|
2023 |
Karma, Los Angeles, CA; "Neverland" (May 6 - July 7) |
2021 |
Paula Cooper Gallery, New York, NY; "Modern History" (October 23 - December 18) |
2020 |
Printed Matter, New York, NY; "Sarah Charlesworth: Image Language," curated by Christine Robinson (February 27 - April 19) |
2019 |
Paula Cooper Gallery, New York, NY, "In-Photography" (February 16 - March 16) |
|
Krakow-Witkin Gallery, Boston, MA; "The Small Versions, 2000-2012" (March 30 - May 4) |
2018 |
Campoli Presti, London, UK, "Available Light" (May 10 - June 23) |
2017 |
Maccarone, New York, NY; "Natural Magic" (February 18 - May 6) |
|
LACMA, Los Angeles, CA; "Sarah Charlesworth: Doubleworld" (August 20 - November 26) |
2015 |
New Museum, New York, NY; "Sarah Charlesworth: Doubleworld", curated by Massimiliano Gioni and Margot Norton (June 24 - September 20) |
2014 |
The Art Institute of Chicago, Chicago, IL; "Stills", curated by Matthew S. Witkovsky (September 18 - January 4) |
|
Maccarone Gallery, New York, NY; "Objects of Desire: 1983 - 1988" (April 25 - June 14) |
2013 |
Baldwin Gallery, Aspen, CO; "Available Light" (June 21 - July 21) |
2012 |
Susan Inglett Gallery, New York, NY; “Available Light” (March 8 – April 14) |
2010 |
Baldwin Gallery, Aspen, CO; “Work in Progress" (July 30 - September 6) |
2009 |
Galerie Tanit, Munich, Germany; "Selected Works 1978-2009" (September 11 – October 31) |
|
Susan Inglett Gallery, New York, NY; "Work in Progress" (May 7 - June 13) |
2007 |
Baldwin Gallery, Aspen, CO; "Concrete Color" (November 23 - December 20) |
2006 |
Margo Leavin Gallery, Los Angeles, CA; "Concrete Color" (October 28 - November 25) |
2005 |
Baldwin Gallery, Aspen, CO; "A Simple Text" (November 25 - December 22) |
2003 |
Baldwin Gallery, Aspen, CO; "0 + 1" (February 11 - March 10) |
2002 |
Gorney Bravin + Lee, New York, NY; "Neverland" (November 22 - December 22) |
2000 |
Margo Leavin Gallery, Los Angeles, CA; "0 + 1" (January 15 - February 12) |
|
Gorney Bravin + Lee, New York, NY; "0 + 1" (January 8 - February 5) |
1998 |
Fay Gold Gallery, Atlanta, GA; "Doubleworld" |
|
Camera Obscura, San Casciano dei Bagni, Italy |
1997 – 1999 |
Sarah Charlesworth: A Retrospective, curated by Louis Grachos and Susan Fisher Sterling (cat.); Site, Santa Fe, NM (Nov. 1, 1997-Jan. 25, 1998); Museum of Contemporary Art, San Diego, CA (Mar. 23 - Jun. 13, 1998); National Museum of Women in the Arts, Washington, DC (Jul. 9 - Sep. 9, 1998); Cleveland Center for Contemporary Art, Cleveland, OH (Nov. 20, 1998 - Jan. 29, 1999); Rose Art Museum, Brandeis University, Waltham, MA (Mar. 25 - May 28, 1999) |
1996 |
Margo Leavin Gallery, Los Angeles, CA; "Doubleworld" (February 24 - March 23) |
1995 |
S. L. Simpson Gallery, Toronto, Canada; "Doubleworld" (September 28 - October 31) |
|
Jay Gorney Modern Art, New York, NY; "Doubleworld" (October 21 - November 25) |
1993 |
Jay Gorney Modern Art, New York, NY; "Natural Magic" (March 20 - April 24) |
|
S. L. Simpson Gallery, Toronto, Canada; "Natural Magic" (September 8 - October 5) |
|
Galerie Rizzo, Paris, France; "Natural Magic" (April 3 - May 15) |
1992 |
The Queens Museum of Art, Queens, NY; "Herald Tribune: November, 1977" and "Herald Tribune: January 18 - February 28, 1991" (February 15 - April 12) (brochure) |
|
Rena Bransten Gallery, San Francisco, CA; "Renaissance Paintings" (with Judith Barry) (October 8 - November 7) |
|
Galerie Carola Mosch, Berlin, Germany; "Objects of Desire" (June 16 - August 1) |
1991 |
Paley Wright Gallery, London, UK; "Renaissance Paintings" |
|
Jay Gorney Modern Art, New York, NY; "Renaissance Paintings & Drawings" (March 2 - March 30) |
|
Galerie Xavier Hufkens, Brussels, Belgium; "Renaissance Paintings" (April 26 - May 25) |
1990 |
S. L. Simpson Gallery, Toronto, Canada; "Academy of Secrets" (November 1 - November 27) |
1989 |
Jay Gorney Modern Art, New York, NY; "Academy of Secrets" (April 8 - April 29) |
|
Interim Art, London, UK; "Objects of Desire" (April 16 - May 14) |
1988 |
Galerie Hufkens Noirhomme, Brussels, Belgium; "Objects of Desire" (June 7 - July 2) |
1987 |
International with Monument, New York, NY; "Objects of Desire IV" (April 18 - May 10) |
|
Tyler Gallery, Tyler School of Art, Temple University, Elkins Park, PA; "Objects of Desire" (December 3 - January 8, 1988) |
|
Margo Leavin Gallery, Los Angeles, CA; "Objects of Desire IV" (April 25 - May 23) |
1986 |
International with Monument, New York, NY; "Objects of Desire III" (March 8 - March 29) |
|
S.L. Simpson Gallery, Toronto, Canada; "Objects of Desire III" (November 28 - December 20) |
1985 |
International with Monument, New York, NY; "Objects of Desire II" (March 1 - March 31) |
1984 |
The Clocktower, New York, NY; "Objects of Desire I", "In-Photography", "Tabula Rasa" (April 5 - May 6) |
|
Light Work, Syracuse, NY; "In-Photography" |
|
California Museum of Photography, Riverside, CA ; "Modern History" (cat.) |
1982 |
CEPA Gallery, Buffalo, NY; "In-Photography" (cat.) |
|
421 West Broadway, New York, NY; "Tabula Rasa" (January 17 - January 23) |
1981 - 1982 |
Tony Shafrazi Gallery, New York, NY; "In-Photography" (December 19, 1981 - January 16, 1982) |
1981 |
Galerie Micheline Szwajcer, Antwerp, Belgium; "The White Lady" (September 22 - October 24) |
1980 |
Tony Shafrazi Gallery, New York, NY; "Stills" (February 14 - March 5) |
1979 |
New 57 Gallery, Edinburgh, Scotland; "Modern History: April 21, 1978 and The Arc of Total Eclipse, February 26, 1979" (cat.) |
1978 |
Galerie Eric Fabre, Paris, France; “Modern History: April 21, 1978” and “Osservatore Romano, March 17 - May 10, 1978” (October 21 - through November) |
|
Centre d'Art Contemporain, Geneva, Switzerland; "Modern History: Herald Tribune, September, 1977 and April 21, 1978" |
|
C Space, New York, NY; "Modern History: Herald Tribune, September, 1977" (March 19 - March 30) |
|
Pio Monti Gallery, Rome, Italy; "Modern History: April 21, 1978" (August 8 - through September) |
|
Zona, Florence, Italy; "Modern History: April 20, 1978" (September 4 - through October) |
1977 |
MTL Gallery, Brussels, Belgium; "Fourteen Days" (cat.) |
|
2024-2025 |
BAMPFA, Berkeley, CA; "To Exalt The Ephemeral: The (Im)permanent Collection" (August 14, 2024 - July 6, 2025) |
2024 |
Paula Cooper Gallery, New York, NY; "Tabula Rasa" (May 30 - August 2) |
|
Broadway Gallery, New York, NY; "Friends of the Pod," curated by Nate Freeman and Benjamin Godsil of Nota Bene (January 8 - February 3) |
|
James Cohan, New York, NY; "Mother Lode: Material and Memory", organized by Abigail Ross Goodman, Molly Epstein & Ellen Langan (June 21 - July 26) |
|
Paula Cooper Gallery, New York, NY; "Books" (January 6 - February 10) |
2023-2024 |
Boca Raton Museum of Art, FL; "Smoke and Mirrors: Magical Thinking in Contemporary Art," curated by Kathleen Goncharov (November 18, 2023 - May 12, 2024) |
|
Nicole Klagsbrun, NY; "Women" (November 2, 2023 - February 29, 2024) |
|
MOCA Jacksonville; "A Walk on the Wild Side: '70s New York in the Norman E. Fisher Collection", curated by Ylva Rouse (December 1, 2023 - July 14, 2024) |
2023 |
The Approach, London, UK; "The Garden" curated by Sara VanDerBeek (April 21 - May 27) |
|
MACRO - Museum of Contemporary Art Rome, Italy; "Vicolo della Penitenza 11/A" curated by Janice Guy (June 9 - October 29) |
|
Paula Cooper Gallery, Palm Beach, FL; "The Bathers" (March 11 - April 15) |
2022-2023 |
UCCA Center for Contemporary Art, Beijing, China; "Somewhere Downtown: Art in 1980's New York" curated by Peter Eleey (October 1, 2022 - January 29, 2023) |
|
Nassau County Museum of Art, Roslyn Harbor, NY; "The Big Picture: Photography's Moment" (November 19, 2022 - March 5, 2023) |
2022 |
Paula Cooper Gallery, Palm Beach, FL; "Sarah Charlesworth & Jorge Pardo" (March 12 - April 9) |
|
Berkeley Art Museum, Berkeley, CA; "The Artist’s Eye: Tammy Rae Carland, David Huffman, Lava Thomas, John Zurier" (March 19 - July 17) |
|
The Stanley and Audrey Burton Gallery, Leeds University; Leeds, England; "Seeing Stars" (April 27 - July 30) |
|
Higher Pictures Generation, Brooklyn, NY; "Penitence Alley, 1989-1991" (July 14 - September 10) |
|
LACMA, Los Angeles, CA; "Objects of Desire: Photography and the Language of Advertising" (September 4 - December 18) |
|
Campoli Presti, Paris, France; "For the People of Paris" (October 17 - December 17) |
|
Paula Cooper Gallery, Palm Beach, FL; "Contemporary Antiquity" (October 18 - November 12) |
2021-2022 |
New Orleans Museum of Art; "A Brief History of Photography and Transmission" (June 25, 2021 - March 20, 2022) |
2021 |
Andrew Kreps Gallery, New York, NY; "footnotes and headlines" (July 8 - August 13) |
|
Winter Street Gallery, Edgartown, MA; "Sarah Charlesworth and Luke O'Halloran" curated by Sam McKinniss (July 9 - August 15) |
|
Fondazione Palazzo Strozzi; "American Art 1961-2001", curated by Vincenzo de Bellis and Arturo Galansino (May 28 - August 29) |
|
Campoli Presti, Paris, France; "The Year of Magical Thinking" (September 11 - October 9) |
|
Norton Museum of Art, West Palm Beach, FL; "For the Record: Celebrating Art by Women" (June 11 - October 3) |
|
Solomon R. Guggenheim Museum, New York, NY; "Off The Record", curated by Ashley James (April 2 - September 27) |
|
Paula Cooper Gallery, Palm Peach, FL; "The Politics of Desire" (February 12 - March 14) |
2020-2021 |
Tang Teaching Museum, Sarasota Springs, NY; "Energy In All Directions", curated by Ian Berry (October 10, 2020 - June 13, 2021) |
|
Metropolitan Museum of Art, New York, NY; "Pictures Revisited" (October 19, 2020 - May 9, 2021) |
2020 |
Paula Cooper Gallery, New York, NY, "Bernd and Hilla Becher, Sarah Charlesworth, Sherrie Levine" (February 29 - April 4) |
|
Deitch Gallery, Los Angeles, CA; "All of Them Witches," organized by Dan Nadel and Laurie Simmons (February 8 - April 11) |
2019-2020 |
Solomon R. Guggenheim Museum, New York, NY; "Artistic License: Six Takes on the Guggenheim Collection (May 24, 2019 - January 12, 2020) |
|
Museum of Contemporary Art, Chicago, IL, "Direct Message: Art, Language, and Power" (October 26, 2019 - January 26, 2020) |
2019 |
Ruby City, San Antonio, TX; "Waking Dream" (October 13 - ) |
|
Campoli Presti, London, UK; "Manifest Content" (February 1 - March 17) |
|
Off Paradise, New York, NY; "Glenn O'Brien: Center Stage" (September 17 - November 27) |
|
Castelli Gallery, New York, NY, "'Dot, Point, Period' a curated installation by Joseph Kosuth" (April 4 - July 20) |
|
Swiss Institute, New York, NY; "life and limbs" curated by Anna-Sophie Berger (September 25 - December 29) |
|
The Metropolitan Museum of Art, New York, NY; "Apollo's Muse: The Moon in the Age of Photography" (July 2 - September 22) |
|
The Artist's Institute at Hunter College, New York, NY; "Maneuver" curated by Lynne Cooke (September 18 - December 14) |
2018-2019 |
The Metropolitan Museum of Art, New York, NY; "Everything is Connected: Art and Conspiracy" (September 18 - January 6) |
|
McClain Gallery, Houston, TX; "Downtown: Collage Culture in the East Village" (November 1 - January 5, 2019) |
|
LUMA Arles, Arles, France, "Picture Industry : une histoire provisoire de l’image technique, 1844–2018" (October 13 - Jan 6, 2019) |
2018 |
Hirshhorn Museum, Washington, DC; "Brand New: Art and Commodity in the 1980s" (February 14 - May 13) |
2017-2018 |
Museum of Contemporary Art Chicago, Chicago, IL; "MCA Screen: Paul Pfeiffer" (December 23 - May 20) |
2017 |
Hessel Museum of Art, Annandale-on-Hudson, NY; "Picture Industry" (June 24 - December 15) |
|
Birmingham Museum of Art, Birmingham, AL; "Third Space/Shifting Conversations About Contemporary Art" (January 28 - January 6, 2019) |
|
Campoli Presti, London, UK; "Plages" (February 17 - March 18) |
|
École Nationale Supérieure d’Arts de Paris Cergy, Paris, France; "Le Secret" (May 5 - May 28) |
|
Museum für Neue Kunst, Freiburg, Germany; "Dying Well – False Death" (May 27 - September 24) |
|
Philadelphia Museum of Art, Philadelphia, PA; "Another Way of Telling: Women Photographers from the Collection" (April 8 - July 16) |
2016 - 2017 |
J. Paul Getty Museum, Los Angeles, CA; "Breaking News: Turning the Lens on Mass Media" (December 20, 2016 - April 30, 2017) |
|
Columbus Museum of Art, Columbus, OH; "The Sun Placed in the Abyss" (October 7, 2016 - January 8, 2017 ) |
|
Campoli Presti, Paris, France; "Sarah Charlesworth / Liz Deschenes" (October 20, 2016 - January 14, 2017) |
2016 |
Albright Knox Art Gallery, Buffalo, NY; "For the Love of Things: Still Life" (February 27 - May 29) |
|
Art Museum at the University of Toronto, Toronto, ON; "Counterpoints: Photography Through the Lens of Toronto Collections" (May 6 - July 30) |
|
Elizabeth Dee Gallery, New York, NY; "Every Future Has a Price: 30 Years After Infotainment" (October 29 - December 17) |
|
Los Angeles County Museum of Art, Los Angeles; "Physical: Sex and the Body in the 1980s" (March 20 - July 31) |
|
Walker Art Center, Minneapolis, MN; "Ordinary Pictures" (February 27 - October 9) |
|
Miguel Abreu Gallery, New York, NY; "In Place Of" (January 10 - February 21) |
2015 - 2016 |
Museum of Contemporary Art, Los Angeles, CA; "The Art of Our Time" (August 15, 2015 - September 12, 2016) |
|
Fondazione Prada, Milan, Italy; "Recto Verso" (December 3, 2015 - February 14, 2016) |
2015 |
The Metropolitan Museum of Art, New York, NY; "Reconstructions, Recent Photographs and Video from the Met Collection" (September 21, 2015 - March 13, 2016) |
|
Karma, Amagansett, NY; "Popular Images" (June 13 - July 5) |
|
Burlington City Arts, Burlington, VT; "Taking Pictures" (January 30 - April 4) |
|
Villa du Parc, Annemasse, France; "The Appropriationnist (Against and With)" (January 16 - March 14) |
|
White Columns, New York, NY; "Looking Back / The 9th White Columns Annual" (January 13 - February 21) |
|
Whitney Museum of American Art, New York, NY; "America Is Hard To See" curated by Donna De Salvo et al.
(May 1 - September 27) |
2014 |
Whitney Museum of American Art, New York, NY; "Whitney Biennial" curated by Stuart Comer, Anthony Elms, Michelle Grabner (March 7 - May 25) |
|
Senior & Shopmaker Gallery, New York, NY; "Objects & Fictions" (June 6 - July 25) |
|
On Stellar Rays, New York, NY; "No Drink No Talk Just Beautiful", curated by Mary Simpson (June 28 - August 1) |
|
Museum Folkwang, Essen, Germany; "(Mis)Understanding Photography" (June 14 - August 17) |
|
Murray Guy Gallery, New York, NY; "Someone Like Me" (January 16 - February 22) |
|
McCagg Gallery, Barnard College, New York, NY; "Lucid Gestures: An Exhibition of Barnard Alumnae Artists" (October 24 - November 17) |
|
Gallery Lelong, New York, NY; "Re-Framing History" (March 21 - April 26) |
2013 |
Wallspace Gallery, New York, NY; "Ten Years" (June 27 - August 2) |
|
Janet Borden, Inc, New York, NY; "Of,by,for,about ... Women" (September 17 - October 19) |
2012 |
Fort Worth Contemporary Arts, Fort Worth, TX; “Color Pictures”, curated by Frances Colpitt (March 3 – April 14) |
|
Carl Solway Gallery, Cincinnati, OH; "Body / Objects" (October 28 - December 22) |
|
Margo Leavin Gallery, New York, NY; "Arctic Summer" (July 31 - September 29) |
|
National Gallery of Art, Washington, DC; “Shock of the News”, curated by Judith Brodie (September 23 – January 27, 2013) |
|
The Art Institute of Chicago, Chicago, IL; "Photography From The Collection Of The Art Institute of Chicago" (May 1 – December 1) |
2011 - 2012 |
Neuberger Museum of Art, Purchase, NY (January 15 – April 3) The Nasher Museum of Art, Durham, NC (August 25 – December 5), Contemporary Arts Museum Houston, TX (February 11, 2012 – April 29, 2012); “The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1992”, curated by Helaine Posner and Nancy Princenthal |
2011 |
Victoria and Albert Museum, London, UK; “Signs of a Struggle: Photography in the Wake of Postmodernism”, curated by Marta Weiss (August 11 – November 27)
|
|
MoMA PS1, Long Island City, NY; “September 11”, curated by Peter Eleey (September 11 – January 9, 2012) |
|
Moderna Museet, Stockholm, Sweden; "Another Story: Photography from the Moderna Museet Collection" (February 1, 2011 – February 19, 2012) |
|
Hudson Valley Center for Contemporary Art, Peekskill, NY, “CIRCA 1986: The ‘80s from Six Important New York Art Collections”, (September 18 – July, 2012) |
|
C/O Berlin, Berlin, Germany; “The Uncanny Familiar: Images of Terror”, curated by Felix Hoffmann (September 10 – December 4) |
|
Berkeley Art Museum, Berkeley, CA; “Sun Works” (November 9 – May 6, 2012) |
2010 |
Musée d’Art Moderne et d’Art Contemporain, Nice, France; “Human” (June 12 - October 31) |
|
Corcoran Gallery of Art, Washington, D.C.; in conjunction with “Helios: Eadweard Muybridge in a Time of Change”, curated by Philip Brookman, Interpretation Gallery Exhibition, curated by Linda Powell, (April 10 - July 18) |
|
Kunstmuseum St. Gallen, St. Gallen, Switzerland (January 30 – June 20), Museum der Moderne,
Salzburg, Austria (July 3 – October 24); “Press Art: The Collection of Annette and Peter Nobel”, curated by Christoph Doswald (cat.) |
|
Leslie Tonkonow Gallery, New York, NY; Ordover Collection; (July 28 – September 3) |
|
Museum für Photographie, Braunschweig, Germany; "Rhetorik der Bilder" ("Rhetoric of Images"), curated by Florian Ebner (March 12 - April 25) |
|
Solomon R. Guggenheim Museum, New York, NY (March 26 – September 6), Guggenheim Museum, Bilbao (November 9 – March 13, 2011); “Haunted: Contemporary Photography/Video/Performance”, curated by Jennifer Blessing & Nat Trotman (cat.) |
|
New Museum, New York, NY; “The Last Newspaper”, curated by Richard Flood and Benjamin Godsill, (October 6 – January 9, 2011) |
|
Renwick Gallery, New York, NY; “Held Up By Columns”; (July 8 – August 6) |
|
Walker Art Center, Minneapolis, MN; “Abstract Resistance”, curated by Yasmil Raymond
(February 27 – May 23) |
|
Whitney Museum of American Art, New York, NY; “Singular Visions: A Selection of Seldom-Seen Postwar Works From The Whitney’s Collection”, curated by Dana Miller and Scott Rothkopf, (December 16 - August 5, 2012) |
2009 |
Le Magasin, Centre National d’Art Contemporain, Grenoble, France; “Images et (Re)Presentations”, curated by Yves Aupetitallot (May 25 – September 6) (cat.) |
|
APF Lab & The American Standard Gallery, New York, NY; "Small Packages" (September 16 - October 10) |
|
Fotomuseum, Winterthur, Switzerland; “Printed Matter” (February 28 – October 11) |
|
Guild and Greyshkul, New York, NY; “On From Here” (February 6 - February 8) |
|
Harris Lieberman, New York, NY; “A Twilight Art” (January 17 - February 28) |
|
The Metropolitan Museum of Art, New York, NY; “The Pictures Generation, 1974 -1984”, curated by Doug Eklund (April 21 – August 2) (cat.) |
|
Lehmann Maupin, New York, NY; “The Glamour Project” (February 23 – March 21) |
|
Margo Leavin Gallery, Los Angeles, CA; "Reading Standing Up" (January 31 - March 14) |
|
Sue Scott Gallery, New York, NY; “We’re All Gonna Die”, curated by Ron Keyson (June 25 – July 31) |
|
Susan Inglett Gallery, New York, NY; The Armory Show (March) |
|
The American Standard Gallery, New York, NY; “Better History” (March 12 – May 9) (cat.) |
2008 |
The Metropolitan Museum of Art, New York, NY; “Photography on Photography: Reflections on the Medium Since 1960” (April 8 - October 19) |
|
The American Standard Gallery, Miami, FL; (Dec) |
|
Sue Scott Gallery, New York, NY; “Legerdemain” (November 14 - December 20) |
|
Margo Leavin Gallery, Los Angeles, CA "Summer 2008" (May 31 - August 9) |
|
Guild & Greyshkul, New York, NY; "The Human Face is a Monument" (March 30 - May 3) |
|
Fotomuseum Winterthur, Switzerland; “Jedermann Collection- Set 5 from the Fotomuseum Winterthur Collection”(March 1 - October 12) (cat.) |
2007 |
Zimmerli Art Museum, Rutgers. The State University of New Jersey,New Brunswick, NJ, "A New Reality: Black-and-White Photography in Contemporary Art." (September 1 - November 25) (cat.) |
|
The Foundation To-Life Exhibition Space, Mount Kisco, NY, "Making and Finding", curated by Katy Siegel |
|
Rose Art Museum, Brandeis University, Waltham, MA "RoseArt: Works from the Permanent Collection" (January 25 - April 1) |
2006 |
Aspen Art Museum, Aspen, CO; "Belief and Doubt" (August 4 - October 1) |
|
Addison Gallery of American Art, Andover, MA; "75 Years of Collecting American Photography" (April 28 - July 31) |
|
Tony Shafrazi Gallery, New York, NY; "The Other Side" (May 5 - June 30) |
|
Grey Art Gallery, New York, NY (January 10 - April 1), The Andy Warhol Museum, Pittsburgh, PA (27 May - 3 September) "The Downtown Show: The New York Art Scene, 1974 -1984", curated by Carlo McCormick in consultation with Lynne Gumpert and Marvin J. Taylor (cat.) |
|
The Metropolitan Museum of Art, New York, NY; "Modern Photographs from the Collection XII" (April 4 - October 15) |
2005 - 2006 |
Vancouver Art Gallery, Vancouver, BC; "Classified Materials: Accumulations, Archives, Artists" (October 15, 2005 - January 2, 2006) |
2005 |
Von Lintel Gallery, New York, NY; "The Photograph in Question" (June 9 - July 29) |
|
Princeton University Art Museum, Princeton, NJ; "For Presentation and Display: Some Art of the 80s" curated by Johanna Burton and Hal Foster; (March 19 - June 12) |
|
New Museum of Contemporary Art, New York, NY; “East Village USA,” (December 9 – March 19) |
|
New Britain Museum of American Art, New Britain, CT; Contemporary Photography in the Age of Mechanical Reproduction (January 15 - March 13) |
|
Kunstmuseum Basel, Switzerland; "Covering the Real" (May 1 - August 21) (cat.) |
2004 |
Walker Art Center, Minneapolis, MN (October 11 – January 4), UCLA Hammer (February 8 – May 11), Museo de Arte Contemporanea, de Vigo, Spain (May 28 – September 19), Fotomuseum Winterthur, Switzerland (November 26 – February 13, 2005), Miami Art Central, Miami, Florida (March 10 – June 12, 2005); The Last Picture Show: Artists Using Photography 1960-1982, curated by Douglas Fogle (cat.) |
|
The Wexner Center for the Arts, Columbus, OH; Visions from America (July - August) |
|
The Art Institue of Boston At Lesley University, Boston, MA: ”Breathtaking” (March 31 – May 14) |
|
Solomon R. Guggenheim Museum, New York, NY (June 4 - September 8) Guggenheim Museum Bilbao, Bilbao, Spain (November 25, 2005 - March 22, 2006); Speaking with Hands, Photographs from the Buhl Collection (cat.) |
|
Charles Cowles Gallery, New York, NY; "Unframed" edition produced for ACRIA: Aids Community Research Initiative (April) |
2003 |
Memphis College of Art, Memphis, TN; "Cold Comfort" (January 13 - February 13) |
|
Margo Leavin Gallery, Los Angeles, CA; "Sarah Charlesworth, Louise Lawler and Laurie Simmons: Designs for Living" (September 6 - October 4) |
|
Margo Leavin Gallery, Los Angeles, CA; "Raid the Icebox" (March 22 - April 26) |
|
Orlando Museum of Art, Orlando, FL; "Constructed Realities: Contemporary Photography" (March 8 - May 18) (cat.) |
|
Southeast Museum of Photography, Daytona Beach, FL; "Off the Press: Recontextualizing the Newspaper in Contemporary Art" (March 25 - May 25) (cat.)
|
2002 |
Whitney Museum of American Art, New York, NY; "Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001", curated by Sylvia Wolfe (June 27 - September 22) |
|
The Victoria and Albert Museum, London; "Seeing Things: Photographing Objects, 1850-2001" (February 21 - August 18) (cat.) |
|
The Site Gallery, Sheffield, UK; "Con Art: Magic/Object/Action", curated by Helen & PierGiorgio Varola (February 16 - April 6) |
|
National Museum of Women in the Arts, Washington DC; "Feminism and Art: Selections from the Permanent Collection" (June - August) |
2001 |
Margo Leavin Gallery, Los Angeles, CA; "Seeing or Believing" (June 9 - July 28) |
|
Gallery Camino Real, Boca Raton, FL; "Photo-Synthesis", curated by Douglas Maxwell (January 11 - February 3) |
|
Kunsthalle Wien, Vienna, Austria; "Tele[visions]", curated by Joshua Decter (October 18 - January 6, 2002) |
|
Skidmore College, Saragota Springs, NY; "Still Photography" (June 16 - August 26) |
|
Tang Museum, Saratoga Springs, NY; "Still Photography: Works from the Tang Collection", curated by Charles Stainback (June 16 - Aug 16) |
2000 |
Museum of New Mexico, Museum of Fine Arts, Sante Fe, NM; "20/20 Twentieth Century Photography Acquisitions", (February 4 - August 20) |
|
De Saisset Museum, Santa Clara, CA; Brauer Museum, Valparaiso, IN; “The One Chosen” (August 2000 - November 2001) |
|
Contemporary Arts Center, New Orleans, LA; "Photography Now", curated by David Rubin (July 15 - September 24) |
|
Collection Lambert en Avignon, France; “Rendez-Vous 1” (June 27 - October 1) |
1999 |
Whitney Museum of American Art, New York, NY; "The American Century: Art & Culture 1950-2000" (September 26 - February 27, 2000) (cat.) |
|
Nexus Contemporary Art Center, Atlanta, GA; "Double Vision", curated by Michael Pittari |
1998 |
Art Museum of South Texas, Corpus Christi, TX; “From The Heart: The Power of Photography -
A Collector’s Choice”, curated by Adam D. Weinberg (March 6 - June 7) |
|
Museo Santa Maria Della Scala, Siena, Italy; “Civic Art In Sienese Villages: Three Contemporary Artists
Create Public Works”, curated by Cornelia Lauf (September 11 - October) |
|
Dorfman Projects, New York, NY; “The Tip of the Iceberg: A Response to New York Museums”,
curated by Bill Bartman (March 28 - April 25) |
1997 |
International Center of Photography, New York, NY; “Eye of the Beholder: Photographs from the Avon
Collection” (September 12 - November 13) |
|
Thomas J. Walsh Art Gallery, Quick Center for the Arts at Fairfield University, Fairfield, CT; “The One
Chosen: Images of Christ in Recent New York Art” (April 18 - May 31) (cat.) |
|
Milwaukee Art Museum, Milwaukee, WI; “Identity Crisis: Self Portraiture at the End of the Century”,
curated by Dean Sobol (September 12 - November 16) (cat.) |
|
California Center for the Arts Museum, Escondido, CA; “Table Tops: Morandi’s Still Lifes to Mapplethorpe’s
Flower Studies” (September 21 - January 21, 1998) |
1996 |
The Clocktower Gallery, Institute of Contemporary Art, New York, NY; “Model Home,” organized by Alanna Heiss and Sabina Streeter (February 26 - March 31) (cat.) |
|
S. L. Simpson Gallery, Toronto, Canada; “Sarah Charlesworth, Louise Lawler, Ian Wallace”
(July 5 - July 26)
|
|
S. L. Simpson Gallery, Toronto, Canada; “Sarah Charlesworth, Hannah Collins, General Idea, Laurie
Simmons, Carolyn White” |
|
Nicole Klagsbrun Gallery, New York, NY; (December 14 - January 18, 1997) Bernard Toale Gallery,
Boston, MA; (December 14 - January 18, 1997) “Making Pictures: Women and Photography,
1975-Now”, curated by Nicole Klagsbrun |
|
Museum of Contemporary Art, Los Angeles, CA; “Just Past: The Contemporary in M.o.C.A.’s Permanent Collection, 1975-96” (September 29 – January 19, 1997) |
|
Los Angeles County Museum of Art, Los Angeles, CA; "Some Grids", organized by Carol S. Eliel and Lynn Zelevansky |
1994 |
Whitney Museum of American Art, New York, NY; "From the Collection: Photography, Sculpture, Painting"
|
|
Thread Waxing Space, New York, NY; "Don't Look Now", curated by Josh Decter (January 22 - February 26) (cat.) |
|
The InterArt Center, New York, NY; "Gift", organized by Gideon Ponte, Birgit Spears & Neville Wakefield |
|
The Art Museum, Florida International University, Miami, FL; "American Art Today: Heads Only", curated by Dahlia Morgan (April 8 - May 6) (cat.) |
|
School of the Art Institute of Chicago, Chicago, IL; "Transmitting the Truth: Reformulating News Media Information" (September 2 - October 19) |
|
Offshore Gallery, East Hampton, NY; "Seasights", curated by Nessia Pope (November 12 - December 31) |
|
Musée d’art moderne et contemporain (MAMCO), Genève, Switzerland; "Rudiments d'un Musée Possible 1" (September 23 - January 29, 1995) |
|
Christinerose Gallery, New York, NY; "Chasing Angels" (December 3 - January 21, 1995) (cat.) |
|
Carl Solway Gallery, Cincinnati, OH; "Desire & Loss" (January 15 - April 2) |
1993 - 1996 |
Neuberger Museum, Purchase, NY; Virginia Beach Center for the Arts, Virginia Beach, VA; University Gallery, Univ. of North Texas, Denton, TX; Art Gallery, Sir Wilfred Grenfell College, Univ. of Newfoundland, Newfoundland, NS, Canada; Mackenzie Art Gallery, Regina, Sas.,Canada; The Gallery/Stratford, Stratford, Ont., Canada; California Center for the Arts, Escondido, CA; SelbyGallery Ringling School of the Arts, Sarasota, FL; The Rubelle & Norman Schafler Gallery, Pratt Institute, Brooklyn, NY; "Empty Dress: Clothing as Surrogate in Recent Art", curated by Nina Felshin for IndependentCurators Intl. (cat.) |
1993 - 1994 |
Center for the Fine Arts, Miami, FL; Museo Amparo, Puebla, Mexico; Centro Cultural Consolidado, Nacional de Bellas Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile; "Photoplay: Works from the Chase Manhattan Collection", organized by Lisa Phillips in association with Manuel E. Gonzalez (cat.) |
|
International Center of Photography, New York, NY; Institute of Contemporary Art, Boston, MA; Laguna Art Museum, Laguna Beach, CA; "Commodity Image" (cat.) |
1993 |
The Herbert F. Johnson Museum of Art, Cornell University, NY; "Up Close: Chemistry Imagined Photogenics: Contemporary Art from the Mallin Collection" (April 2 - June 13) |
|
The Drawing Center, New York, NY; "The Return of the Cadavre Exquis" (November 6 - December 18) (cat.) |
|
Raab Galerie, Berlin, Germany; Galleria Gian Ferrari Arte Contemporanea, Milano, Italy; “Vivid: Intense Images by American Photographers”, curated by Victoria Espy-Burns (May 19 - July 31) |
|
Nassau County Museum of Art, Roslyn Harbor, NY; "Image Makers", curated by Franklin Hill Perrell and Constance Schwartz (October 3 - January 2, 1994) (cat.) |
|
L'Espace Lyonnais d'Art Contemporain, Lyon, France; "Here's Looking At Me / A Mes Beaux Yeux: Autoportraits Contemporains", curated by Bernard P. Brunon (January 29 - April 30) (cat.) |
|
Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, NV; "From New York:Recent Thinking in Contemporary Photography" (March 1 - March 28) |
1992 - 1993 |
The New Jersey Center for Visual Arts, Summit, NJ; "New Jersey Collects: Photography" curated by Elynn Dennison, Sharon Gill and Perijane Zarembok (November 15 - January 8, 1993) |
|
Art Gallery of New South Wales, Sydney, Australia (sponsor, & various local sites); The "Boundary Rider: 9th Biennale of Sydney", curated by Anthony Bond (December 15 - March 14, 1993) (cat.) |
1992 |
University Art Museum, Santa Barbara, CA; The Santa Monica Museum of Art, Santa Monica, CA; The North Carolina Museum of Art, Raleigh, NC; "Knowledge: Aspects of Conceptual Art", curated by Frances Colpitt and Phyllis Plous (cat.) |
|
The Aldrich Museum of Contemporary Art, Ridgefield, CT; "Quotations: The Second History of Art", organized by Barry Rosenberg (May 16 - September 20) (cat.) |
|
International Center of Photography, New York, NY; "The Photographic Order from Pop to Now" (July 31 - October 16) (cat.) |
|
Centro Cultural Arte Contemporaneo, Polanco, Mexico; "The Disasters of War"
|
1991 |
Museum of Contemporary Art, Los Angeles, CA; "Selections from the Permanent Collection: 1975-1991" (August 25 - December 15) |
|
Museum of Contemporary Art, Los Angeles, CA; "Recent Work / Recent Acquisitions" (January 20 – February 17) |
|
Cleveland Center for Contemporary Art, Cleveland, OH; "Cruciformed: Images of the Cross Since 1980" (cat.) |
|
Foto e.V. München and Barbara Gross Galerie, München, Germany; "Das Sibyllinische Auge: Fotokünstlerinnen aus dem Anglo-Amerikanischen Raum", curated by Isabelle Graw and Pia Lanzinger (January 9 - February 3) (cat.) |
|
Barbara Mathes Gallery, New York, NY; "The Conceptual Eye" |
|
New Museum of Contemporary Art, New York, NY; "The Interrupted Life", curated by France Morin (September 13 - December 29) (cat.) |
|
National Museum of American Art, Smithsonian Institution, Washington, DC; "Motion and Document - Sequence and Time: Eadweard Muybridge and Contemporary American Photography", curated by James Sheldon and Jock Reynolds (cat. - travelling show) |
|
Setagaya Art Museum, Tokyo; The National Museum of Art, Osaka; Fukuoka Art Museum, Fukuoka, Japan; "Beyond the Frame: American Art 1960-1990", curated by Lynn Gumpert (cat.) |
|
Norton Gallery of Art, West Palm Beach, FL and Samuel P. Harn Museum of Art at the Univ. of Florida, Gainesville, FL; "Southeast Bank Collects: A Corporation Views Contemporary Art", curated by Lisa Liebmann (December 1 - February 9, 1992) (cat.) |
|
Robert Miller Gallery, New York, NY; Lorence Monk Gallery, New York, NY; "In a Dream...(portfolio published by Photographers and Friends Against AIDS)" |
|
Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL; "Images from the Eighties Part 1, American Paintings and Drawings from the Samuel P. Harn Museum of Art's Skowhegan Collection" |
|
Tony Shafrazi Gallery, New York, NY; "A Passion for Art: Watercolors and Works on Paper" (December 7 - January 25, 1992) |
|
Victoria and Albert Museum, London, UK; “Postmodern Prints” (July 17 - October 27) |
|
Palazzo delle Albere, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto,Trento, Italy; "American Art of the 80's", curated by Gabriella Belli and Jerry Saltz (December 18 - March 1, 1992) (cat.) |
1990 |
Krygier/Landau Contemporary Art, Santa Monica, CA; "Prints and Multiples" |
|
Feigen Gallery, Chicago, IL; "Sarah Charlesworth, Jeanne Dunning, Annette Messager, Adrian Piper, Laurie Simmons" (March 30 - April 28) (cat.) |
|
Galerie Samia Saouma, Paris, France; "Figures et Lectures" (June 7 - July 21) |
|
Galleri Nordanstad-Skarstedt, Stockholm, Sweden; “Disconnections” (March 26 - April 21) |
|
International Center of Photography , New York, NY; Los Angeles Municipal Art Gallery, Los Angeles, CA; "The Indomitable Spirit" (February 9 - April 7) (cat.) |
|
Hallwalls Contemporary Arts Center, Buffalo, NY; "Insect Politics: Body Horror / Social Order" (March 17 - April 13) (cat.) |
|
Leo Castelli Gallery, New York, NY; Gallery, Milan, Italy; "Taking the Picture: Photography and Appropriation", curated by Manuela Gandini (April 7 - April 28) |
|
Nicola Jacobs Gallery, London, UK; Third Eye Center, Glasgow, Scotland; "Reorienting: Looking East", curated by Lynne Cooke (cat.) |
|
White Columns, New York, NY; "Fragments, Parts, Wholes; The Body & Culture" |
|
XPO Galerie, Hamburg, Germany; "The Point of View" |
|
Museum of Fine Arts, Boston, MA; "Figuring the Body", curated by Trevor Fairbrother and Kathy Halbreich (July 28 - October 28) |
1989 - 1990 |
Cambridge Darkroom, Cambridge; City Museum and Art Gallery, Stroke-on-Trent; Newport Museum and Art Gallery; Harris Museum and Art Gallery, Preston (all England); "Shifting Focus: An International Exhibition of Contemporary Women's Photography", curated by Susan Butler for The Arnolfini Gallery, Bristol and The Serpentine Gallery, London (cat.) |
1989 |
Grita Insam Gallery, Vienna, Austria (July 9 - September 9); Museum voor Hedendaagse Kunst Het Kruithuis, Hertogenbosch, The Netherlands (September 22 - October 29); "Vis-A-Vis: Aspects of Contemporary Portrait Photography" |
|
Josh Baer Gallery, New York, NY; "Natura-Naturata (An Argument for Still-Life)", curated by Cornelia Lauf (March 4 - March 11) |
|
International Center of Photography, New York, NY; "Culture Medium: A Notion of Truth", curated by Charles Stainback (July 21 - September 3) (cat.) |
|
Hirschl & Adler Modern, New York, NY; "Departures: Photography 1924-1989" (November 2 - December 2) |
|
Carleton Art Gallery, Carleton College, Northfield, MN; Women's Art Registry of Minnesota, Minneapolis, MN; "What Does She Want?: Current Feminist Art from the First Bank Collection", curated by Lynne Sowder and Nathan Braulick (cat.) |
|
Frac Rhône-Alpes, Lyon, France; "Avant 1989", curated by Haim Steinbach (cat.) |
|
Emerson Gallery, Hamilton College, Clinton, NY; Anderson Gallery, Virginia Commonwealth University, Richmond, VA; "Abstraction in Contemporary Photography", curated by Jimmy De Sana (cat.) |
|
Editions Ilene Kurtz, New York, NY; "Sarah Charlesworth and Laurie Simmons: Prints & Photographs" (April 28 - May 29) |
|
Art Center College of Design, Pasadena, CA; "Fauxtography", curated by Nora Halpern Brougher (September 16 - October 25) |
|
Museum of Contemporary Art, Los Angeles, CA; "A Forest of Signs: Art in the Crisis of Representation", curated by Mary Jane Jacob and Ann Goldstein (May 5 - August 13) (cat.) |
|
Messepalast, Vienna, Austria; Moskau - Wien - New York: "Kunst zur Zeit", curated by Viktor Misiano and Oliver Wasow (cat.) |
|
Aldrich Museum of Contemporary Art, Ridgefield, CT; "Selections from the Collection of Marc and Olivia Straus" (June 24 - October 8) (cat.) |
|
National Museum of American Art, Smithsonian Institution, Washington, DC; The Museum of Contemporary Art, Chicago, IL and Walker Art Center, Minneapolis, MN; "The Photography of Invention: American Pictures of the 1980s", curated by Joshua P. Smith and Merry A. Foresta (cat.) |
|
Thomas Segal Gallery, Boston, MA; "Camera Culture", curated by Brent Sikkema (September 16 - October 18) |
|
Wight Art Gallery, University of California, Los Angeles, CA; Joslyn Museum of Art, Omaha, NE; Neuberger Museum, Purchase, NY; Akron Art Museum, Akron, OH; "Selected Works from the Frederick R. Weisman Foundation" (cat.) |
|
Whitney Museum of American Art, New York, NY; "Image World: Art and Media Culture", curated by Marvin Heiferman and Lisa Phillips (November 9 - December 2) (cat.) |
|
Nicola Jacobs Gallery, London, UK; "Subject: Object" (cat.) |
|
Tony Shafrazi Gallery, New York, NY; "Don't Bungle the Jungle! A benefit exhibition for the rainforest" (June 3 - June 30) |
|
Vienna Secession, Vienna, Austria; "The Play of the Unsayable-Wittgenstein and the Art of the XXth Century", curated by Joseph Kosuth (cat.) |
|
The Squibb Gallery, Princeton, NJ; "Fictive Strategies; Actuality and Originality in Contemporary Photography", curated by Joseph Rauch (February 26 - April 2) (cat.) |
|
The Serpentine Gallery, London, UK; “Shifting Focus” (June 30 - August 28) |
|
The John and Mable Ringling Museum of Art, Sarasota, FL; Center for the Fine Arts, Miami, FL; "Contemporary Perspective I: Abstraction in Question", curated by Bruce Ferguson, Joan Simon and Roberta Smith (cat.) |
|
Salama-Caro Gallery, London, UK; "International Camera" (January 27 - February 25) |
|
S. L. Simpson Gallery, Toronto, Canada; "Sarah Charlesworth, Christine Davis, Judith Schwarz" (July 22 - August 30) |
1988 |
Artculture Resource Center, Toronto, Canada; "The Discursive Field of Recent Photography", curated by Tom Folland |
|
Jay Gorney Modern Art, New York, NY; "Gallery Artists" (January 9 - January 30) |
|
Burden Gallery / Aperture Foundation, New York, NY; "The Return of the Hero", curated by Karen Marta |
|
Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; "Fabrications", curated by Anne Hoy (book) |
|
Greenville County Museum of Art, Greenville, SC; "Just like a Woman" |
|
Haggerty Museum of Art, Marquette University, Milwaukee, WI; "Photography on the Edge" (March 24 – June 8) (cat.) |
|
White Columns, New York, NY; "Female (Re)production", curated by Marilu Knode (January 28 - February 20) |
|
Robert Koch Gallery, San Francisco, CA; "Photography in Art Today" |
|
Scott Hanson Gallery, New York, NY; "Media / Post Media", curated by Collins and Milazzo (January 6 - February 9) (cat.) |
|
The University of North Texas Art Gallery, Denton, TX; The J. B. Speed Art Museum, Louisville, LA; Alberta College Gallery of Art, Alberta, Canada; The Cincinnati Contemporary Art Center, Cincinnati, OH, Richard F. Brush Art Gallery, Santa Fe Community College Art Gallery, Santa Fe, NM; "Hybrid Neutral: Modes of Abstraction and the Social" curated by Tricia Collins & Richard Milazzo for Independent Curators Intl. (cat.) |
|
Wallach Art Gallery, Columbia University, New York, NY; "Sexual Difference: Both Sides of the Camera", curated by Abigail Solomon-Godeau (March 24 - May 7) (cat.) |
|
Rooseum, Malmö, Sweden; "Art at the End of the Social", curated by Collins & Milazzo (July 29 - October 2) (cat.) |
1987 – 1988 |
Sala de Exposiciones de la Fundacion Caja de Pensiones, Madrid, Spain; Fundacio Caixa de Pensions, Barcelona, Spain; "Art and Its Double: A New York Perspective", curated by Dan Cameron (cat.) |
1987 |
Musee St. Pierre, Espace Lyonnais d'Art Contemporain, Lyon, France; "Contemporary Photographic Portraiture", curated by Bernard Brunon (October 7 - November 22) (cat.) |
|
Alternative Museum, New York, NY; "Poetic Injury: The Surrealist Legacy in Post Modern Photography", curated by Roger Denson (November 14 - December 23) |
|
Barbara Toll Fine Arts, New York, NY: "Monsters: The Phenomena of Dispassion", curated by Dennis Kardon and Maria Reidelbach |
|
The John and Mable Ringling Museum of Art, Sarasota, FL; Akron Art Museum, Akron, OH; Chrysler Museum, Norfolk, VA: "This is not a Photograph: Twenty Years of Large Scale Photography; 1966-1986", curated by Joseph Jacobs (cat.) |
|
Sidney Janis Gallery, New York, NY; "Recent Tendencies in Black and White", curated by Jerry Saltz (December 3 - December 24) (cat.) |
|
University Art Gallery, San Diego State University, San Diego, CA; "Industrial Icons" |
|
Whitney Museum of American Art at Champion Plaza, Stamford, CT; Whitney Museum of American Art at Equitable Center, New York, NY; "Contemporary Diptychs: The New Shape of Content", curated by Roni Feinstein (cat.) |
1986 |
Institute of Contemporary Art, Boston, MA; "As Found, part III of Dissent: The Issue of Modern Art in Boston" (April 29 - June 22) (cat.) |
|
303 Gallery, New York, NY; Photography Bard College, Annandale-on Hudson, NY; "Altered States", curated by Vikky Alexander (April 3 - April 30) |
|
Brooke Alexander Gallery, New York, NY, "Benefit for The Kitchen", curated by Brooke Alexander and Paula Cooper (December 13 - December 21) |
|
CEPA Gallery, Buffalo, NY; "Spiritual America", curated by Collins and Milazzo (March 3 - June 15) (cat.) |
|
Editions Ilene Kurtz, New York, NY; "Sarah Charlesworth, Jeff Koons, Laurie Simmons" (Tartan Sets portfolio) |
|
S.L. Simpson Gallery, Toronto, Canada; "Ultrasurd", curated by Collins and Milazzo (September 26 - October 15) (cat.) |
|
Lightsong Gallery, University of Arizona, Tucson, AZ |
|
Margo Leavin Gallery, Los Angeles, CA; "Paravision", curated by Collins and Milazzo (July 12 - August 23) |
|
Michael Kohn Gallery, Los Angeles, CA; "Post Pop Art" (June 5 - July 12) |
|
The Queens Museum of Art, New York, NY; "The Big Picture", curated by Marvin Heiferman (cat.) |
|
Venice Biennale, Venice, Italy; "Aperto" (June 29 - September 28) (cat.) |
1985 – 1986 |
Rhona Hoffman Gallery, Chicago, IL; Texas Gallery, Houston, TX; Aspen Art Museum, Aspen, CO; Vanguard Gallery, Philadelphia, PA; "Infotainment", curated by Peter Nagy (cat.) |
1985 |
New Museum of Contemporary Art, New York, NY; "The Art of Memory, The Loss of History",curated by Bill Olander (November 22 - December) (cat.) |
|
Cable Gallery, New York, NY |
|
Feature Gallery, Chicago, IL |
|
Holly Solomon Gallery, New York, NY; "Selected Artists from The East Village" |
|
55 Mercer Street Gallery, New York, NY; "Smart Art Too", curated by Joe Masheck (January 8 - January 26) |
|
Laguna Gloria Art Museum, Austin, TX; "Figure it Out" |
|
Light Gallery, New York, NY; “In the Tradition of: Photography” (February 11 - March 24) |
|
International with Monument, New York, NY; “Still Life with Transaction” (March 28 - April 21) |
|
Nexus Contemporary Art Center, Atlanta, GA; C. W. Woods Gallery, Hattiesburg, MS; Carolina Program Union, Columbia, SC; Austin Peay State University, Clarksville, TN; Valencia Community College, Orlando, FL; North Carolina Museum of Art, Raleigh, NC; University of the South, Sewanee, TN; Public Art, organized by Nexus Contemporary Art Center, Atlanta (cat.) |
|
The Institute for Contemporary Arts, Santa Fe, NM; "Playing It Again, Strategies of Appropriation" (traveling show), curated by Sam Samore |
|
Tibor de Nagy Gallery, New York, NY; "Cult and Decorum", curated by Collins and Milazzo (December 7 - January 4, 1986) (cat.) |
|
Tony Birckhead Gallery, Cincinnati, OH |
|
White Columns, New York, NY; "Seduction: Working Photographs", curated by Marvin Heiferman (February 6 - March 2) |
|
Whitney Museum of American Art, New York, NY; "1985 Biennial Exhibition" (March 21 - June 9) (cat.) |
|
Postmasters Gallery, New York, NY; “Photo Object” (December 13 - January 26, 1986) |
1984 - 1985 |
White Columns, New York, NY; The New Capital, curated by Collins and Milazzo (December 4 - January 5, 1985) |
|
Riverside Studios, London; Kettle's Yard, Cambridge; Midland Group Gallery, Nottingham, UK; "Between Here and Nowhere", curated by Rosetta Brooks (cat.) |
1984 |
Galerie Jurka, Amsterdam, Netherlands; International with Monument, New York, NY; "Still Life with Transaction", curated by Collins and Milazzo |
|
Blum Helman Warehouse, New York, NY; “Bomb Magazine Show” |
|
Cable Gallery, New York, NY; "Sex Show" |
|
Dart Gallery, Chicago, IL; "Large Scale Photographs" (September 14 - October 10) |
|
Fine Arts Gallery, Florida State University, Tallahassee, FL; "Natural Genres", curated by Collins and Milazzo (August 31 - September 30) |
|
Spiritual America, New York, NY; "Pop" (February 1 - March) |
|
Museum of Modern Art / Art Advisory Service, New York, NY; "Ten Years of Contemporary Art" (September - January, 1985) |
|
Nature Morte Gallery, New York, NY; “Wedge Benefit” (June 27 - June 29) |
|
School of the Art Institute of Chicago Gallery, Chicago, IL; "Sex Specific: Photographic Investigations of Contemporary Sexuality" (November 2 - November 24) (cat.) |
|
Washington Project for the Arts, Washington, DC; "The Magazine Store", curated by Jock Reynolds |
1983 |
Brooklyn Army Terminal, New York, NY; "Terminal New York" |
|
Allen Memorial Art Museum, Oberlin College, Oberlin, OH; "Art and Social Change U.S.A.", curated by Bill Olander (April 19 - May 30) (cat.) |
|
American Graffiti Gallery, Amsterdam, Netherlands |
|
Barbara Gladstone Gallery, New York, NY; "State of the Art, The New Social Commentary" (June 14 - July 29) |
|
Palais de Beaux Arts, Brussels, Belgium |
|
Castelli Graphics, New York, NY; "Three-Dimensional Photographs" (April 12 - May 4) |
|
Marianne Deson Gallery, Chicago, IL; "Artists Use Photographs" (January 7 - February 16) |
|
Marlborough Gallery, New York, NY; "In Plato's Cave", curated by Abigail Solomon-Godeau (November 4 - November 29) (cat.) |
|
Olsen Gallery, New York, NY; "Eight Women Artists" (June 16 - July 16) |
1982 |
The Renaissance Society, University of Chicago, Chicago, IL; "Art and the Media: A Fatal Attraction", curated by Tom Lawson (cat.) (May 2 – June 12) |
|
Proctor Art Center, Bard College, Annandale-On-Hudson, NY; “Resource Material: Appropriation In
Current Photography”, curated by Stephen Frailey (October 30 - December 1) |
|
Olsen Gallery, New York, NY; "Sarah Charlesworth, Olivier Mosset" (June 11 - August) |
1981 |
Tony Shafrazi Gallery, New York, NY (December 19 - January 16) |
|
P.S.1, Long Island City, NY; New York, “New Wave”, curated by Diego Cortez (February 15 – April 5) |
|
Metro Pictures, New York, NY; “Photo” (September 12 - October 3) |
1980 |
The Times Square Show, New York, NY; organized by Colab (June) |
|
Carmen Lamanna Gallery, Toronto, Canada; “General Idea” (May 31 - June 19) |
1979 |
P. S.1, Long Island City, NY; “The Altered Photograph” (April 22 – June 10) |
|
Galerie Yvon Lambert, Paris, France; Paula Cooper Gallery, New York, NY; "Artemisia", curated by Yvon Lambert (cat.) |
1978 |
Bibliotheque National, Paris, France |
|
Gallery 76, Toronto, Canada |
1977 |
Art Net, London, UK |
|
Carmen Lamanna Gallery, Toronto, Canada |
1976 |
Galerie Durand-Dessert, Paris, France; MTL Gallery, Brussels, Belgium; PMJ Self Gallery, London, UK; "Face / Surface", collaborative project with Joseph Kosuth |
|
1995 |
Artists Space, New York, NY; "Somatogenics", group show co-curated with Cindy Sherman and Laurie Simmons. |
|
John Simon Guggenheim Fellowship Award, Visual Art |
1983 |
National Endowment for the Arts |
1980 |
National Endowment for the Arts |
1977 |
New York State Creative Artists Public Service |
1976 |
National Endowment for the Arts |
|
|
Boca Raton Museum of Art, FL; "Smoke and Mirrors: Magical Thinking in Contemporary Art," curated by Kathleen Goncharov (November 18, 2023 - May 12, 2024) |