the Art They Like When They Didn't Know Why, Oct., illus. (questionnaire interview) |
|
Meuris, Jacques |
La Libre Belgique, (Brussels) Au temps de l'image: l'artiste américaine Sarah Charlesworth entend révéler ... froid les passions contemporaines...travers une imagerie omni-présente, 15 May, illus. (review:Hufkens) |
|
Stiwer, Pierre & Di Felice, Paul. |
Cafe-Creme, (Luxembourg), Sarah Charlesworth: L'immaculée conception, #15-Summer, pgs. 38-43, illus. + cover (interview) |
|
Thompson, Elspeth |
The Guardian (London), Portrait of a Friendship, 4 Dec., illus. (review:Interim Art) |
|
unsigned |
Art and Man, Sept/ Oct, pg. 16, (feature) |
|
Van der Ploeg, Kees |
Flash Art, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.) |
|
Weily, Susan |
Artnews, Sarah Charlesworth's Abracadabra, March, pgs. 116-121, illus. + cover (feature) |
|
O'Rourke, Meg |
Arts Magazine, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.) |
| 1990 |
unsigned |
The New Yorker, Goings On About Town: Art, July 23, (review: J.G.M.A.) |
|
unsigned |
Interview Magazine, full page reproduction, Feb. |
|
Denson, G. Roger |
Tema Celeste, The New Metaphysical Art and It's Legacy, July-Oct., No. 25, p.37-42, illus. (editorial) |
|
Denson, G. Roger |
Contemporanea, Sarah Charlesworth: What's in a Word, Oct., pgs.70-75, illus. (feature) |
|
Charlesworth, Sarah |
Artforum, A Grammar of Essence: A Project for Artforum by Sarah Charlesworth, Feb., pp.123-125, illus. (project) |
|
|
New Observations, Issue.74, March 15-31, p.5 |
| 1989 |
Heartney, Eleanor |
Artnews, Sarah Charlesworth, Sept., illus. (review: J.G.M.A.) |
|
Kent, Sarah |
Time Out / London, Sarah Charlesworth, May 10-17, illus. (review: Interim Art) |
|
Jones, Bill |
Arts Magazine, Born Again: Seeing the End of Photography, Oct.,pgs. 72- 77, illus. + cover (editorial) |
|
Smith, Roberta |
The New York Times, Charting Traditions of Non-traditional Photography, June 11, (review: National Museum) |
|
Grundberg, Andy |
The New York Times, Two Shows: One Works the Other Bogs Down,Sunday, Aug 13, illus., (review: I.C.P. & Metropolitan) |
|
Faber, Monika |
Camera Austria, (Graz) Vis a Vis der Kamera, #30, (review: Grita Insam) |
|
Caley, Shaun |
Flash Art, A Forest of Signs: One is Ushered into a Wonderland of Banality, Nov/Dec, (review: M.o.C.A.) |
|
Levin, Kim |
The Village Voice, April 25, (review:J.G.M.A.) |
|
Kimmelman, Michael |
The New York Times, At the Whitney, 100 Works From the Last 30Years, Nov 10, (editorial) |
|
unsigned |
Corriere della Serra (Roma/Milano), Sarah Charlesworth, Aug 18 |
|
Mueller, Cookie |
Details Magazine, Art and About, Sept., illus. (review: B.A.M.) |
|
Princenthal, Nancy |
Barron's, More Positives Than Negatives: Collectors Bids Up ArtisticPhotographs, May 22, illus. (editorial) |
|
Scheuer, Daniel |
Center Quarterly: A Journal of Photography and Related Arts, 150th at f2Snapshots of Contemporary Art Photography, Vol. 11, #1 |
|
Silko, Leslie M. |
Artforum, The Fourth World, Summer, pgs.124-127, illus.: Madonna and Child, special project by Sarah Charlesworth (in special section designedby Robert Barry, pgs.124-135) |
|
Sussler, Betsy |
Bomb Magazine, Profile / Art: Sarah Charlesworth, Winter, pgs.30-33, illus. (feature) |
|
Phillipi, Desa |
Artforum, Shifting Focus, Nov., p.168 (review: Serpentine Gallery) |
|
Wise, Kelly |
The Boston Globe, Redefining the Language of Photography, Oct.17(review: Segal) |
|
Zampaglione, Arturo |
La Repubblica, Il Venerdi (Rome), p.92, Sept 8, (interview) |
| 1988 |
multiple authors |
The Print Collector's Newsletter, Photographs and ProfessionalsIV , Vol.XIX, No.3, July/Aug, pgs.81-91+cover illus. (panel discussion) |
|
Glanzman, Judith |
Journal of Contemporary Art, Sarah Charlesworth, Spring, pg. 56 (interview) |
|
Kramer, Hilton |
New York Observer, Sexual Difference:, April 18, p.1&11 (review: Wallach Art Gallery) |
|
Smith, Roberta |
The New York Times, Galleries Paint a Brighter Picture for Women,April 14 (editorial w/review: J.G. M.A.) |
|
Saltz, Jerry |
Arts Magazine, The Implacable Distance: Sarah Charlesworth's "Unidentified Woman, Hotel Corona, Madrid (1979-1985)", March, pgs.24-25, illus. (feature) |
|
Sischy, Ingrid |
The New Yorker, Photography: Sarah Charlesworth, April 24, (review: J.G.M.A.) |
|
unsigned |
Flash Art News, Supplement # 143, Nov/Dec |
| 1987 |
Selwyn, Marc |
L.A. Weekly, Sarah Charlesworth, May 8- 14, pg.44 (review: Leavin) |
|
Cameron, Dan |
Flash Art, Post-Feminism, Feb/Mar, pgs.80-83, illus. (editorial) |
|
Clarkson, David |
Parachute, (Montreal) Sarah Charlesworth: An Interview, Dec., pgs.12-15 (interview) |
|
Cohen, Ronny H |
The Print Collectors Newsletter, New Abstraction V, Mar/Apr., p.9-13, illus. |
|
Collins, Tricia & Milazzo, Richard |
New Observations, Oct. |
|
Gilbert-Rolfe, Jeremy |
Arts Magazine, Where Do Pictures Come From? Sarah Charlesworth and the Development of the Sign, Dec., pgs.58-60, illus. (feature) |
|
Cameron, Dan |
Flash Art, Art and Its Double, Summer |
|
Shottenkirk, Dena |
C Magazine, (Toronto) Sarah Charlesworth: Imaging the Other, Spring,pgs. 18- 23 + cover (feature) |
|
Stretch, Bonnie Barrett |
Art and Auction, Contemporary Photography, May, pgs.140-147, illus. |
|
Tuer, Dot |
Vanguard (Toronto), Sarah Charlesworth, Feb./Mar., illus. (review:S.L. Simpson) |
|
unsigned |
Artnews, October issue, p.135 |
|
unsigned |
Bomb, (Toronto), Issue CCI, Fall, cover |
|
Wilson, William |
Los Angeles Times, The Art Galleries: Joel Otterson / Sarah Charles-worth, May 1, (review: Margo Leavin) |
| 1986 |
unsigned |
Effects Magazine, Winter 1986 (cover) |
|
Jones, Alan |
Galleries Magazine (Paris), Paravision: Une Interview avec TriciaCollins et Richard Milazzo, Aug./Sept., (interview) |
|
Indiana, Gary |
Village Voice, Liquid Memory, Solid Objects, April 1, illus. (review: Int'l with Monument) |
|
Collins, Tricia and Milazzo, Richard |
Kunstforum (Köln), New York: Tropical Codes, April/May, p.308 |
|
Collins, Tricia |
Kunstforum (Köln), Sarah Charlesworth: Natural Signs From Milazzo,Richard Structural Reformation to Iconic Abstraction, April/May, p.314-315 |
|
Brody, Jacky |
The Print Collectors Newsletter, (review: print portfolio by Sarah Charlesworth) |
|
Brenson, Michael |
The New York Times, Sunday July 13, (review: Venice Biennale) |
| 1985 |
Kohn, Michael |
Flash Art, Sarah Charlesworth, April/May, illus. (review: Int'l with Monument) |
|
Linker, Kate |
Artforum, Sarah Charlesworth, Summer, pg.105, illus. (review: Int'l with Monument) |
|
unsigned |
Aperture, Sarah Charlesworth, No. 100, Fall |
|
Warren, Ron |
Arts, Sarah Charlesworth, May, (review: Int'l with Monument) |
| 1984 |
Indiana, Gary |
Art in America, Sarah Charlesworth, Sept., illus. (review: Clocktower) |
|
Bob, Paul |
The East Village Eye, Cutting Up Culture: Photo Artist Sarah Charlesworth is Pointing to..., June, pgs. 15 & 17, illus. (feature) |
|
Hathaway, Jane |
New York Beat, Photography: Sarah Charlesworth, 2 May, p.15,illus. (review: Clocktower) |
|
Deitcher, David |
After-Image, Questioning Authority: Sarah Charlesworth's Photographs,Summer, pgs. 14-17, illus. (feature) |
|
Linker, Kate |
Artforum, Eluding Definition |
|
Smith, Roberta |
The Village Voice, Chrysler's Wings of Fashion, April (review:Clocktower / Feldman / Castelli) |
|
unsigned |
Contact Sheet #41, published by Light Work, Syracuse, NY |
|
unsigned |
Esquire, Openings: Sarah Charlesworth, Feb., p.100 (preview: Clocktower) |
| 1983 |
unsigned |
Afterimage, May |
|
Samore, Sam |
Exposure (pub. by the Society for Photographic Education), Playing it Again, Winter |
|
Grundberg, Andy |
The New York Times, Post-Modernists in the Mainstream, Nov. 20 |
| 1982 |
Hagen, Charles |
Artforum, Sarah Charlesworth, Dec., p.80, illus. (review: Gagosian) |
|
unsigned |
Artistes, Fall (review) |
|
unsigned |
Art in America Guide to Museums, Galleries, and Artists, Tabula Rasa, by Sarah Charlesworth, listed as an Outstanding Solo Show of1982) |
|
Scully, Julia |
Modern Photography, Seeing Pictures, June |
|
Owens, Craig |
Art in America, Sarah Charlesworth, May, (review: Gagosian) |
| 1981 |
Castle, Ted |
Flash Art, Verbal Art, Nov. |
|
Sussler, Betty |
Cover Magazine, Interview with Sarah Charlesworth, Spring / Summer (feature) |
| 1980 |
Frank, Elizabeth |
Art in America, Sarah Charlesworth, April, illus. (review: Shafrazi) |
|
|
| 2024 |
Bigman, Alexander |
Pictures and the Past: Media, Memory and the Specter of Fascism in Postmodern Art |
|
Dickler, Shana; Rouse, Ylva |
A Walk on the Wild Side (Museum of Contemporary Art Jacksonville, FL) |
| 2022 |
Aubart, François |
L'Attitude de la Pictures Generation: Excès, passion et manipulation (Les Presses du réel, Paris) |
| 2021 |
de Bellis, Vicenzo and Galansino, Arturo |
American Art 1961-2001 (Palazzo Strozzi, Florence, Italy) |
| 2019 |
Fineman, Mia, et al. |
Apollo's Muse: The Moon in the Age of Photography, (Metropolitan Museum of Art, NY) |
|
|
Great Women Artists, (Phaidon, New York, NY) |
| 2018 |
Jetzer, Gianni; Pires, Leah; Nickas, Bob |
Brand New: Art and Commodity in the 1980's, (Hirshhorn Museum and Rizzoli Electa, New York, NY) |
|
Ecklund, Douglas; Alteveer, Ian |
Everything is Connected: Art and Conspiracy, (The Metropolitan Museum of Art, NY) |
|
Beshty, Walead, ed. |
Picture Industry: A Provisional History of the Technical Image (1844-2018), (JRP|Ringier, New York) |
| 2017 |
Berry, Ian
Shear, Jack |
Borrowed Light: Selections from the Jack Shear Collection, (Delmonico - Prestel, New York, NY) |
|
Al-Khudhairi, Wassan |
Third Space: Shifting Conversations about Contemporary Art, (Birmingham Museum of Art, Birmingham, AL) |
| 2016 |
Hickey, Dave |
25 Women: Essays on Their Art, Published by The University of Chicago Press |
|
Crosby, Eric; Beard, Thomas; Relyea, Lane; Respoini, Eva |
Ordinary Pictures. (Walker Art Center, Minneapolis, MN) |
| 2014 |
Ebner, Florian
Greiff, Sophia et al. |
(Mis)Understanding Photography, Sarah Charlesworth, Special Project: Herald Tribune: September 1977, Edited by Museum Folkwang, Essen, Germany |
|
Migayrou, Frédéric |
Bernard Tschumi - Architecture: concept & notation, Special Project: Stills, Published by Centre Pompidou, Paris, France |
|
Le Bal / Éditions Textuel / Centre National des Arts Plastiques |
La Persistance des Images |
| 2012 |
Colpitt, Frances |
Color Pictures. (The Art Galleries of TCU, Fort Worth, TX) |
|
Brodie, Judith |
Shock of the News. (National Gallery of Art, Washington, DC) |
| 2011 |
Ware, Katherine |
Earth Now: American Photographers and the Environment. (Museum of New Mexico Press, Sante Fe, NM) |
|
Princenthal, Nancy, McDonough, Tom, Pollock, Griselda, Posner, Helaine, |
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991. (Prestel USA, New York, NY) |
|
Honold, Astrid |
Circa 1986. (Black Cat Publishing, Amsterdam) |
|
Hoffman, Felix |
The Uncanny Familiar – Images of Terror, (Buchhandlung Walther Konig, Koln) |
|
Eleey, Peter; Hoffman, Felix |
September 11. (MoMA PS1, Long Island City, NY) |
| 2010 |
|
Captured in Time: ART in Embassies Exhibition Paris, France. (ART in Embassies, Washington, DC) |
|
Modrak, Rebekah, Anthes, Bill |
Reframing Photography: Theory & Practice. (Routledge, London) |
|
Klein, Alex |
Words Without Pictures, Discussion Series curated by Charlotte Cotton and Alex Klein (LA County Museum, Los Angeles, CA; 2nd ed. Aperture Foundation, New York, NY, 2010) |
|
Doswald, Christoph |
Press Art: Sammlung Annette und Peter Nobel. (Stampfli Publikationen AG, Bern) |
|
Blessing, Jennifer, Trotman, Nat |
Haunted: Contemporary photography, video, performance. (Guggenheim Museum, New York) |
| 2009 |
Aupetitallot, Yves |
Images & (re)presentations: Les Annee 1980s, (Centre d'Art Contemporain, Grenoble, France) |
|
Eklund, Douglas |
The Pictures Generation, 1974 – 1984. (The Metropolitan Museum of Art, NY) |
| 2008 |
Congdon, Kristin
Hallmark, Kara Kelley |
Twentieth Century United States Photographers: A Student�s Guide, (Greenwood Press, Westport, CT) |
|
|
Jedermann Collection- Set 5 from the Fotomuseum Winterthur Collection, (Fotomuseum Winterthur, Switzerland) |
| 2007 |
|
A New Reality: Black-and-White Photography in Contemporary Art. Jane Voorhees Zimmerli Art Museum, Rutgers. The State University of New Jersey, New Brunswick, NJ |
| 2006 |
Traub, Charles
Heller, Stephen
Bell, Adam B. |
The Education of a Photographer, "Objects of Desire: An interview with Sarah Charlesworth" (Allworth Press and School of Visual Arts, NY) |
| 2005 |
Foster, Hal
Krauss, Rosalind
Bois, Yve-Alain
Buchloh, Benjamin |
Art Since 1900: Modernism, Antimodernism, Postmodernism (Thames & Hudson, New York, NY) |
| 2004 |
Witkovsky, Matthew S
Mariño, Melanie
Trotman, Nat |
Speaking with Hands: Photographs from the Buhl Collection, (Solomon R. Guggenheim Museum, New York, NY) |
|
Fogle, Douglas |
The Last Picture Show: Artists Using Photography 1960-1982; (Walker Art Center, Minneapolis, MN) |
| 2003 |
Scott, Sue |
Constructed Realities: Contemporary Photography, (Orlando Museum,Orlando, FL) |
|
|
Off the Press: Recontextualizing the Newspaper in Contemporary Art,(Southwest Museum of Photography, Daytona, FL) |
| 2002 |
Wolfe, Sylvia |
Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001, (Whitney Museum of American Art, New York, NY) |
|
Warner, Mariana
Haworth-Booth, Mark |
Seeing Things: Photographing Objects, 1850-2001, (The Victoria and Albert Museum, London, UK) |
|
Decter, Josh |
Televisions, (Kunsthalle, Vienna, Austria) |
| 2000 |
(various) |
Post Modernism, (Tate Gallery, London, UK) |
| 1999 |
Phillips, Lisa |
The American Century: Art & Culture 1950-2000, (Whitney Museum of American Art & Norton Publishers, New York, NY) |
| 1998 |
Bunnell, Peter C. |
Photography at Princeton, (Princeton University, Princeton, NJ) |
| 1997 |
Sobel, Dean |
Identity Crisis: Self Portraiture at the End of the Century, (Milwaukee Art Museum, Milwaukee, WI) |
|
Blaettler, James
Nieboer, Jan willem
Steensma, Regnerus |
The One Chosen: Images of Christ in Recent New York Art, (ThomasWalsh Gallery, NY) |
| 1996 |
Tallman, Susan |
The Contemporary Print: From Pre-Pop to Postmodern (book) |
|
Pierce
Rosenberg, J. |
A Question of Balance: Artists and Writers on Motherhood, (Papier Mache, Watsonville, CA) |
|
Heiss, Alana
Streeter, Sabina |
Model Home, (The Clocktower Gallery, Institute of Contemporary Art, New York, NY) |
| 1995 |
Grigoteit, Ariane, et al. |
Tradition and Zeitgeist: Works from the Collection of Deutsche Bank North America, (DuMont Verlag, Köln, Germany) |
|
Denson, G. Roger |
Chasing Angels, (Christinerose Gallery, New York, NY) |
| 1994 |
Morgan, Dahlia |
American Art Today: Heads Only, (The Art Museum, Florida Int'l. University, Miami, FL) |
|
Felshin, Nina |
Empty Dress: Clothing as Surrogate in Recent Art, (Independent) |
|
Decter, Joshua |
Don't Look Now, (Thread Waxing Space, New York, NY) |
| 1993 |
Espy-Burns, Victoria |
Vivid: Intense Images by American Photographers, (Raab Galerie, Berlin, Germany) |
|
Schaffner, Ingrid |
The Return of the Cadavre Exquis, (The Drawing Center, New York, NY) |
|
Phillips, Lisa |
Photoplay: Works from the Chase Manhattan Collection, (The Chase Manhattan Corporation, New York, NY) |
|
Jacobson, Marjory |
Art for Work: The New Renaissance in Corporate Collecting, (HarvardBusiness School Press, Boston, MA) |
|
Hill-Perrell, Franklin |
Image Makers, (Nassau County Museum of Art, Roslyn Harbor, NY) |
|
Brunon, Bernard |
Autoportraits Contemporains: Here's Looking at Me, (Espace Lyonnais d'Art Contemporain, Lyon, France) |
|
anonymous |
Sex Quake - Art After the Apocalypse, (1st Art- Genes Portable Museum) |
| 1992 |
Rosenberg, Barry A.
Leigh, Christian
Straus, Marc J. |
Quotations: The Second History of Art, (The Aldrich Museum of Contemporary Art, Ridgefield, CT) |
|
Colpitt, Frances
Plous, Phyllis |
Knowledge: Aspects of Conceptual Art, (University Art Museum, Santa Barbara, CA) |
|
Bond, Anthony, et al. |
9th Biennale of Sydney: The Boundary Rider, (Art Gallery of New South Wales, Sydney, Australia) |
| 1991 |
Belli, Gabriella
Saltz, Jerry |
American Art of the 80's, (Electa, Milan, Italy) |
|
Rubin, David S. |
Cruciformed: Images of the Cross Since 1980, (Cleveland Center for Contemporary Art, Cleveland, OH) |
|
Reynolds, Jock &Sheldon, James |
Motion and Document - Sequence and Time: Eadweard Muybridge and Contemporary American Photography, (National Museum of American Art, Smithsonian Institution, Washington, DC) |
|
Morin, France,
et al. |
The Interrupted Life, (New Museum of Contemporary Art, New York, NY) |
|
Liebmann, Lisa |
Southeast Bank Collects: A Corporation Views Contemporary Art, (Southeast Bank)(cat.) |
|
Gumpert, Lynn
Wallis, Brian |
Beyond the Frame: American Art 1960-1990, (Institute of Contemporary Art, Tokyo, Japan) |
| 1990 |
Graw, Isabella
Lanzinger, Pia |
Das Sibyllinische Auge: Fotokünstlerinnen aus dem Anglo-Amerikanischen Raum, (Foto e.V. München and Barbara Gross Gallery, Munich, Germany) |
|
Gandini, Manuela |
Taking the Picture: Photography and Appropriation, (Castelli, New York, NY and Gallery, Milan, Italy) |
|
Derrickson, Stephen |
Insect Politics, Body Horror/ Social Order, (Hallwalls Contemporary Art Center, Buffalo, NY) |
|
Cooke, Lynne |
Reorienting: Looking East, (Third Eye Centre, Glasgow, Scotland and Nicola Jacobs, London, UK) |
| 1989 |
Foresta, Merry A.
Smith, Joshua P. |
The Photography of Invention: American Pictures of the 1980's, (M.I.T.Press, Cambridge, MA) |
|
Goldstein, Ann
Jacob, Mary Jane |
A Forest of Signs: Art in the Crisis of Representation, (Museum of Contemporary Art, Los Angeles, CA and M.I.T. Press, Cambridge, MA) |
|
|
Subject:Object, (Nicola Jacobs Gallery, London, UK) |
|
Ferguson, Bruce
Simon, Joan
Smith, Roberta |
Contemporary Perspective I: Abstraction in Question, (The John and Mable Ringling Museum of Art, Sarasota, FL) |
|
Butler, Susan |
Bristol and Serpentine Gallery, London) |
|
Halpern-Brougher
Nora, Hopkins
Henry T.
Stein, Donna. |
Selected Works from the Frederick R. Weisman Foundation, (Wight Art Gallery, U.C.L.A.) |
|
Grundberg, Andy
Saltz, Jerry |
Abstraction in Contemporary Photography, (Emerson Gallery, Hamilton College and Anderson Gallery, Virginia Commonwealth University, Richmond, VA) |
|
Braulick, Nathan
Haworth, Dale K.
Sowder, Lynne. |
What Does She Want: Current Feminist Art from the First Bank Collection, (First Bank System Division of Visual Arts) |
|
Hanhardt, John G.
Heiferman, Marvin
Phillips, Lisa |
Image World: Art and Media Culture, (Whitney Museum of American Art, New York, NY) |
|
Rauch, Joseph |
Fictive Strategies: Actuality and Originality in Contemporary Photography, (The Squibb Gallery, Princeton, NJ) |
|
Stainback, Charles |
Culture Medium, (International Center of Photography, New York, NY) |
|
Rosenberg, Barry
Straus, Marc |
Selections from the Collection of Marc and Livia Straus (Aldrich Museum of Contemporary Art, Ridgefield, CT) |
|
Hoy, Anne |
Fabrications, Staged, Altered and Appropriated Photographs, (Abbeville Press, New York, NY) |
|
Misiano, Viktor
Wasow, Oliver, et al. |
Moskau - Wien - New York, (Wiener Fastwochen, Vienna, Austria) |
|
Kosuth, Joseph |
The Play of the Unsayable-Wittgenstein and the Art of the XXth Century, (Wiener Secession, Vienna, Austria) |
|
Jones, Ronald
Steinbach, Haim |
Avant 1989: Exposition con‡ue par Haim Steinbach, (Fonds Régional d'Art Contemporain, Rhônes-Alpes, France) |
| 1988 |
Godeau, Abigail Sol. |
Sexual Difference: Both Sides of the Camera, (Wallach Art Gallery, Columbia University, New York, NY) |
|
Collins, Tricia
Milazzo, Richard
Indiana, Gary |
Hybrid Neutral: Modes of Abstraction and the Social, (Independent Curators Intl., New York, NY) |
|
Collins, Tricia
Milazzo, Richard |
Media Post Media, (Scott Hanson Gallery, New York, NY) |
|
Collins, Tricia
Milazzo, Richard |
Just Like a Woman, (Greenville County Museum of Art, SC) |
|
Collins, Tricia
Milazzo, Richard |
Art at the End of the Social, (Rooseum, Malmö, Sweden) |
|
Collins, Tricia |
|
|
Carter, Curtis L. |
Photography On the Edge, (Haggerty Museum of Art, Marquette University, Milwaukee, WI) |
|
Liebmann, Lisa
Monforton, Mary-Ann |
Contemporary Art Auction to Benefit El Bohio. (Bohio Community and Cultural Center, New York, NY) |
| 1987 |
Brunon, Bernard |
Contemporary Photographic Portraiture, (Musee St. Pierre, Lyon, France) |
|
Denson, G. Roger |
Poetic Injury: The Surrealist Legacy in Postmodern Photography, (Alternative Museum, New York, NY) |
|
Cameron, Dan |
Art and Its Double: A New York Perspective, (Centre Cultural de la Fundacio Caixa de Pensions, Barcelona, Spain) |
|
Jacobs, Joseph |
This is not a Photograph: Twenty Years of Large Scale Photography; 1966-1986, (The John and Mable Ringling Museum of Art, Sarasota, FL) |
|
Feinstein, Roni |
Contemporary Diptychs: The New Shape of Content, (Whitney Museum of American Art, New York, NY) |
|
Saltz, Jerry |
Recent Tendencies in Black and White, (Sidney Janis Gallery, New York, NY) |
|
Halley, Peter
Saltz, Jerry
Smith, Roberta |
Beyond Boundaries: New York's New Art, (Alfred van der Marck Editions, New York, NY) |
| 1986 |
Heiferman, Marvin |
The Big Picture, (The Queens Museum of Art, New York, NY) |
|
Collins, Tricia
Milazzo, Richard |
Ultrasurd, (S. L. Simpson Gallery, Toronto, ON) |
|
Collins, Tricia
Milazzo, Richard |
Spiritual America, (CEPA Gallery, Buffalo, NY) |
|
Heiferman, Marvin |
The Issue of Modern Art in Boston, (Institute of Contemporary Art, Boston, MA) |
|
Heller, Reinhold |
Dissent: The Issue of Modern Art in Boston, (Institute of Contemporary Art, Boston, MA) |
| 1985 |
various |
1985 Biennial Exhibition, (Whitney Museum of American Art, New York, NY) |
|
Olander, Bill |
The Art of Memory, The Loss of History, (New Museum of Contemporary Art, New York, NY) |
|
Lawson, Thomas
Nagy, Richard
Robbins, David
Trow, George W.S. |
Infotainment: 18 Artists from New York, (J. Berg Press, New York, NY) |
|
Jones, Richard |
Public Art, (Nexus Contemporary Art Center, Atlanta, GA) |
|
Collins, Tricia
Milazzo, Richard |
Cult and Decorum, (Tibor de Nagy Gallery, New York, NY) |
| 1984 |
Wallis, Brian |
Art After Modernism, Rethinking Representation, (The New Museum of Contemporary Art, New York, NY) |
|
Brooks, Rosetta |
Between Here and Nowhere: 9 New York Artists, (Riverside Studios, London, UK) |
| 1983 |
Olander, Bill |
Art and Social Change U.S.A., (Allen Memorial Art Museum, Oberlin College, Oberlin, OH) |
|
Solomon-Godeau, A. |
In Plato's Cave, (Marlborough Gallery, New York, NY) |
| 1982 |
Lawson, Tom |
Art and the Media: A Fatal Attraction, (The Renaissance Society, University of Chicago, Chicago, IL) |
| 1979 |
Lambert, Yvon |
Artemisia, (Paula Cooper Gallery, New York, NY) |
