Sarah Charlesworth Studio
INDIVIDUAL EXHIBITIONS:

2017Maccarone, New York, NY; "Natural Magic" (February 18 - May 6)
LACMA, Los Angeles, CA; "Sarah Charlesworth: Doubleworld" (August 20 - November 26)
2015New Museum, New York, NY; "Sarah Charlesworth: Doubleworld", curated by Massimiliano Gioni and Margot Norton (June 24 - September 20)
2014The Art Institute of Chicago, Chicago, IL; "Stills", curated by Matthew S. Witkovsky (September 18 - January 4)
Maccarone Gallery, New York, NY; "Objects of Desire: 1983 - 1988" (April 25 - June 14)
2013Baldwin Gallery, Aspen, CO; "Available Light" (June 21 - July 21)
2012Susan Inglett Gallery, New York, NY; “Available Light” (March 8 – April 14)
2010Baldwin Gallery, Aspen, CO; “Work in Progress" (July 30 - September 6)
2009Susan Inglett Gallery, New York, NY; "Work in Progress" (May 7 - June 13)
Galerie Tanit, Munich, Germany; "Selected Works 1978-2009" (September 11 – October 31)
2007Baldwin Gallery, Aspen, CO; "Concrete Color" (November 23 - December 20)
2006Margo Leavin Gallery, Los Angeles, CA; "Concrete Color" (October 28 - November 25)
2005Baldwin Gallery, Aspen, CO; "A Simple Text" (November 25 - December 22)
2003Baldwin Gallery, Aspen, CO; "0 + 1" (February 11 - March 10)
2002Gorney Bravin + Lee, New York, NY; "Neverland" (November 22 - December 22)
2000Margo Leavin Gallery, Los Angeles, CA; "0 + 1" (January 15 - February 12)
Gorney Bravin + Lee, New York, NY; "0 + 1" (January 8 - February 5)
1998Fay Gold Gallery, Atlanta, GA; "Doubleworld"
Camera Obscura, San Casciano dei Bagni, Italy
1997 – 1999Site, Santa Fe, NM; Museum of Contemporary Art, San Diego, CA; National Museum of Women in the Arts, Washington, DC
Sarah Charlesworth,- A Retrospective, curated by Louis Grachos and Susan Fisher Sterling (cat.)
Cleveland Center for Contemporary Art, Cleveland, OH; Rose Art Museum, Brandeis University, Waltham, MA
1996Margo Leavin Gallery, Los Angeles, CA; "Doubleworld" (February 24 - March 23)
1995S. L. Simpson Gallery, Toronto, Canada; "Doubleworld" (September 28 - October 31)
Jay Gorney Modern Art, New York, NY; "Doubleworld" (October 21 - November 25)
1993S. L. Simpson Gallery, Toronto, Canada; "Natural Magic" (September 8 - October 5)
Jay Gorney Modern Art, New York, NY; "Natural Magic" (March 20 - April 24)
Galerie Rizzo, Paris, France; "Natural Magic" (April 3 - May 15)
1992Rena Bransten Gallery, San Francisco, CA; "Renaissance Paintings" (with Judith Barry) (October 8 - November 7)
The Queens Museum of Art, Queens, NY; "Herald Tribune: November, 1977" and "Herald Tribune: January 18 - February 28, 1991" (February 15 - April 12) (brochure)
Galerie Carola Mosch, Berlin, Germany; "Objects of Desire" (June 16 - August 1)
1991Paley Wright Gallery, London, UK; "Renaissance Paintings"
Jay Gorney Modern Art, New York, NY; "Renaissance Paintings & Drawings" (March 2 - March 30)
Galerie Xavier Hufkens, Brussels, Belgium; "Renaissance Paintings" (April 26 - May 25)
1990S. L. Simpson Gallery, Toronto, Canada; "Academy of Secrets" (November 1 - November 27)
1989Jay Gorney Modern Art, New York, NY; "Academy of Secrets" (April 8 - April 29)
Interim Art, London, UK; "Objects of Desire" (April 16 - May 14)
1988Galerie Hufkens Noirhomme, Brussels, Belgium; "Objects of Desire" (June 7 - July 2)
1987Tyler Gallery, Tyler School of Art, Temple University, Elkins Park, PA; "Objects of Desire" (December 3 - January 8, 1988)
Margo Leavin Gallery, Los Angeles, CA; "Objects of Desire IV" (April 25 - May 23)
International with Monument, New York, NY; "Objects of Desire IV" (April 18 - May 10)
1986S.L. Simpson Gallery, Toronto, Canada; "Objects of Desire III" (November 28 - December 20)
International with Monument, New York, NY; "Objects of Desire III" (March 8 - March 29)
1985International with Monument, New York, NY; "Objects of Desire III" (March 1 - March 31)
1984The Clocktower, New York, NY; "Objects of Desire I", "In-Photography", "Tabula Rasa" (April 5 - May 6)
Light Work, Syracuse, NY; "In-Photography"
California Museum of Photography, Riverside, CA ; "Modern History" (cat.)
1982CEPA Gallery, Buffalo, NY; "In-Photography" (cat.)
421 West Broadway, New York, NY; "Tabula Rasa" (January 17 - January 23)
1981 - 1982Tony Shafrazi Gallery, New York, NY; "In-Photography" (December 19, 1981 - January 16, 1982)
1981Galerie Micheline Szwajcer, Antwerp, Belgium; "The White Lady" (September 22 - October 24)
1980Tony Shafrazi Gallery, New York, NY; "Stills" (February 14 - March 5)
1979New 57 Gallery, Edinburgh, Scotland; "Modern History: April 21, 1978 and The Arc of Total Eclipse, February 26, 1979" (cat.)
1978Zona, Florence, Italy; "Modern History: April 20, 1978" (September 4 - through October)
Pio Monti Gallery, Rome, Italy; "Modern History: April 21, 1978" (August 8 - through September)
Galerie Eric Fabre, Paris, France; “Modern History: April 21, 1978” and “Osservatore Romano, March 17 - May 10, 1978” (October 21 - through November)
Centre d'Art Contemporain, Geneva, Switzerland; "Modern History: Herald Tribune, September, 1977 and April 21, 1978"
C Space, New York, NY; "Modern History: Herald Tribune, September, 1977" (March 19 - March 30)
1977MTL Gallery, Brussels, Belgium; "Fourteen Days" (cat.)
GROUP EXHIBITIONS:

2017École Nationale Supérieure d’Arts de Paris Cergy, Paris, France; "Le Secret" (May 5 - May 28)
Philadelphia Museum of Art, Philadelphia, PA; "Another Way of Telling: Women Photographers from the Collection" (April 8 - July 16)
Museum für Neue Kunst, Freiburg, Germany; "Dying Well – False Death" (May 27 - September 24)
Hessel Museum of Art, Annandale-on-Hudson, NY; "Picture Industry" (June 24 - December 15)
Campoli Presti, London, UK; "Plages" (February 17 - March 18)
Birmingham Museum of Art, Birmingham, AL; "Third Space/Shifting Conversations About Contemporary Art" (January 28 - January 6, 2019)
2016 - 2017J. Paul Getty Museum, Los Angeles, CA; "Breaking News: Turning the Lens on Mass Media" (December 20, 2016 - April 30, 2017)
Columbus Museum of Art, Columbus, OH; "The Sun Placed in the Abyss" (October 7, 2016 - January 8, 2017 )
Campoli Presti, Paris, France; "Sarah Charlesworth / Liz Deschenes" (October 20, 2016 - January 14, 2017)
2016Walker Art Center, Minneapolis, MN; "Ordinary Pictures" (February 27 - October 9)
Miguel Abreu Gallery, New York, NY; "In Place Of" (January 10 - February 21)
Los Angeles County Museum of Art, Los Angeles; "Physical: Sex and the Body in the 1980s" (March 20 - July 31)
Elizabeth Dee Gallery, New York, NY; "Every Future Has a Price: 30 Years After Infotainment" (October 29 - December 17)
Art Museum at the University of Toronto, Toronto, ON; "Counterpoints: Photography Through the Lens of Toronto Collections" (May 6 - July 30)
Albright Knox Art Gallery, Buffalo, NY; "For the Love of Things: Still Life" (February 27 - May 29)
2015 - 2016Fondazione Prada, Milan, Italy; "Recto Verso" (December 3, 2015 - February 14, 2016)
Museum of Contemporary Art, Los Angeles, CA; "The Art of Our Time" (August 15, 2015 - September 12, 2016)
2015Whitney Museum of American Art, New York, NY; "America Is Hard To See" curated by Donna De Salvo et al. (May 1 - September 27)
White Columns, New York, NY; "Looking Back / The 9th White Columns Annual" (January 13 - February 21)
Villa du Parc, Annemasse, France; "The Appropriationnist (Against and With)" (January 16 - March 14)
The Metropolitan Museum of Art, New York, NY; "Reconstructions, Recent Photographs and Video from the Met Collection" (September 21, 2015 - March 13, 2016)
Karma, Amagansett, NY; "Popular Images" (June 13 - July 5)
Burlington City Arts, Burlington, VT; "Taking Pictures" (January 30 - April 4)
2014Whitney Museum of American Art, New York, NY; "Whitney Biennial" curated by Stuart Comer, Anthony Elms, Michelle Grabner (March 7 - May 25)
On Stellar Rays, New York, NY; "No Drink No Talk Just Beautiful", curated by Mary Simpson (June 28 - August 1)
Museum Folkwang, Essen, Germany; "(Mis)Understanding Photography" (June 14 - August 17)
Murray Guy Gallery, New York, NY; "Someone Like Me" (January 16 - February 22)
Gallery Lelong, New York, NY; "Re-Framing History" (March 21 - April 26)
2013Wallspace Gallery, New York, NY; "Ten Years" (June 27 - August 2)
2012Fort Worth Contemporary Arts, Fort Worth, TX; “Color Pictures”, curated by Frances Colpitt (March 3 – April 14)
Margo Leavin Gallery, New York, NY; "Arctic Summer" (July 31 - September 29)
National Gallery of Art, Washington, DC; “Shock of the News”, curated by Judith Brodie (September 23 – January 27, 2013)
The Art Institute of Chicago, Chicago, IL; "Photography From The Collection Of The Art Institute of Chicago" (May 1 – December 1)
2011 - 2012Neuberger Museum of Art, Purchase, NY (January 15 – April 3) The Nasher Museum of Art, Durham, NC (August 25 – December 5), Contemporary Arts Museum Houston, TX (February 11, 2012 – April 29, 2012); “The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1992”, curated by Helaine Posner and Nancy Princenthal
2011Victoria and Albert Museum, London, UK; “Signs of a Struggle: Photography in the Wake of Postmodernism”, curated by Marta Weiss (August 11 – November 27)
MoMA PS1, Long Island City, NY; “September 11”, curated by Peter Eleey (September 11 – January 9, 2012)
Moderna Museet, Stockholm, Sweden; "Another Story: Photography from the Moderna Museet Collection" (February 1, 2011 – February 19, 2012)
Hudson Valley Center for Contemporary Art, Peekskill, NY, “CIRCA 1986: The ‘80s from Six Important New York Art Collections”, (September 18 – July, 2012)
C/O Berlin, Berlin, Germany; “The Uncanny Familiar: Images of Terror”, curated by Felix Hoffmann (September 10 – December 4)
Berkeley Art Museum, Berkeley, CA; “Sun Works” (November 9 – May 6, 2012)
2010New Museum, New York, NY; “The Last Newspaper”, curated by Richard Flood and Benjamin Godsill, (October 6 – January 9, 2011)
Corcoran Gallery of Art, Washington, D.C.; in conjunction with “Helios: Eadweard Muybridge in a Time of Change”, curated by Philip Brookman, Interpretation Gallery Exhibition, curated by Linda Powell, (April 10 - July 18)
Kunstmuseum St. Gallen, St. Gallen, Switzerland (January 30 – June 20), Museum der Moderne, Salzburg, Austria (July 3 – October 24); “Press Art: The Collection of Annette and Peter Nobel”, curated by Christoph Doswald (cat.)
Leslie Tonkonow Gallery, New York, NY; Ordover Collection; (July 28 – September 3)
Museum für Photographie, Braunschweig, Germany; "Rhetorik der Bilder" ("Rhetoric of Images"), curated by Florian Ebner (March 12 - April 25)
Musée d’Art Moderne et d’Art Contemporain, Nice, France; “Human” (June 12 - October 31)
Renwick Gallery, New York, NY; “Held Up By Columns”; (July 8 – August 6)
Solomon R. Guggenheim Museum, New York, NY (March 26 – September 6), Guggenheim Museum, Bilbao (November 9 – March 13, 2011); “Haunted: Contemporary Photography/Video/Performance”, curated by Jennifer Blessing & Nat Trotman (cat.)
Walker Art Center, Minneapolis, MN; “Abstract Resistance”, curated by Yasmil Raymond (February 27 – May 23)
Whitney Museum of American Art, New York, NY; “Singular Visions: A Selection of Seldom-Seen Postwar Works From The Whitney’s Collection”, curated by Dana Miller and Scott Rothkopf, (December 16 - August 5, 2012)
2009The Metropolitan Museum of Art, New York, NY; “The Pictures Generation, 1974 -1984”, curated by Doug Eklund (April 21 – August 2) (cat.)
APF Lab & The American Standard Gallery, New York, NY; "Small Packages" (September 16 - October 10)
Fotomuseum, Winterthur, Switzerland; “Printed Matter” (February 28 – October 11)
Guild and Greyshkul, New York, NY; “On From Here” (February 6 - February 8)
Harris Lieberman, New York, NY; “A Twilight Art” (January 17 - February 28)
Le Magasin, Centre National d’Art Contemporain, Grenoble, France; “Images et (Re)Presentations”, curated by Yves Aupetitallot (May 25 – September 6) (cat.)
Lehmann Maupin, New York, NY; “The Glamour Project” (February 23 – March 21)
Margo Leavin Gallery, Los Angeles, CA; "Reading Standing Up" (January 31 - March 14)
Sue Scott Gallery, New York, NY; “We’re All Gonna Die”, curated by Ron Keyson (June 25 – July 31)
Susan Inglett Gallery, New York, NY; The Armory Show (March)
The American Standard Gallery, New York, NY; “Better History” (March 12 – May 9) (cat.)
2008The Metropolitan Museum of Art, New York, NY; “Photography on Photography: Reflections on the Medium Since 1960” (April 8 - October 19)
The American Standard Gallery, Miami, FL; (Dec)
Sue Scott Gallery, New York, NY; “Legerdemain” (November 14 - December 20)
Margo Leavin Gallery, Los Angeles, CA "Summer 2008" (May 31 - August 9)
Guild & Greyshkul, New York, NY; "The Human Face is a Monument" (March 30 - May 3)
Fotomuseum Winterthur, Switzerland; “Jedermann Collection- Set 5 from the Fotomuseum Winterthur Collection”(March 1 - October 12) (cat.)
2007The Foundation To-Life Exhibition Space, Mount Kisco, NY, "Making and Finding", curated by Katy Siegel
Rose Art Museum, Brandeis University, Waltham, MA "RoseArt: Works from the Permanent Collection" (January 25 - April 1)
Zimmerli Art Museum, Rutgers. The State University of New Jersey,New Brunswick, NJ, "A New Reality: Black-and-White Photography in Contemporary Art." (September 1 - November 25) (cat.)
2006Tony Shafrazi Gallery, New York, NY; "The Other Side" (May 5 - June 30)
The Metropolitan Museum of Art, New York, NY; "Recent Acquisitions in Contemporary Photography" (April 4 - October 15)
Grey Art Gallery, New York, NY (January 10 - April 1), The Andy Warhol Museum, Pittsburgh, PA (27 May - 3 September) "The Downtown Show: The New York Art Scene, 1974 -1984", curated by Carlo McCormick in consultation with Lynne Gumpert and Marvin J. Taylor (cat.)
Aspen Art Museum, Aspen, CO; "Belief and Doubt" (August 4 - October 1)
Addison Gallery of American Art, Andover, MA; "75 Years of Collecting American Photography" (April 28 - July 31)
2005 - 2006Vancouver Art Gallery, Vancouver, BC; "Classified Materials: Accumulations, Archives, Artists" (October 15, 2005 - January 2, 2006)
2005Von Lintel Gallery, New York, NY; "The Photograph in Question" (June 9 - July 29)
Princeton University Art Museum, Princeton, NJ; "For Presentation and Display: Some Art of the 80s" curated by Johanna Burton and Hal Foster; (March 19 - June 12)
New Museum of Contemporary Art, New York, NY; “East Village USA,” (December 9 – March 19)
New Britain Museum of American Art, New Britain, CT; Contemporary Photography in the Age of Mechanical Reproduction (January 15 - March 13)
Kunstmuseum Basel, Switzerland; "Covering the Real" (May 1 - August 21) (cat.)
2004Solomon R. Guggenheim Museum, New York, NY (June 4 - September 8) Guggenheim Museum Bilbao, Bilbao, Spain (November 25, 2005 - March 22, 2006); Speaking with Hands, Photographs from the Buhl Collection (cat.)
Charles Cowles Gallery, New York, NY; "Unframed" edition produced for ACRIA: Aids Community Research Initiative (April)
The Art Institue of Boston At Lesley University, Boston, MA: ”Breathtaking” (March 31 – May 14)
The Wexner Center for the Arts, Columbus, OH; Visions from America (July - August)
Walker Art Center, Minneapolis, MN (October 11 – January 4), UCLA Hammer (February 8 – May 11), Museo de Arte Contemporanea, de Vigo, Spain (May 28 – September 19), Fotomuseum Winterthur, Switzerland (November 26 – February 13, 2005), Miami Art Central, Miami, Florida (March 10 – June 12, 2005); The Last Picture Show: Artists Using Photography 1960-1982, curated by Douglas Fogle (cat.)
2003Southeast Museum of Photography, Daytona Beach, FL; "Off the Press: Recontextualizing the Newspaper in Contemporary Art" (March 25 - May 25) (cat.)
Orlando Museum of Art, Orlando, FL; "Constructed Realities: Contemporary Photography" (March 8 - May 18) (cat.)
Memphis College of Art, Memphis, TN; "Cold Comfort" (January 13 - February 13)
Margo Leavin Gallery, Los Angeles, CA; "Sarah Charlesworth, Louise Lawler and Laurie Simmons: Designs for Living" (September 6 - October 4)
Margo Leavin Gallery, Los Angeles, CA; "Raid the Icebox" (March 22 - April 26)
2002Whitney Museum of American Art, New York, NY; "Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001", curated by Sylvia Wolfe (June 27 - September 22)
National Museum of Women in the Arts, Washington DC; "Feminism and Art: Selections from the Permanent Collection" (June - August)
The Site Gallery, Sheffield, UK; "Con Art: Magic/Object/Action", curated by Helen & PierGiorgio Varola (February 16 - April 6)
The Victoria and Albert Museum, London; "Seeing Things: Photographing Objects, 1850-2001" (February 21 - August 18) (cat.)
2001Tang Museum, Saratoga Springs, NY; "Still Photography: Works from the Tang Collection", curated by Charles Stainback (June 16 - Aug 16)
Skidmore College, Saragota Springs, NY; "Still Photography" (June 16 - August 26)
Margo Leavin Gallery, Los Angeles, CA; "Seeing or Believing" (June 9 - July 28)
Kunsthalle Wien, Vienna, Austria; "Tele[visions]", curated by Joshua Decter (October 18 - January 6, 2002)
Gallery Camino Real, Boca Raton, FL; "Photo-Synthesis", curated by Douglas Maxwell (January 11 - February 3)
2000Collection Lambert en Avignon, France; “Rendez-Vous 1” (June 27 - October 1)
Contemporary Arts Center, New Orleans, LA; "Photography Now", curated by David Rubin (July 15 - September 24)
De Saisset Museum, Santa Clara, CA; Brauer Museum, Valparaiso, IN; “The One Chosen” (August 2000 - November 2001)
Museum of New Mexico, Museum of Fine Arts, Sante Fe, NM; "20/20 Twentieth Century Photography Acquisitions", (February 4 - August 20)
1999Whitney Museum of American Art, New York, NY; "The American Century: Art & Culture 1950-2000" (September 26 - February 27, 2000) (cat.)
Nexus Contemporary Art Center, Atlanta, GA; "Double Vision", curated by Michael Pittari
1998Museo Santa Maria Della Scala, Siena, Italy; “Civic Art In Sienese Villages: Three Contemporary Artists Create Public Works”, curated by Cornelia Lauf (September 11 - October)
Dorfman Projects, New York, NY; “The Tip of the Iceberg: A Response to New York Museums”, curated by Bill Bartman (March 28 - April 25)
Art Museum of South Texas, Corpus Christi, TX; “From The Heart: The Power of Photography - A Collector’s Choice”, curated by Adam D. Weinberg (March 6 - June 7)
1997Thomas J. Walsh Art Gallery, Quick Center for the Arts at Fairfield University, Fairfield, CT; “The One Chosen: Images of Christ in Recent New York Art” (April 18 - May 31) (cat.)
Milwaukee Art Museum, Milwaukee, WI; “Identity Crisis: Self Portraiture at the End of the Century”, curated by Dean Sobol (September 12 - November 16) (cat.)
International Center of Photography, New York, NY; “Eye of the Beholder: Photographs from the Avon Collection” (September 12 - November 13)
California Center for the Arts Museum, Escondido, CA; “Table Tops: Morandi’s Still Lifes to Mapplethorpe’s Flower Studies” (September 21 - January 21, 1998)
1996Museum of Contemporary Art, Los Angeles, CA; “Just Past: The Contemporary in M.o.C.A.’s Permanent Collection, 1975-96” (September 29 – January 19, 1997)
Los Angeles County Museum of Art, Los Angeles, CA; "Some Grids", organized by Carol S. Eliel and Lynn Zelevansky
Nicole Klagsbrun Gallery, New York, NY; (December 14 - January 18, 1997) Bernard Toale Gallery, Boston, MA; (December 14 - January 18, 1997) “Making Pictures: Women and Photography, 1975-Now”, curated by Nicole Klagsbrun
S. L. Simpson Gallery, Toronto, Canada; “Sarah Charlesworth, Louise Lawler, Ian Wallace” (July 5 - July 26)
The Clocktower Gallery, Institute of Contemporary Art, New York, NY; “Model Home,” organized by Alanna Heiss and Sabina Streeter (February 26 - March 31) (cat.)
S. L. Simpson Gallery, Toronto, Canada; “Sarah Charlesworth, Hannah Collins, General Idea, Laurie Simmons, Carolyn White”
1994Offshore Gallery, East Hampton, NY; "Seasights", curated by Nessia Pope (November 12 - December 31)
Carl Solway Gallery, Cincinnati, OH; "Desire & Loss" (January 15 - April 2)
Christinerose Gallery, New York, NY; "Chasing Angels" (December 3 - January 21, 1995) (cat.)
Musée d’art moderne et contemporain (MAMCO), Genève, Switzerland; "Rudiments d'un Musée Possible 1" (September 23 - January 29, 1995)
School of the Art Institute of Chicago, Chicago, IL; "Transmitting the Truth: Reformulating News Media Information" (September 2 - October 19)
The Art Museum, Florida International University, Miami, FL; "American Art Today: Heads Only", curated by Dahlia Morgan (April 8 - May 6) (cat.)
The InterArt Center, New York, NY; "Gift", organized by Gideon Ponte, Birgit Spears & Neville Wakefield
Thread Waxing Space, New York, NY; "Don't Look Now", curated by Josh Decter (January 22 - February 26) (cat.)
Whitney Museum of American Art, New York, NY; "From the Collection: Photography, Sculpture, Painting"
1993 - 1996Neuberger Museum, Purchase, NY; Virginia Beach Center for the Arts, Virginia Beach, VA; University Gallery, Univ. of North Texas, Denton, TX; Art Gallery, Sir Wilfred Grenfell College, Univ. of Newfoundland, Newfoundland, NS, Canada; Mackenzie Art Gallery, Regina, Sas.,Canada; The Gallery/Stratford, Stratford, Ont., Canada; California Center for the Arts, Escondido, CA; SelbyGallery Ringling School of the Arts, Sarasota, FL; The Rubelle & Norman Schafler Gallery, Pratt Institute, Brooklyn, NY; "Empty Dress: Clothing as Surrogate in Recent Art", curated by Nina Felshin for IndependentCurators Intl. (cat.)
1993 - 1994International Center of Photography, New York, NY; Institute of Contemporary Art, Boston, MA; Laguna Art Museum, Laguna Beach, CA; "Commodity Image" (cat.)
Center for the Fine Arts, Miami, FL; Museo Amparo, Puebla, Mexico; Centro Cultural Consolidado, Nacional de Bellas Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile; "Photoplay: Works from the Chase Manhattan Collection", organized by Lisa Phillips in association with Manuel E. Gonzalez (cat.)
1993Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, NV; "From New York:Recent Thinking in Contemporary Photography" (March 1 - March 28)
L'Espace Lyonnais d'Art Contemporain, Lyon, France; "Here's Looking At Me / A Mes Beaux Yeux: Autoportraits Contemporains", curated by Bernard P. Brunon (January 29 - April 30) (cat.)
Nassau County Museum of Art, Roslyn Harbor, NY; "Image Makers", curated by Franklin Hill Perrell and Constance Schwartz (October 3 - January 2, 1994) (cat.)
Raab Galerie, Berlin, Germany; Galleria Gian Ferrari Arte Contemporanea, Milano, Italy; “Vivid: Intense Images by American Photographers”, curated by Victoria Espy-Burns (May 19 - July 31)
The Drawing Center, New York, NY; "The Return of the Cadavre Exquis" (November 6 - December 18) (cat.)
The Herbert F. Johnson Museum of Art, Cornell University, NY; "Up Close: Chemistry Imagined Photogenics: Contemporary Art from the Mallin Collection" (April 2 - June 13)
1992 - 1993The New Jersey Center for Visual Arts, Summit, NJ; "New Jersey Collects: Photography" curated by Elynn Dennison, Sharon Gill and Perijane Zarembok (November 15 - January 8, 1993)
Art Gallery of New South Wales, Sydney, Australia (sponsor, & various local sites); The "Boundary Rider: 9th Biennale of Sydney", curated by Anthony Bond (December 15 - March 14, 1993) (cat.)
1992University Art Museum, Santa Barbara, CA; The Santa Monica Museum of Art, Santa Monica, CA; The North Carolina Museum of Art, Raleigh, NC; "Knowledge: Aspects of Conceptual Art", curated by Frances Colpitt and Phyllis Plous (cat.)
The Aldrich Museum of Contemporary Art, Ridgefield, CT; "Quotations: The Second History of Art", organized by Barry Rosenberg (May 16 - September 20) (cat.)
International Center of Photography, New York, NY; "The Photographic Order from Pop to Now" (July 31 - October 16) (cat.)
Centro Cultural Arte Contemporaneo, Polanco, Mexico; "The Disasters of War"
1991Norton Gallery of Art, West Palm Beach, FL and Samuel P. Harn Museum of Art at the Univ. of Florida, Gainesville, FL; "Southeast Bank Collects: A Corporation Views Contemporary Art", curated by Lisa Liebmann (December 1 - February 9, 1992) (cat.)
Barbara Mathes Gallery, New York, NY; "The Conceptual Eye"
Cleveland Center for Contemporary Art, Cleveland, OH; "Cruciformed: Images of the Cross Since 1980" (cat.)
Foto e.V. München and Barbara Gross Galerie, München, Germany; "Das Sibyllinische Auge: Fotokünstlerinnen aus dem Anglo-Amerikanischen Raum", curated by Isabelle Graw and Pia Lanzinger (January 9 - February 3) (cat.)
Museum of Contemporary Art, Los Angeles, CA; "Recent Work / Recent Acquisitions" (January 20 – February 17)
Museum of Contemporary Art, Los Angeles, CA; "Selections from the Permanent Collection: 1975-1991" (August 25 - December 15)
National Museum of American Art, Smithsonian Institution, Washington, DC; "Motion and Document - Sequence and Time: Eadweard Muybridge and Contemporary American Photography", curated by James Sheldon and Jock Reynolds (cat. - travelling show)
New Museum of Contemporary Art, New York, NY; "The Interrupted Life", curated by France Morin (September 13 - December 29) (cat.)
Palazzo delle Albere, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto,Trento, Italy; "American Art of the 80's", curated by Gabriella Belli and Jerry Saltz (December 18 - March 1, 1992) (cat.)
Robert Miller Gallery, New York, NY; Lorence Monk Gallery, New York, NY; "In a Dream...(portfolio published by Photographers and Friends Against AIDS)"
Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL; "Images from the Eighties Part 1, American Paintings and Drawings from the Samuel P. Harn Museum of Art's Skowhegan Collection"
Setagaya Art Museum, Tokyo; The National Museum of Art, Osaka; Fukuoka Art Museum, Fukuoka, Japan; "Beyond the Frame: American Art 1960-1990", curated by Lynn Gumpert (cat.)
Tony Shafrazi Gallery, New York, NY; "A Passion for Art: Watercolors and Works on Paper" (December 7 - January 25, 1992)
Victoria and Albert Museum, London, UK; “Postmodern Prints” (July 17 - October 27)
1990Nicola Jacobs Gallery, London, UK; Third Eye Center, Glasgow, Scotland; "Reorienting: Looking East", curated by Lynne Cooke (cat.)
Feigen Gallery, Chicago, IL; "Sarah Charlesworth, Jeanne Dunning, Annette Messager, Adrian Piper, Laurie Simmons" (March 30 - April 28) (cat.)
Galerie Samia Saouma, Paris, France; "Figures et Lectures" (June 7 - July 21)
Galleri Nordanstad-Skarstedt, Stockholm, Sweden; “Disconnections” (March 26 - April 21)
Hallwalls Contemporary Arts Center, Buffalo, NY; "Insect Politics: Body Horror / Social Order" (March 17 - April 13) (cat.)
International Center of Photography , New York, NY; Los Angeles Municipal Art Gallery, Los Angeles, CA; "The Indomitable Spirit" (February 9 - April 7) (cat.)
Leo Castelli Gallery, New York, NY; Gallery, Milan, Italy; "Taking the Picture: Photography and Appropriation", curated by Manuela Gandini (April 7 - April 28)
Museum of Fine Arts, Boston, MA; "Figuring the Body", curated by Trevor Fairbrother and Kathy Halbreich (July 28 - October 28)
Krygier/Landau Contemporary Art, Santa Monica, CA; "Prints and Multiples"
White Columns, New York, NY; "Fragments, Parts, Wholes; The Body & Culture"
XPO Galerie, Hamburg, Germany; "The Point of View"
1989 - 1990Cambridge Darkroom, Cambridge; City Museum and Art Gallery, Stroke-on-Trent; Newport Museum and Art Gallery; Harris Museum and Art Gallery, Preston (all England); "Shifting Focus: An International Exhibition of Contemporary Women's Photography", curated by Susan Butler for The Arnolfini Gallery, Bristol and The Serpentine Gallery, London (cat.)
1989Museum of Contemporary Art, Los Angeles, CA; "A Forest of Signs: Art in the Crisis of Representation", curated by Mary Jane Jacob and Ann Goldstein (May 5 - August 13) (cat.)
Messepalast, Vienna, Austria; Moskau - Wien - New York: "Kunst zur Zeit", curated by Viktor Misiano and Oliver Wasow (cat.)
Josh Baer Gallery, New York, NY; "Natura-Naturata (An Argument for Still-Life)", curated by Cornelia Lauf (March 4 - March 11)
International Center of Photography, New York, NY; "Culture Medium: A Notion of Truth", curated by Charles Stainback (July 21 - September 3) (cat.)
Hirschl & Adler Modern, New York, NY; "Departures: Photography 1924-1989" (November 2 - December 2)
Grita Insam Gallery, Vienna, Austria (July 9 - September 9); Museum voor Hedendaagse Kunst Het Kruithuis, Hertogenbosch, The Netherlands (September 22 - October 29); "Vis-A-Vis: Aspects of Contemporary Portrait Photography"
Frac Rhône-Alpes, Lyon, France; "Avant 1989", curated by Haim Steinbach (cat.)
Emerson Gallery, Hamilton College, Clinton, NY; Anderson Gallery, Virginia Commonwealth University, Richmond, VA; "Abstraction in Contemporary Photography", curated by Jimmy De Sana (cat.)
Editions Ilene Kurtz, New York, NY; "Sarah Charlesworth and Laurie Simmons: Prints & Photographs" (April 28 - May 29)
Carleton Art Gallery, Carleton College, Northfield, MN; Women's Art Registry of Minnesota, Minneapolis, MN; "What Does She Want?: Current Feminist Art from the First Bank Collection", curated by Lynne Sowder and Nathan Braulick (cat.)
Art Center College of Design, Pasadena, CA; "Fauxtography", curated by Nora Halpern Brougher (September 16 - October 25)
Aldrich Museum of Contemporary Art, Ridgefield, CT; "Selections from the Collection of Marc and Olivia Straus" (June 24 - October 8) (cat.)
Thomas Segal Gallery, Boston, MA; "Camera Culture", curated by Brent Sikkema (September 16 - October 18)
Nicola Jacobs Gallery, London, UK; "Subject: Object" (cat.)
National Museum of American Art, Smithsonian Institution, Washington, DC; The Museum of Contemporary Art, Chicago, IL and Walker Art Center, Minneapolis, MN; "The Photography of Invention: American Pictures of the 1980s", curated by Joshua P. Smith and Merry A. Foresta (cat.)
Wight Art Gallery, University of California, Los Angeles, CA; Joslyn Museum of Art, Omaha, NE; Neuberger Museum, Purchase, NY; Akron Art Museum, Akron, OH; "Selected Works from the Frederick R. Weisman Foundation" (cat.)
Whitney Museum of American Art, New York, NY; "Image World: Art and Media Culture", curated by Marvin Heiferman and Lisa Phillips (November 9 - December 2) (cat.)
Vienna Secession, Vienna, Austria; "The Play of the Unsayable-Wittgenstein and the Art of the XXth Century", curated by Joseph Kosuth (cat.)
Tony Shafrazi Gallery, New York, NY; "Don't Bungle the Jungle! A benefit exhibition for the rainforest" (June 3 - June 30)
The Squibb Gallery, Princeton, NJ; "Fictive Strategies; Actuality and Originality in Contemporary Photography", curated by Joseph Rauch (February 26 - April 2) (cat.)
The Serpentine Gallery, London, UK; “Shifting Focus” (June 30 - August 28)
The John and Mable Ringling Museum of Art, Sarasota, FL; Center for the Fine Arts, Miami, FL; "Contemporary Perspective I: Abstraction in Question", curated by Bruce Ferguson, Joan Simon and Roberta Smith (cat.)
Salama-Caro Gallery, London, UK; "International Camera" (January 27 - February 25)
S. L. Simpson Gallery, Toronto, Canada; "Sarah Charlesworth, Christine Davis, Judith Schwarz" (July 22 - August 30)
1988Artculture Resource Center, Toronto, Canada; "The Discursive Field of Recent Photography", curated by Tom Folland
Burden Gallery / Aperture Foundation, New York, NY; "The Return of the Hero", curated by Karen Marta
Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; "Fabrications", curated by Anne Hoy (book)
The University of North Texas Art Gallery, Denton, TX; The J. B. Speed Art Museum, Louisville, LA; Alberta College Gallery of Art, Alberta, Canada; The Cincinnati Contemporary Art Center, Cincinnati, OH, Richard F. Brush Art Gallery, Santa Fe Community College Art Gallery, Santa Fe, NM; "Hybrid Neutral: Modes of Abstraction and the Social" curated by Tricia Collins & Richard Milazzo for Independent Curators Intl. (cat.)
Greenville County Museum of Art, Greenville, SC; "Just like a Woman"
Haggerty Museum of Art, Marquette University, Milwaukee, WI; "Photography on the Edge" (March 24 – June 8) (cat.)
Jay Gorney Modern Art, New York, NY; "Gallery Artists" (January 9 - January 30)
Robert Koch Gallery, San Francisco, CA; "Photography in Art Today"
Rooseum, Malmö, Sweden; "Art at the End of the Social", curated by Collins & Milazzo (July 29 - October 2) (cat.)
Scott Hanson Gallery, New York, NY; "Media / Post Media", curated by Collins and Milazzo (January 6 - February 9) (cat.)
Wallach Art Gallery, Columbia University, New York, NY; "Sexual Difference: Both Sides of the Camera", curated by Abigail Solomon-Godeau (March 24 - May 7) (cat.)
White Columns, New York, NY; "Female (Re)production", curated by Marilu Knode (January 28 - February 20)
1987 – 1988Sala de Exposiciones de la Fundacion Caja de Pensiones, Madrid, Spain; Fundacio Caixa de Pensions, Barcelona, Spain; "Art and Its Double: A New York Perspective", curated by Dan Cameron (cat.)
1987Whitney Museum of American Art at Champion Plaza, Stamford, CT; Whitney Museum of American Art at Equitable Center, New York, NY; "Contemporary Diptychs: The New Shape of Content", curated by Roni Feinstein (cat.)
Alternative Museum, New York, NY; "Poetic Injury: The Surrealist Legacy in Post Modern Photography", curated by Roger Denson (November 14 - December 23)
Barbara Toll Fine Arts, New York, NY: "Monsters: The Phenomena of Dispassion", curated by Dennis Kardon and Maria Reidelbach
Musee St. Pierre, Espace Lyonnais d'Art Contemporain, Lyon, France; "Contemporary Photographic Portraiture", curated by Bernard Brunon (October 7 - November 22) (cat.)
The John and Mable Ringling Museum of Art, Sarasota, FL; Akron Art Museum, Akron, OH; Chrysler Museum, Norfolk, VA: "This is not a Photograph: Twenty Years of Large Scale Photography; 1966-1986", curated by Joseph Jacobs (cat.)
University Art Gallery, San Diego State University, San Diego, CA; "Industrial Icons"
Sidney Janis Gallery, New York, NY; "Recent Tendencies in Black and White", curated by Jerry Saltz (December 3 - December 24) (cat.)
1986Editions Ilene Kurtz, New York, NY; "Sarah Charlesworth, Jeff Koons, Laurie Simmons" (Tartan Sets portfolio)
303 Gallery, New York, NY; Photography Bard College, Annandale-on Hudson, NY; "Altered States", curated by Vikky Alexander (April 3 - April 30)
Brooke Alexander Gallery, New York, NY, "Benefit for The Kitchen", curated by Brooke Alexander and Paula Cooper (December 13 - December 21)
CEPA Gallery, Buffalo, NY; "Spiritual America", curated by Collins and Milazzo (March 3 - June 15) (cat.)
Institute of Contemporary Art, Boston, MA; "As Found, part III of Dissent: The Issue of Modern Art in Boston" (April 29 - June 22) (cat.)
Lightsong Gallery, University of Arizona, Tucson, AZ
Margo Leavin Gallery, Los Angeles, CA; "Paravision", curated by Collins and Milazzo (July 12 - August 23)
Michael Kohn Gallery, Los Angeles, CA; "Post Pop Art" (June 5 - July 12)
S.L. Simpson Gallery, Toronto, Canada; "Ultrasurd", curated by Collins and Milazzo (September 26 - October 15) (cat.)
The Queens Museum of Art, New York, NY; "The Big Picture", curated by Marvin Heiferman (cat.)
Venice Biennale, Venice, Italy; "Aperto" (June 29 - September 28) (cat.)
1985 – 1986Rhona Hoffman Gallery, Chicago, IL; Texas Gallery, Houston, TX; Aspen Art Museum, Aspen, CO; Vanguard Gallery, Philadelphia, PA; "Infotainment", curated by Peter Nagy (cat.)
1985Tibor de Nagy Gallery, New York, NY; "Cult and Decorum", curated by Collins and Milazzo (December 7 - January 4, 1986) (cat.)
55 Mercer Street Gallery, New York, NY; "Smart Art Too", curated by Joe Masheck (January 8 - January 26)
Cable Gallery, New York, NY
Feature Gallery, Chicago, IL
Holly Solomon Gallery, New York, NY; "Selected Artists from The East Village"
International with Monument, New York, NY; “Still Life with Transaction” (March 28 - April 21)
Laguna Gloria Art Museum, Austin, TX; "Figure it Out"
Light Gallery, New York, NY; “In the Tradition of: Photography” (February 11 - March 24)
New Museum of Contemporary Art, New York, NY; "The Art of Memory, The Loss of History",curated by Bill Olander (November 22 - December) (cat.)
Nexus Contemporary Art Center, Atlanta, GA; C. W. Woods Gallery, Hattiesburg, MS; Carolina Program Union, Columbia, SC; Austin Peay State University, Clarksville, TN; Valencia Community College, Orlando, FL; North Carolina Museum of Art, Raleigh, NC; University of the South, Sewanee, TN; Public Art, organized by Nexus Contemporary Art Center, Atlanta (cat.)
Postmasters Gallery, New York, NY; “Photo Object” (December 13 - January 26, 1986)
The Institute for Contemporary Arts, Santa Fe, NM; "Playing It Again, Strategies of Appropriation" (traveling show), curated by Sam Samore
Tony Birckhead Gallery, Cincinnati, OH
White Columns, New York, NY; "Seduction: Working Photographs", curated by Marvin Heiferman (February 6 - March 2)
Whitney Museum of American Art, New York, NY; "1985 Biennial Exhibition" (March 21 - June 9) (cat.)
1984 - 1985White Columns, New York, NY; The New Capital, curated by Collins and Milazzo (December 4 - January 5, 1985)
Riverside Studios, London; Kettle's Yard, Cambridge; Midland Group Gallery, Nottingham, UK; "Between Here and Nowhere", curated by Rosetta Brooks (cat.)
1984Washington Project for the Arts, Washington, DC; "The Magazine Store", curated by Jock Reynolds
Blum Helman Warehouse, New York, NY; “Bomb Magazine Show”
Cable Gallery, New York, NY; "Sex Show"
Dart Gallery, Chicago, IL; "Large Scale Photographs" (September 14 - October 10)
Fine Arts Gallery, Florida State University, Tallahassee, FL; "Natural Genres", curated by Collins and Milazzo (August 31 - September 30)
Galerie Jurka, Amsterdam, Netherlands; International with Monument, New York, NY; "Still Life with Transaction", curated by Collins and Milazzo
Nature Morte Gallery, New York, NY; “Wedge Benefit” (June 27 - June 29)
School of the Art Institute of Chicago Gallery, Chicago, IL; "Sex Specific: Photographic Investigations of Contemporary Sexuality" (November 2 - November 24) (cat.)
Spiritual America, New York, NY; "Pop" (February 1 - March)
Museum of Modern Art / Art Advisory Service, New York, NY; "Ten Years of Contemporary Art" (September - January, 1985)
1983Palais de Beaux Arts, Brussels, Belgium
Olsen Gallery, New York, NY; "Eight Women Artists" (June 16 - July 16)
Marlborough Gallery, New York, NY; "In Plato's Cave", curated by Abigail Solomon-Godeau (November 4 - November 29) (cat.)
Marianne Deson Gallery, Chicago, IL; "Artists Use Photographs" (January 7 - February 16)
Castelli Graphics, New York, NY; "Three-Dimensional Photographs" (April 12 - May 4)
Brooklyn Army Terminal, New York, NY; "Terminal New York"
Barbara Gladstone Gallery, New York, NY; "State of the Art, The New Social Commentary" (June 14 - July 29)
American Graffiti Gallery, Amsterdam, Netherlands
Allen Memorial Art Museum, Oberlin College, Oberlin, OH; "Art and Social Change U.S.A.", curated by Bill Olander (April 19 - May 30) (cat.)
1982The Renaissance Society, University of Chicago, Chicago, IL; "Art and the Media: A Fatal Attraction", curated by Tom Lawson (cat.) (May 2 – June 12)
Olsen Gallery, New York, NY; (June 11 - August)
Proctor Art Center, Bard College, Annandale-On-Hudson, NY; “Resource Material: Appropriation In Current Photography”, curated by Stephen Frailey (October 30 - December 1)
1981Tony Shafrazi Gallery, New York, NY (December 19 - January 16)
P.S.1, Long Island City, NY; New York, “New Wave”, curated by Diego Cortez (February 15 – April 5)
Metro Pictures, New York, NY; “Photo” (September 12 - October 3)
1980The Times Square Show, New York, NY; organized by Colab (June)
Carmen Lamanna Gallery, Toronto, Canada; “General Idea” (May 31 - June 19)
1979P. S.1, Long Island City, NY; “The Altered Photograph” (April 22 – June 10)
Galerie Yvon Lambert, Paris, France; Paula Cooper Gallery, New York, NY; "Artemisia", curated by Yvon Lambert (cat.)
1978Gallery 76, Toronto, Canada
Bibliotheque National, Paris, France
1977Carmen Lamanna Gallery, Toronto, Canada
Art Net, London, UK
1976Galerie Durand-Dessert, Paris, France; MTL Gallery, Brussels, Belgium; PMJ Self Gallery, London, UK; "Face / Surface", collaborative project with Joseph Kosuth
CURATORIAL PROJECTS:

1995Artists Space, New York, NY; "Somatogenics", group show co-curated with Cindy Sherman and Laurie Simmons.
John Simon Guggenheim Fellowship Award, Visual Art
1983National Endowment for the Arts
1980National Endowment for the Arts
1977New York State Creative Artists Public Service
1976National Endowment for the Arts