Sarah Charlesworth Studio
SELECTED BIOGRAPHY

Born: 1947; East Orange, NJ
Education: 1969; Bachelor of Arts, Barnard College, New York, NY
Worked: 1965 – 2013; New York City
Died: 2013; Falls Village, Connecticut
INDIVIDUAL EXHIBITIONS:

2017Maccarone, New York, NY; "Natural Magic" (February 18 - May 6)
LACMA, Los Angeles, CA; "Sarah Charlesworth: Doubleworld" (August 20 - November 26)
2015New Museum, New York, NY; "Sarah Charlesworth: Doubleworld", curated by Massimiliano Gioni and Margot Norton (June 24 - September 20)
2014The Art Institute of Chicago, Chicago, IL; "Stills", curated by Matthew S. Witkovsky (September 18 - January 4)
Maccarone Gallery, New York, NY; "Objects of Desire: 1983 - 1988" (April 25 - June 14)
2013Baldwin Gallery, Aspen, CO; "Available Light" (June 21 - July 21)
2012Susan Inglett Gallery, New York, NY; “Available Light” (March 8 – April 14)
2010Baldwin Gallery, Aspen, CO; “Work in Progress" (July 30 - September 6)
2009Susan Inglett Gallery, New York, NY; "Work in Progress" (May 7 - June 13)
Galerie Tanit, Munich, Germany; "Selected Works 1978-2009" (September 11 – October 31)
2007Baldwin Gallery, Aspen, CO; "Concrete Color" (November 23 - December 20)
2006Margo Leavin Gallery, Los Angeles, CA; "Concrete Color" (October 28 - November 25)
2005Baldwin Gallery, Aspen, CO; "A Simple Text" (November 25 - December 22)
2003Baldwin Gallery, Aspen, CO; "0 + 1" (February 11 - March 10)
2002Gorney Bravin + Lee, New York, NY; "Neverland" (November 22 - December 22)
2000Margo Leavin Gallery, Los Angeles, CA; "0 + 1" (January 15 - February 12)
Gorney Bravin + Lee, New York, NY; "0 + 1" (January 8 - February 5)
1998Fay Gold Gallery, Atlanta, GA; "Doubleworld"
Camera Obscura, San Casciano dei Bagni, Italy
1997 – 1999Site, Santa Fe, NM; Museum of Contemporary Art, San Diego, CA; National Museum of Women in the Arts, Washington, DC
Sarah Charlesworth,- A Retrospective, curated by Louis Grachos and Susan Fisher Sterling (cat.)
Cleveland Center for Contemporary Art, Cleveland, OH; Rose Art Museum, Brandeis University, Waltham, MA
1996Margo Leavin Gallery, Los Angeles, CA; "Doubleworld" (February 24 - March 23)
1995S. L. Simpson Gallery, Toronto, Canada; "Doubleworld" (September 28 - October 31)
Jay Gorney Modern Art, New York, NY; "Doubleworld" (October 21 - November 25)
1993S. L. Simpson Gallery, Toronto, Canada; "Natural Magic" (September 8 - October 5)
Jay Gorney Modern Art, New York, NY; "Natural Magic" (March 20 - April 24)
Galerie Rizzo, Paris, France; "Natural Magic" (April 3 - May 15)
1992Rena Bransten Gallery, San Francisco, CA; "Renaissance Paintings" (with Judith Barry) (October 8 - November 7)
The Queens Museum of Art, Queens, NY; "Herald Tribune: November, 1977" and "Herald Tribune: January 18 - February 28, 1991" (February 15 - April 12) (brochure)
Galerie Carola Mosch, Berlin, Germany; "Objects of Desire" (June 16 - August 1)
1991Paley Wright Gallery, London, UK; "Renaissance Paintings"
Jay Gorney Modern Art, New York, NY; "Renaissance Paintings & Drawings" (March 2 - March 30)
Galerie Xavier Hufkens, Brussels, Belgium; "Renaissance Paintings" (April 26 - May 25)
1990S. L. Simpson Gallery, Toronto, Canada; "Academy of Secrets" (November 1 - November 27)
1989Jay Gorney Modern Art, New York, NY; "Academy of Secrets" (April 8 - April 29)
Interim Art, London, UK; "Objects of Desire" (April 16 - May 14)
1988Galerie Hufkens Noirhomme, Brussels, Belgium; "Objects of Desire" (June 7 - July 2)
1987Tyler Gallery, Tyler School of Art, Temple University, Elkins Park, PA; "Objects of Desire" (December 3 - January 8, 1988)
Margo Leavin Gallery, Los Angeles, CA; "Objects of Desire IV" (April 25 - May 23)
International with Monument, New York, NY; "Objects of Desire IV" (April 18 - May 10)
1986S.L. Simpson Gallery, Toronto, Canada; "Objects of Desire III" (November 28 - December 20)
International with Monument, New York, NY; "Objects of Desire III" (March 8 - March 29)
1985International with Monument, New York, NY; "Objects of Desire III" (March 1 - March 31)
1984The Clocktower, New York, NY; "Objects of Desire I", "In-Photography", "Tabula Rasa" (April 5 - May 6)
Light Work, Syracuse, NY; "In-Photography"
California Museum of Photography, Riverside, CA ; "Modern History" (cat.)
1982CEPA Gallery, Buffalo, NY; "In-Photography" (cat.)
421 West Broadway, New York, NY; "Tabula Rasa" (January 17 - January 23)
1981 - 1982Tony Shafrazi Gallery, New York, NY; "In-Photography" (December 19, 1981 - January 16, 1982)
1981Galerie Micheline Sczwajcer, Antwerp, Belgium; "The White Lady" (September 22 - October 24)
1980Tony Shafrazi Gallery, New York, NY; "Stills" (February 14 - March 5)
1979New 57 Gallery, Edinburgh, Scotland; "Modern History: April 21, 1978 and The Arc of Total Eclipse, February 26, 1979" (cat.)
1978Zona, Florence, Italy; "Modern History: April 20, 1978" (September 4 - through October)
Pio Monti Gallery, Rome, Italy; "Modern History: April 21, 1978" (August 8 - through September)
Galerie Eric Fabre, Paris, France; “Modern History: April 21, 1978” and “Osservatore Romano, March 17 - May 10, 1978” (October 21 - through November)
Centre d'Art Contemporain, Geneva, Switzerland; "Modern History: Herald Tribune, September, 1977 and April 21, 1978"
C Space, New York, NY; "Modern History: Herald Tribune, September, 1977" (March 19 - March 30)
1977MTL Gallery, Brussels, Belgium; "Fourteen Days" (cat.)
GROUP EXHIBITIONS:

2017École Nationale Supérieure d’Arts de Paris Cergy, Paris, France; "Le Secret" (May 5 - May 28)
Philadelphia Museum of Art, Philadelphia, PA; "Another Way of Telling: Women Photographers from the Collection" (April 8 - July 16)
Museum für Neue Kunst, Freiburg, Germany; "Dying Well – False Death" (May 27 - September 24)
Hessel Museum of Art, Annandale-on-Hudson, NY; "Picture Industry" (June 24 - December 15)
Campoli Presti, London, UK; "Plages" (February 17 - March 18)
Birmingham Museum of Art, Birmingham, AL; "Third Space/Shifting Conversations About Contemporary Art" (January 28 - January 6, 2019)
2016 - 2017J. Paul Getty Museum, Los Angeles, CA; "Breaking News: Turning the Lens on Mass Media" (December 20, 2016 - April 30, 2017)
Columbus Museum of Art, Columbus, OH; "The Sun Placed in the Abyss" (October 7, 2016 - January 8, 2017 )
Campoli Presti, Paris, France; "Sarah Charlesworth / Liz Deschenes" (October 20, 2016 - January 14, 2017)
2016Walker Art Center, Minneapolis, MN; "Ordinary Pictures" (February 27 - October 9)
Miguel Abreu Gallery, New York, NY; "In Place Of" (January 10 - February 21)
Los Angeles County Museum of Art, Los Angeles; "Physical: Sex and the Body in the 1980s" (March 20 - July 31)
Elizabeth Dee Gallery, New York, NY; "Every Future Has a Price: 30 Years After Infotainment" (October 29 - December 17)
Art Museum at the University of Toronto, Toronto, ON; "Counterpoints: Photography Through the Lens of Toronto Collections" (May 6 - July 30)
Albright Knox Art Gallery, Buffalo, NY; "For the Love of Things: Still Life" (February 27 - May 29)
2015 - 2016Fondazione Prada, Milan, Italy; "Recto Verso" (December 3, 2015 - February 14, 2016)
Museum of Contemporary Art, Los Angeles, CA; "The Art of Our Time" (August 15, 2015 - September 12, 2016)
2015Whitney Museum of American Art, New York, NY; "America Is Hard To See" curated by Donna De Salvo et al. (May 1 - September 27)
White Columns, New York, NY; "Looking Back / The 9th White Columns Annual" (January 13 - February 21)
Villa du Parc, Annemasse, France; "The Appropriationnist (Against and With)" (January 16 - March 14)
The Metropolitan Museum of Art, New York, NY; "Reconstructions, Recent Photographs and Video from the Met Collection" (September 21, 2015 - March 13, 2016)
Karma, Amagansett, NY; "Popular Images" (June 13 - July 5)
Burlington City Arts, Burlington, VT; "Taking Pictures" (January 30 - April 4)
2014Whitney Museum of American Art, New York, NY; "Whitney Biennial" curated by Stuart Comer, Anthony Elms, Michelle Grabner (March 7 - May 25)
On Stellar Rays, New York, NY; "No Drink No Talk Just Beautiful", curated by Mary Simpson (June 28 - August 1)
Museum Folkwang, Essen, Germany; "(Mis)Understanding Photography" (June 14 - August 17)
Murray Guy Gallery, New York, NY; "Someone Like Me" (January 16 - February 22)
Gallery Lelong, New York, NY; "Re-Framing History" (March 21 - April 26)
2013Wallspace Gallery, New York, NY; "Ten Years" (June 27 - August 2)
2012Fort Worth Contemporary Arts, Fort Worth, TX; “Color Pictures”, curated by Frances Colpitt (March 3 – April 14)
Margo Leavin Gallery, New York, NY; "Arctic Summer" (July 31 - September 29)
National Gallery of Art, Washington, DC; “Shock of the News”, curated by Judith Brodie (September 23 – January 27, 2013)
The Art Institute of Chicago, Chicago, IL; "Photography From The Collection Of The Art Institute of Chicago" (May 1 – December 1)
2011 - 2012Neuberger Museum of Art, Purchase, NY (January 15 – April 3) The Nasher Museum of Art, Durham, NC (August 25 – December 5), Contemporary Arts Museum Houston, TX (February 11, 2012 – April 29, 2012); “The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1992”, curated by Helaine Posner and Nancy Princenthal
2011Victoria and Albert Museum, London, UK; “Signs of a Struggle: Photography in the Wake of Postmodernism”, curated by Marta Weiss (August 11 – November 27)
MoMA PS1, Long Island City, NY; “September 11”, curated by Peter Eleey (September 11 – January 9, 2012)
Moderna Museet, Stockholm, Sweden; "Another Story: Photography from the Moderna Museet Collection" (February 1, 2011 – February 19, 2012)
Hudson Valley Center for Contemporary Art, Peekskill, NY, “CIRCA 1986: The ‘80s from Six Important New York Art Collections”, (September 18 – July, 2012)
C/O Berlin, Berlin, Germany; “The Uncanny Familiar: Images of Terror”, curated by Felix Hoffmann (September 10 – December 4)
Berkeley Art Museum, Berkeley, CA; “Sun Works” (November 9 – May 6, 2012)
2010New Museum, New York, NY; “The Last Newspaper”, curated by Richard Flood and Benjamin Godsill, (October 6 – January 9, 2011)
Corcoran Gallery of Art, Washington, D.C.; in conjunction with “Helios: Eadweard Muybridge in a Time of Change”, curated by Philip Brookman, Interpretation Gallery Exhibition, curated by Linda Powell, (April 10 - July 18)
Kunstmuseum St. Gallen, St. Gallen, Switzerland (January 30 – June 20), Museum der Moderne, Salzburg, Austria (July 3 – October 24); “Press Art: The Collection of Annette and Peter Nobel”, curated by Christoph Doswald (cat.)
Leslie Tonkonow Gallery, New York, NY; Ordover Collection; (July 28 – September 3)
Museum für Photographie, Braunschweig, Germany; "Rhetorik der Bilder" ("Rhetoric of Images"), curated by Florian Ebner (March 12 - April 25)
Musée d’Art Moderne et d’Art Contemporain, Nice, France; “Human” (June 12 - October 31)
Renwick Gallery, New York, NY; “Held Up By Columns”; (July 8 – August 6)
Solomon R. Guggenheim Museum, New York, NY (March 26 – September 6), Guggenheim Museum, Bilbao (November 9 – March 13, 2011); “Haunted: Contemporary Photography/Video/Performance”, curated by Jennifer Blessing & Nat Trotman (cat.)
Walker Art Center, Minneapolis, MN; “Abstract Resistance”, curated by Yasmil Raymond (February 27 – May 23)
Whitney Museum of American Art, New York, NY; “Singular Visions: A Selection of Seldom-Seen Postwar Works From The Whitney’s Collection”, curated by Dana Miller and Scott Rothkopf, (December 16 - August 5, 2012)
2009The Metropolitan Museum of Art, New York, NY; “The Pictures Generation, 1974 -1984”, curated by Doug Eklund (April 21 – August 2) (cat.)
APF Lab & The American Standard Gallery, New York, NY; "Small Packages" (September 16 - October 10)
Fotomuseum, Winterthur, Switzerland; “Printed Matter” (February 28 – October 11)
Guild and Greyshkul, New York, NY; “On From Here” (February 6 - February 8)
Harris Lieberman, New York, NY; “A Twilight Art” (January 17 - February 28)
Le Magasin, Centre National d’Art Contemporain, Grenoble, France; “Images et (Re)Presentations”, curated by Yves Aupetitallot (May 25 – September 6) (cat.)
Lehmann Maupin, New York, NY; “The Glamour Project” (February 23 – March 21)
Margo Leavin Gallery, Los Angeles, CA; "Reading Standing Up" (January 31 - March 14)
Sue Scott Gallery, New York, NY; “We’re All Gonna Die”, curated by Ron Keyson (June 25 – July 31)
Susan Inglett Gallery, New York, NY; The Armory Show (March)
The American Standard Gallery, New York, NY; “Better History” (March 12 – May 9) (cat.)
2008The Metropolitan Museum of Art, New York, NY; “Photography on Photography: Reflections on the Medium Since 1960” (April 8 - October 19)
The American Standard Gallery, Miami, FL; (Dec)
Sue Scott Gallery, New York, NY; “Legerdemain” (November 14 - December 20)
Margo Leavin Gallery, Los Angeles, CA "Summer 2008" (May 31 - August 9)
Guild & Greyshkul, New York, NY; "The Human Face is a Monument" (March 30 - May 3)
Fotomuseum Winterthur, Switzerland; “Jedermann Collection- Set 5 from the Fotomuseum Winterthur Collection”(March 1 - October 12) (cat.)
2007The Foundation To-Life Exhibition Space, Mount Kisco, NY, "Making and Finding", curated by Katy Siegel
Rose Art Museum, Brandeis University, Waltham, MA "RoseArt: Works from the Permanent Collection" (January 25 - April 1)
Zimmerli Art Museum, Rutgers. The State University of New Jersey,New Brunswick, NJ, "A New Reality: Black-and-White Photography in Contemporary Art." (September 1 - November 25) (cat.)
2006Tony Shafrazi Gallery, New York, NY; "The Other Side" (May 5 - June 30)
The Metropolitan Museum of Art, New York, NY; "Recent Acquisitions in Contemporary Photography" (April 4 - October 15)
Grey Art Gallery, New York, NY (January 10 - April 1), The Andy Warhol Museum, Pittsburgh, PA (27 May - 3 September) "The Downtown Show: The New York Art Scene, 1974 -1984", curated by Carlo McCormick in consultation with Lynne Gumpert and Marvin J. Taylor (cat.)
Aspen Art Museum, Aspen, CO; "Belief and Doubt" (August 4 - October 1)
Addison Gallery of American Art, Andover, MA; "75 Years of Collecting American Photography" (April 28 - July 31)
2005 - 2006Vancouver Art Gallery, Vancouver, BC; "Classified Materials: Accumulations, Archives, Artists" (October 15, 2005 - January 2, 2006)
2005Von Lintel Gallery, New York, NY; "The Photograph in Question" (June 9 - July 29)
Princeton University Art Museum, Princeton, NJ; "For Presentation and Display: Some Art of the 80s" curated by Johanna Burton and Hal Foster; (March 19 - June 12)
New Museum of Contemporary Art, New York, NY; “East Village USA,” (December 9 – March 19)
New Britain Museum of American Art, New Britain, CT; Contemporary Photography in the Age of Mechanical Reproduction (January 15 - March 13)
Kunstmuseum Basel, Switzerland; "Covering the Real" (May 1 - August 21) (cat.)
2004Solomon R. Guggenheim Museum, New York, NY (June 4 - September 8) Guggenheim Museum Bilbao, Bilbao, Spain (November 25, 2005 - March 22, 2006); Speaking with Hands, Photographs from the Buhl Collection (cat.)
Charles Cowles Gallery, New York, NY; "Unframed" edition produced for ACRIA: Aids Community Research Initiative (April)
The Art Institue of Boston At Lesley University, Boston, MA: ”Breathtaking” (March 31 – May 14)
The Wexner Center for the Arts, Columbus, OH; Visions from America (July - August)
Walker Art Center, Minneapolis, MN (October 11 – January 4), UCLA Hammer (February 8 – May 11), Museo de Arte Contemporanea, de Vigo, Spain (May 28 – September 19), Fotomuseum Winterthur, Switzerland (November 26 – February 13, 2005), Miami Art Central, Miami, Florida (March 10 – June 12, 2005); The Last Picture Show: Artists Using Photography 1960-1982, curated by Douglas Fogle (cat.)
2003Southeast Museum of Photography, Daytona Beach, FL; "Off the Press: Recontextualizing the Newspaper in Contemporary Art" (March 25 - May 25) (cat.)
Orlando Museum of Art, Orlando, FL; "Constructed Realities: Contemporary Photography" (March 8 - May 18) (cat.)
Memphis College of Art, Memphis, TN; "Cold Comfort" (January 13 - February 13)
Margo Leavin Gallery, Los Angeles, CA; "Sarah Charlesworth, Louise Lawler and Laurie Simmons: Designs for Living" (September 6 - October 4)
Margo Leavin Gallery, Los Angeles, CA; "Raid the Icebox" (March 22 - April 26)
2002Whitney Museum of American Art, New York, NY; "Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001", curated by Sylvia Wolfe (June 27 - September 22)
National Museum of Women in the Arts, Washington DC; "Feminism and Art: Selections from the Permanent Collection" (June - August)
The Site Gallery, Sheffield, UK; "Con Art: Magic/Object/Action", curated by Helen & PierGiorgio Varola (February 16 - April 6)
The Victoria and Albert Museum, London; "Seeing Things: Photographing Objects, 1850-2001" (February 21 - August 18) (cat.)
2001Tang Museum, Saratoga Springs, NY; "Still Photography: Works from the Tang Collection", curated by Charles Stainback (June 16 - Aug 16)
Skidmore College, Saragota Springs, NY; "Still Photography" (June 16 - August 26)
Margo Leavin Gallery, Los Angeles, CA; "Seeing or Believing" (June 9 - July 28)
Kunsthalle Wien, Vienna, Austria; "Tele[visions]", curated by Joshua Decter (October 18 - January 6, 2002)
Gallery Camino Real, Boca Raton, FL; "Photo-Synthesis", curated by Douglas Maxwell (January 11 - February 3)
2000Collection Lambert en Avignon, France; “Rendez-Vous 1” (June 27 - October 1)
Contemporary Arts Center, New Orleans, LA; "Photography Now", curated by David Rubin (July 15 - September 24)
De Saisset Museum, Santa Clara, CA; Brauer Museum, Valparaiso, IN; “The One Chosen” (August 2000 - November 2001)
Museum of New Mexico, Museum of Fine Arts, Sante Fe, NM; "20/20 Twentieth Century Photography Acquisitions", (February 4 - August 20)
1999Whitney Museum of American Art, New York, NY; "The American Century: Art & Culture 1950-2000" (September 26 - February 27, 2000) (cat.)
Nexus Contemporary Art Center, Atlanta, GA; "Double Vision", curated by Michael Pittari
1998Museo Santa Maria Della Scala, Siena, Italy; “Civic Art In Sienese Villages: Three Contemporary Artists Create Public Works”, curated by Cornelia Lauf (September 11 - October)
Dorfman Projects, New York, NY; “The Tip of the Iceberg: A Response to New York Museums”, curated by Bill Bartman (March 28 - April 25)
Art Museum of South Texas, Corpus Christi, TX; “From The Heart: The Power of Photography - A Collector’s Choice”, curated by Adam D. Weinberg (March 6 - June 7)
1997Thomas J. Walsh Art Gallery, Quick Center for the Arts at Fairfield University, Fairfield, CT; “The One Chosen: Images of Christ in Recent New York Art” (April 18 - May 31) (cat.)
Milwaukee Art Museum, Milwaukee, WI; “Identity Crisis: Self Portraiture at the End of the Century”, curated by Dean Sobol (September 12 - November 16) (cat.)
International Center of Photography, New York, NY; “Eye of the Beholder: Photographs from the Avon Collection” (September 12 - November 13)
California Center for the Arts Museum, Escondido, CA; “Table Tops: Morandi’s Still Lifes to Mapplethorpe’s Flower Studies” (September 21 - January 21, 1998)
1996Museum of Contemporary Art, Los Angeles, CA; “Just Past: The Contemporary in M.o.C.A.’s Permanent Collection, 1975-96” (September 29 – January 19, 1997)
Los Angeles County Museum of Art, Los Angeles, CA; "Some Grids", organized by Carol S. Eliel and Lynn Zelevansky
Nicole Klagsbrun Gallery, New York, NY; (December 14 - January 18, 1997) Bernard Toale Gallery, Boston, MA; (December 14 - January 18, 1997) “Making Pictures: Women and Photography, 1975-Now”, curated by Nicole Klagsbrun
S. L. Simpson Gallery, Toronto, Canada; “Sarah Charlesworth, Louise Lawler, Ian Wallace” (July 5 - July 26)
The Clocktower Gallery, Institute of Contemporary Art, New York, NY; “Model Home,” organized by Alanna Heiss and Sabina Streeter (February 26 - March 31) (cat.)
S. L. Simpson Gallery, Toronto, Canada; “Sarah Charlesworth, Hannah Collins, General Idea, Laurie Simmons, Carolyn White”
1994Offshore Gallery, East Hampton, NY; "Seasights", curated by Nessia Pope (November 12 - December 31)
Carl Solway Gallery, Cincinnati, OH; "Desire & Loss" (January 15 - April 2)
Christinerose Gallery, New York, NY; "Chasing Angels" (December 3 - January 21, 1995) (cat.)
Musée d’art moderne et contemporain (MAMCO), Genève, Switzerland; "Rudiments d'un Musée Possible 1" (September 23 - January 29, 1995)
School of the Art Institute of Chicago, Chicago, IL; "Transmitting the Truth: Reformulating News Media Information" (September 2 - October 19)
The Art Museum, Florida International University, Miami, FL; "American Art Today: Heads Only", curated by Dahlia Morgan (April 8 - May 6) (cat.)
The InterArt Center, New York, NY; "Gift", organized by Gideon Ponte, Birgit Spears & Neville Wakefield
Thread Waxing Space, New York, NY; "Don't Look Now", curated by Josh Decter (January 22 - February 26) (cat.)
Whitney Museum of American Art, New York, NY; "From the Collection: Photography, Sculpture, Painting"
1993 - 1996Neuberger Museum, Purchase, NY; Virginia Beach Center for the Arts, Virginia Beach, VA; University Gallery, Univ. of North Texas, Denton, TX; Art Gallery, Sir Wilfred Grenfell College, Univ. of Newfoundland, Newfoundland, NS, Canada; Mackenzie Art Gallery, Regina, Sas.,Canada; The Gallery/Stratford, Stratford, Ont., Canada; California Center for the Arts, Escondido, CA; SelbyGallery Ringling School of the Arts, Sarasota, FL; The Rubelle & Norman Schafler Gallery, Pratt Institute, Brooklyn, NY; "Empty Dress: Clothing as Surrogate in Recent Art", curated by Nina Felshin for IndependentCurators Intl. (cat.)
1993 - 1994International Center of Photography, New York, NY; Institute of Contemporary Art, Boston, MA; Laguna Art Museum, Laguna Beach, CA; "Commodity Image" (cat.)
Center for the Fine Arts, Miami, FL; Museo Amparo, Puebla, Mexico; Centro Cultural Consolidado, Nacional de Bellas Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile; "Photoplay: Works from the Chase Manhattan Collection", organized by Lisa Phillips in association with Manuel E. Gonzalez (cat.)
1993Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, NV; "From New York:Recent Thinking in Contemporary Photography" (March 1 - March 28)
L'Espace Lyonnais d'Art Contemporain, Lyon, France; "Here's Looking At Me / A Mes Beaux Yeux: Autoportraits Contemporains", curated by Bernard P. Brunon (January 29 - April 30) (cat.)
Nassau County Museum of Art, Roslyn Harbor, NY; "Image Makers", curated by Franklin Hill Perrell and Constance Schwartz (October 3 - January 2, 1994) (cat.)
Raab Galerie, Berlin, Germany; Galleria Gian Ferrari Arte Contemporanea, Milano, Italy; “Vivid: Intense Images by American Photographers”, curated by Victoria Espy-Burns (May 19 - July 31)
The Drawing Center, New York, NY; "The Return of the Cadavre Exquis" (November 6 - December 18) (cat.)
The Herbert F. Johnson Museum of Art, Cornell University, NY; "Up Close: Chemistry Imagined Photogenics: Contemporary Art from the Mallin Collection" (April 2 - June 13)
1992 - 1993The New Jersey Center for Visual Arts, Summit, NJ; "New Jersey Collects: Photography" curated by Elynn Dennison, Sharon Gill and Perijane Zarembok (November 15 - January 8, 1993)
Art Gallery of New South Wales, Sydney, Australia (sponsor, & various local sites); The "Boundary Rider: 9th Biennale of Sydney", curated by Anthony Bond (December 15 - March 14, 1993) (cat.)
1992University Art Museum, Santa Barbara, CA; The Santa Monica Museum of Art, Santa Monica, CA; The North Carolina Museum of Art, Raleigh, NC; "Knowledge: Aspects of Conceptual Art", curated by Frances Colpitt and Phyllis Plous (cat.)
The Aldrich Museum of Contemporary Art, Ridgefield, CT; "Quotations: The Second History of Art", organized by Barry Rosenberg (May 16 - September 20) (cat.)
International Center of Photography, New York, NY; "The Photographic Order from Pop to Now" (July 31 - October 16) (cat.)
Centro Cultural Arte Contemporaneo, Polanco, Mexico; "The Disasters of War"
1991Norton Gallery of Art, West Palm Beach, FL and Samuel P. Harn Museum of Art at the Univ. of Florida, Gainesville, FL; "Southeast Bank Collects: A Corporation Views Contemporary Art", curated by Lisa Liebmann (December 1 - February 9, 1992) (cat.)
Barbara Mathes Gallery, New York, NY; "The Conceptual Eye"
Cleveland Center for Contemporary Art, Cleveland, OH; "Cruciformed: Images of the Cross Since 1980" (cat.)
Foto e.V. München and Barbara Gross Galerie, München, Germany; "Das Sibyllinische Auge: Fotokünstlerinnen aus dem Anglo-Amerikanischen Raum", curated by Isabelle Graw and Pia Lanzinger (January 9 - February 3) (cat.)
Museum of Contemporary Art, Los Angeles, CA; "Recent Work / Recent Acquisitions" (January 20 – February 17)
Museum of Contemporary Art, Los Angeles, CA; "Selections from the Permanent Collection: 1975-1991" (August 25 - December 15)
National Museum of American Art, Smithsonian Institution, Washington, DC; "Motion and Document - Sequence and Time: Eadweard Muybridge and Contemporary American Photography", curated by James Sheldon and Jock Reynolds (cat. - travelling show)
New Museum of Contemporary Art, New York, NY; "The Interrupted Life", curated by France Morin (September 13 - December 29) (cat.)
Palazzo delle Albere, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto,Trento, Italy; "American Art of the 80's", curated by Gabriella Belli and Jerry Saltz (December 18 - March 1, 1992) (cat.)
Robert Miller Gallery, New York, NY; Lorence Monk Gallery, New York, NY; "In a Dream...(portfolio published by Photographers and Friends Against AIDS)"
Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL; "Images from the Eighties Part 1, American Paintings and Drawings from the Samuel P. Harn Museum of Art's Skowhegan Collection"
Setagaya Art Museum, Tokyo; The National Museum of Art, Osaka; Fukuoka Art Museum, Fukuoka, Japan; "Beyond the Frame: American Art 1960-1990", curated by Lynn Gumpert (cat.)
Tony Shafrazi Gallery, New York, NY; "A Passion for Art: Watercolors and Works on Paper" (December 7 - January 25, 1992)
Victoria and Albert Museum, London, UK; “Postmodern Prints” (July 17 - October 27)
1990Nicola Jacobs Gallery, London, UK; Third Eye Center, Glasgow, Scotland; "Reorienting: Looking East", curated by Lynne Cooke (cat.)
Feigen Gallery, Chicago, IL; "Sarah Charlesworth, Jeanne Dunning, Annette Messager, Adrian Piper, Laurie Simmons" (March 30 - April 28) (cat.)
Galerie Samia Saouma, Paris, France; "Figures et Lectures" (June 7 - July 21)
Galleri Nordanstad-Skarstedt, Stockholm, Sweden; “Disconnections” (March 26 - April 21)
Hallwalls Contemporary Arts Center, Buffalo, NY; "Insect Politics: Body Horror / Social Order" (March 17 - April 13) (cat.)
International Center of Photography , New York, NY; Los Angeles Municipal Art Gallery, Los Angeles, CA; "The Indomitable Spirit" (February 9 - April 7) (cat.)
Leo Castelli Gallery, New York, NY; Gallery, Milan, Italy; "Taking the Picture: Photography and Appropriation", curated by Manuela Gandini (April 7 - April 28)
Museum of Fine Arts, Boston, MA; "Figuring the Body", curated by Trevor Fairbrother and Kathy Halbreich (July 28 - October 28)
Krygier/Landau Contemporary Art, Santa Monica, CA; "Prints and Multiples"
White Columns, New York, NY; "Fragments, Parts, Wholes; The Body & Culture"
XPO Galerie, Hamburg, Germany; "The Point of View"
1989 - 1990Cambridge Darkroom, Cambridge; City Museum and Art Gallery, Stroke-on-Trent; Newport Museum and Art Gallery; Harris Museum and Art Gallery, Preston (all England); "Shifting Focus: An International Exhibition of Contemporary Women's Photography", curated by Susan Butler for The Arnolfini Gallery, Bristol and The Serpentine Gallery, London (cat.)
1989Museum of Contemporary Art, Los Angeles, CA; "A Forest of Signs: Art in the Crisis of Representation", curated by Mary Jane Jacob and Ann Goldstein (May 5 - August 13) (cat.)
Messepalast, Vienna, Austria; Moskau - Wien - New York: "Kunst zur Zeit", curated by Viktor Misiano and Oliver Wasow (cat.)
Josh Baer Gallery, New York, NY; "Natura-Naturata (An Argument for Still-Life)", curated by Cornelia Lauf (March 4 - March 11)
International Center of Photography, New York, NY; "Culture Medium: A Notion of Truth", curated by Charles Stainback (July 21 - September 3) (cat.)
Hirschl & Adler Modern, New York, NY; "Departures: Photography 1924-1989" (November 2 - December 2)
Grita Insam Gallery, Vienna, Austria (July 9 - September 9); Museum voor Hedendaagse Kunst Het Kruithuis, Hertogenbosch, The Netherlands (September 22 - October 29); "Vis-A-Vis: Aspects of Contemporary Portrait Photography"
Frac Rhône-Alpes, Lyon, France; "Avant 1989", curated by Haim Steinbach (cat.)
Emerson Gallery, Hamilton College, Clinton, NY; Anderson Gallery, Virginia Commonwealth University, Richmond, VA; "Abstraction in Contemporary Photography", curated by Jimmy De Sana (cat.)
Editions Ilene Kurtz, New York, NY; "Sarah Charlesworth and Laurie Simmons: Prints & Photographs" (April 28 - May 29)
Carleton Art Gallery, Carleton College, Northfield, MN; Women's Art Registry of Minnesota, Minneapolis, MN; "What Does She Want?: Current Feminist Art from the First Bank Collection", curated by Lynne Sowder and Nathan Braulick (cat.)
Art Center College of Design, Pasadena, CA; "Fauxtography", curated by Nora Halpern Brougher (September 16 - October 25)
Aldrich Museum of Contemporary Art, Ridgefield, CT; "Selections from the Collection of Marc and Olivia Straus" (June 24 - October 8) (cat.)
Thomas Segal Gallery, Boston, MA; "Camera Culture", curated by Brent Sikkema (September 16 - October 18)
Nicola Jacobs Gallery, London, UK; "Subject: Object" (cat.)
National Museum of American Art, Smithsonian Institution, Washington, DC; The Museum of Contemporary Art, Chicago, IL and Walker Art Center, Minneapolis, MN; "The Photography of Invention: American Pictures of the 1980s", curated by Joshua P. Smith and Merry A. Foresta (cat.)
Wight Art Gallery, University of California, Los Angeles, CA; Joslyn Museum of Art, Omaha, NE; Neuberger Museum, Purchase, NY; Akron Art Museum, Akron, OH; "Selected Works from the Frederick R. Weisman Foundation" (cat.)
Whitney Museum of American Art, New York, NY; "Image World: Art and Media Culture", curated by Marvin Heiferman and Lisa Phillips (November 9 - December 2) (cat.)
Vienna Secession, Vienna, Austria; "The Play of the Unsayable-Wittgenstein and the Art of the XXth Century", curated by Joseph Kosuth (cat.)
Tony Shafrazi Gallery, New York, NY; "Don't Bungle the Jungle! A benefit exhibition for the rainforest" (June 3 - June 30)
The Squibb Gallery, Princeton, NJ; "Fictive Strategies; Actuality and Originality in Contemporary Photography", curated by Joseph Rauch (February 26 - April 2) (cat.)
The Serpentine Gallery, London, UK; “Shifting Focus” (June 30 - August 28)
The John and Mable Ringling Museum of Art, Sarasota, FL; Center for the Fine Arts, Miami, FL; "Contemporary Perspective I: Abstraction in Question", curated by Bruce Ferguson, Joan Simon and Roberta Smith (cat.)
Salama-Caro Gallery, London, UK; "International Camera" (January 27 - February 25)
S. L. Simpson Gallery, Toronto, Canada; "Sarah Charlesworth, Christine Davis, Judith Schwarz" (July 22 - August 30)
1988Artculture Resource Center, Toronto, Canada; "The Discursive Field of Recent Photography", curated by Tom Folland
Burden Gallery / Aperture Foundation, New York, NY; "The Return of the Hero", curated by Karen Marta
Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; "Fabrications", curated by Anne Hoy (book)
The University of North Texas Art Gallery, Denton, TX; The J. B. Speed Art Museum, Louisville, LA; Alberta College Gallery of Art, Alberta, Canada; The Cincinnati Contemporary Art Center, Cincinnati, OH, Richard F. Brush Art Gallery, Santa Fe Community College Art Gallery, Santa Fe, NM; "Hybrid Neutral: Modes of Abstraction and the Social" curated by Tricia Collins & Richard Milazzo for Independent Curators Intl. (cat.)
Greenville County Museum of Art, Greenville, SC; "Just like a Woman"
Haggerty Museum of Art, Marquette University, Milwaukee, WI; "Photography on the Edge" (March 24 – June 8) (cat.)
Jay Gorney Modern Art, New York, NY; "Gallery Artists" (January 9 - January 30)
Robert Koch Gallery, San Francisco, CA; "Photography in Art Today"
Rooseum, Malmö, Sweden; "Art at the End of the Social", curated by Collins & Milazzo (July 29 - October 2) (cat.)
Scott Hanson Gallery, New York, NY; "Media / Post Media", curated by Collins and Milazzo (January 6 - February 9) (cat.)
Wallach Art Gallery, Columbia University, New York, NY; "Sexual Difference: Both Sides of the Camera", curated by Abigail Solomon-Godeau (March 24 - May 7) (cat.)
White Columns, New York, NY; "Female (Re)production", curated by Marilu Knode (January 28 - February 20)
1987 – 1988Sala de Exposiciones de la Fundacion Caja de Pensiones, Madrid, Spain; Fundacio Caixa de Pensions, Barcelona, Spain; "Art and Its Double: A New York Perspective", curated by Dan Cameron (cat.)
1987Whitney Museum of American Art at Champion Plaza, Stamford, CT; Whitney Museum of American Art at Equitable Center, New York, NY; "Contemporary Diptychs: The New Shape of Content", curated by Roni Feinstein (cat.)
Alternative Museum, New York, NY; "Poetic Injury: The Surrealist Legacy in Post Modern Photography", curated by Roger Denson (November 14 - December 23)
Barbara Toll Fine Arts, New York, NY: "Monsters: The Phenomena of Dispassion", curated by Dennis Kardon and Maria Reidelbach
Musee St. Pierre, Espace Lyonnais d'Art Contemporain, Lyon, France; "Contemporary Photographic Portraiture", curated by Bernard Brunon (October 7 - November 22) (cat.)
The John and Mable Ringling Museum of Art, Sarasota, FL; Akron Art Museum, Akron, OH; Chrysler Museum, Norfolk, VA: "This is not a Photograph: Twenty Years of Large Scale Photography; 1966-1986", curated by Joseph Jacobs (cat.)
University Art Gallery, San Diego State University, San Diego, CA; "Industrial Icons"
Sidney Janis Gallery, New York, NY; "Recent Tendencies in Black and White", curated by Jerry Saltz (December 3 - December 24) (cat.)
1986Editions Ilene Kurtz, New York, NY; "Sarah Charlesworth, Jeff Koons, Laurie Simmons" (Tartan Sets portfolio)
303 Gallery, New York, NY; Photography Bard College, Annandale-on Hudson, NY; "Altered States", curated by Vikky Alexander (April 3 - April 30)
Brooke Alexander Gallery, New York, NY, "Benefit for The Kitchen", curated by Brooke Alexander and Paula Cooper (December 13 - December 21)
CEPA Gallery, Buffalo, NY; "Spiritual America", curated by Collins and Milazzo (March 3 - June 15) (cat.)
Institute of Contemporary Art, Boston, MA; "As Found, part III of Dissent: The Issue of Modern Art in Boston" (April 29 - June 22) (cat.)
Lightsong Gallery, University of Arizona, Tucson, AZ
Margo Leavin Gallery, Los Angeles, CA; "Paravision", curated by Collins and Milazzo (July 12 - August 23)
Michael Kohn Gallery, Los Angeles, CA; "Post Pop Art" (June 5 - July 12)
S.L. Simpson Gallery, Toronto, Canada; "Ultrasurd", curated by Collins and Milazzo (September 26 - October 15) (cat.)
The Queens Museum of Art, New York, NY; "The Big Picture", curated by Marvin Heiferman (cat.)
Venice Biennale, Venice, Italy; "Aperto" (June 29 - September 28) (cat.)
1985 – 1986Rhona Hoffman Gallery, Chicago, IL; Texas Gallery, Houston, TX; Aspen Art Museum, Aspen, CO; Vanguard Gallery, Philadelphia, PA; "Infotainment", curated by Peter Nagy (cat.)
1985Tibor de Nagy Gallery, New York, NY; "Cult and Decorum", curated by Collins and Milazzo (December 7 - January 4, 1986) (cat.)
55 Mercer Street Gallery, New York, NY; "Smart Art Too", curated by Joe Masheck (January 8 - January 26)
Cable Gallery, New York, NY
Feature Gallery, Chicago, IL
Holly Solomon Gallery, New York, NY; "Selected Artists from The East Village"
International with Monument, New York, NY; “Still Life with Transaction” (March 28 - April 21)
Laguna Gloria Art Museum, Austin, TX; "Figure it Out"
Light Gallery, New York, NY; “In the Tradition of: Photography” (February 11 - March 24)
New Museum of Contemporary Art, New York, NY; "The Art of Memory, The Loss of History",curated by Bill Olander (November 22 - December) (cat.)
Nexus Contemporary Art Center, Atlanta, GA; C. W. Woods Gallery, Hattiesburg, MS; Carolina Program Union, Columbia, SC; Austin Peay State University, Clarksville, TN; Valencia Community College, Orlando, FL; North Carolina Museum of Art, Raleigh, NC; University of the South, Sewanee, TN; Public Art, organized by Nexus Contemporary Art Center, Atlanta (cat.)
Postmasters Gallery, New York, NY; “Photo Object” (December 13 - January 26, 1986)
The Institute for Contemporary Arts, Santa Fe, NM; "Playing It Again, Strategies of Appropriation" (traveling show), curated by Sam Samore
Tony Birckhead Gallery, Cincinnati, OH
White Columns, New York, NY; "Seduction: Working Photographs", curated by Marvin Heiferman (February 6 - March 2)
Whitney Museum of American Art, New York, NY; "1985 Biennial Exhibition" (March 21 - June 9) (cat.)
1984 - 1985White Columns, New York, NY; The New Capital, curated by Collins and Milazzo (December 4 - January 5, 1985)
Riverside Studios, London; Kettle's Yard, Cambridge; Midland Group Gallery, Nottingham, UK; "Between Here and Nowhere", curated by Rosetta Brooks (cat.)
1984Washington Project for the Arts, Washington, DC; "The Magazine Store", curated by Jock Reynolds
Blum Helman Warehouse, New York, NY; “Bomb Magazine Show”
Cable Gallery, New York, NY; "Sex Show"
Dart Gallery, Chicago, IL; "Large Scale Photographs" (September 14 - October 10)
Fine Arts Gallery, Florida State University, Tallahassee, FL; "Natural Genres", curated by Collins and Milazzo (August 31 - September 30)
Galerie Jurka, Amsterdam, Netherlands; International with Monument, New York, NY; "Still Life with Transaction", curated by Collins and Milazzo
Nature Morte Gallery, New York, NY; “Wedge Benefit” (June 27 - June 29)
School of the Art Institute of Chicago Gallery, Chicago, IL; "Sex Specific: Photographic Investigations of Contemporary Sexuality" (November 2 - November 24) (cat.)
Spiritual America, New York, NY; "Pop" (February 1 - March)
Museum of Modern Art / Art Advisory Service, New York, NY; "Ten Years of Contemporary Art" (September - January, 1985)
1983Palais de Beaux Arts, Brussels, Belgium
Olsen Gallery, New York, NY; "Eight Women Artists" (June 16 - July 16)
Marlborough Gallery, New York, NY; "In Plato's Cave", curated by Abigail Solomon-Godeau (November 4 - November 29) (cat.)
Marianne Deson Gallery, Chicago, IL; "Artists Use Photographs" (January 7 - February 16)
Castelli Graphics, New York, NY; "Three-Dimensional Photographs" (April 12 - May 4)
Brooklyn Army Terminal, New York, NY; "Terminal New York"
Barbara Gladstone Gallery, New York, NY; "State of the Art, The New Social Commentary" (June 14 - July 29)
American Graffiti Gallery, Amsterdam, Netherlands
Allen Memorial Art Museum, Oberlin College, Oberlin, OH; "Art and Social Change U.S.A.", curated by Bill Olander (April 19 - May 30) (cat.)
1982The Renaissance Society, University of Chicago, Chicago, IL; "Art and the Media: A Fatal Attraction", curated by Tom Lawson (cat.) (May 2 – June 12)
Olsen Gallery, New York, NY; (June 11 - August)
Proctor Art Center, Bard College, Annandale-On-Hudson, NY; “Resource Material: Appropriation In Current Photography”, curated by Stephen Frailey (October 30 - December 1)
1981Tony Shafrazi Gallery, New York, NY (December 19 - January 16)
P.S.1, Long Island City, NY; New York, “New Wave”, curated by Diego Cortez (February 15 – April 5)
Metro Pictures, New York, NY; “Photo” (September 12 - October 3)
1980The Times Square Show, New York, NY; organized by Colab (June)
Carmen Lamanna Gallery, Toronto, Canada; “General Idea” (May 31 - June 19)
1979P. S.1, Long Island City, NY; “The Altered Photograph” (April 22 – June 10)
Galerie Yvon Lambert, Paris, France; Paula Cooper Gallery, New York, NY; "Artemisia", curated by Yvon Lambert (cat.)
1978Gallery 76, Toronto, Canada
Bibliotheque National, Paris, France
1977Carmen Lamanna Gallery, Toronto, Canada
Art Net, London, UK
1976Galerie Durand-Dessert, Paris, France; MTL Gallery, Brussels, Belgium; PMJ Self Gallery, London, UK; "Face / Surface", collaborative project with Joseph Kosuth
CURATORIAL PROJECTS:

1995Artists Space, New York, NY; "Somatogenics", group show co-curated with Cindy Sherman and Laurie Simmons.
John Simon Guggenheim Fellowship Award, Visual Art
1983National Endowment for the Arts
1980National Endowment for the Arts
1977New York State Creative Artists Public Service
1976National Endowment for the Arts
BOOKS & CATALOGUES ABOUT THE ARTIST:

2015Gioni, Massimiliano
Norton, Margot
Sarah Charlesworth: Doubleworld, exhibition catalogue published by New Museum, New York, NY
2014Witkovsky, Matthew S.Sarah Charlesworth: Stills, exhibition catalogue published by the Art Institute of Chicago, Chicago, IL
1997Fisher-Sterling, Susan
Hickey, Dave
Phillips, Lisa
Sarah Charlesworth, exhibition catalogue published by Site, Santa Fe, NM and National Museum of Women in the Arts, Washington, DC
1992Grachos, LouisContemporary Currents: Sarah Charlesworth, Special Project: Herald Tribune: Nov., 1977 / Herald Tribune: Jan. 18 - Feb. 28, 1991, exhibition brochure published by The Queens Museum of Art, Queens, NY (no ISBN)
1984unsignedSarah Charlesworth: April 21 1978, special issue of C. M. P. Bulletin published as exhibition brochure by California Museum of Photography, University of California, Riverside, CA, Vol.3 No.5 (ISSN: 0731-2377)
1983Charlesworth, SarahA Lover's Tale, special issue of Wedge Magazine, Summer/Fall (a visual text pamphlet by Sarah Charlesworth)
1982Charlesworth, Sarah
Simmons, Laurie
Sarah Charlesworth: In - Photography, exhibition catalogue published by CEPA Gallery, Buffalo, NY (ISBN: 0-939784-03-3) (includes artist statement: In-Photography)
1979Charlesworth, SarahSarah Charlesworth: Modern History (Second Reading), exhibition catalogue published by The New 57 Gallery, Edinburgh, Scotland (no ISBN, edition: 500) (includes artist statement: Unwriting: Notes on Modern History)
1977unsignedSarah Charlesworth: Fourteen Days, exhibition catalogue published by MTL Galerie, Brussels, Belgium
PUBLISHED WRITINGS BY THE ARTIST:

2016Charlesworth, SarahLiz Deschenes, Liz Deschenes On My Mind (article)
2012Charlesworth, Sarah==. Liz Deschenes On My Mind. (article)
2011Charlesworth, SarahArtforum, Best Books of 2011: Believing is Seeing (Observations on the Mysteries of Photographs) by Errol Morris. December. (review)
1999Charlesworth, SarahInterview Magazine, Oct.; Full page photo
1995Charlesworth, SarahCollege Art Association Journal, Sarah Charlesworth, Spring, p.78, illus. (statement)
Charlesworth, SarahOctober, Questions of Feminism: 25 Responses, #71, Winter
Charlesworth, Sarah
Simmons, Laurie
Laurie Simmons, A.R.T. Press, Pasadena (interview)
1994Charlesworth, SarahTema Celeste, La Differenza Tra I Sessi Nell'Arte, Jan. (editorial)
1992Charlesworth, SarahTema Celeste, The Role of Gender in Art: Sarah Charlesworth, Autumn (editorial)
1983Charlesworth, SarahBomb Magazine, Glossolalia, Spring (collaborative article and special section with Barbara Kruger)
1982Charlesworth, SarahArtforum, Books: Camera Lucida: Reflections on Photography’ by Roland Barthes, April, p.72-73 (review)
1979Charlesworth, SarahArt in America, China: Visiting Socialism, March-April
1977Charlesworth, Sarah
et al.
The Anti-Catalog (collaborative project)
1976Charlesworth, SarahThe Fox, For Artists Meeting, vol. I, #3
1975Charlesworth, SarahThe Fox, Declaration of Dependence, vol. I, #1
Charlesworth, SarahThe Fox, Memo for the Fox, vol. I, #2
SELECTED BIBLIOGRAPHY: PERIODICALS:

2017Tarasoff, SabrinaFlash Art, Sarah Charlesworth at Campoli Presti, January / February 2017
Indiana, GaryThe New York Times Style Magazine, These ’80s Artists Are More Important Than Ever, February 13, 2017
The New Yorker, Sarah Charlesworth, April 2017
2016Respini, EvaAperture, On Defiance: Experimentation as Resistance, Winter 2016, pp. 100-107
Davis, BenArtnet, Do You Have to Be Rich to Make It as an Artist?, January 14, 2016
2015Halle, HowardTime Out New York, Best Art Shows of 2015, December 10, 2015
Art in America, Museum Previews - Sarah Charlesworth, July 2015
Gopnik, Blakeartnet Magazine, At the New Museum, Sarah Charlesworth's Jumpers Leap for Us All, August 14, 2015
Felsenthal, JuliaVogue, Decoding Sarah Charlesworth’s Patricia Cawlings, Los Angeles at New York’s New Museum, July 9, 2015
Dorenbaum, FrancesF Newsmagazine, The Last Dance: Sarah Charlesworth’s Stills, January 30, 2015
Denson, G. RogerHuffington Post, Where Doubt Is Faith and the Sign Is Spirit: Sarah Charlesworth's Art of Personal Religion, September 8, 2015
Cruz, CynthiaHyperallergic, With Photography, Sarah Charlesworth Deconstructs the World, September 11, 2015
Caranicas, DevonSleek, Sarah Charlesworth’s Retrospective Gives You Double Vision, July 1st, 2015
Budick, AriellaFinancial Times, Sarah Charlesworth/Albert Oehlen, New Museum, New York, August 19, 2015
Aletti, VinceThe New Yorker, Optic Nerve, The New Museum Surveys the Enigmatic Pictures of Sarah Charlesworth, July 20, 2015
PDN, The Double World of Sarah Charlesworth, September 4, 2015
Musée Magazine, Sarah Charlesworth: Doubleworld at New Museum, July 3, 2015
Krasinski, JenniferVillage Voice, Doubledowner: New Museum Retrospective Gives Too Brief a Look at Sarah Charlesworth’s Work, July 14, 2015
Jovanovich, AlexArtforum, Critics' Picks, July 2015
Yerebakan, Osman CanArt Observed, New York – Sarah Charlesworth: “Doubleworld” at The New Museum Through September 20th, 2015, September 3, 2015
Wyma, ChloeModern Painters, The Double World of Sarah Charlesworth, June 21, 2015
Woodward, Richard B.The Wall Street Journal, ‘Sarah Charlesworth: Doubleworld’ Review: Should We Look Away?, July 8, 2015
Solomon, DeborahThe New York Times, Recalling Sarah Charlesworth’s Photographs, June 26, 2015
Smith, RobertaThe New York Times, ‘Sarah Charlesworth: Doubleworld’ Studies Perceptions Shaped by Photography, June 25, 2015
Schwendener, MarthaThe New York Times, Review: Metropolitan Museum Looks at Photos That May Last, December 31, 2015
O'Neill, DavidBookforum, Sarah Charlesworth: Doubleworld, Fall 2015
Murg, StephanieWallpaper, The artist and linguist: Sarah Charlesworth's 'Doubleworld' on show at the New Museum, July 9, 2015
Mohammad, SehbaFlavorpill, 5 Reasons to See Sarah Charlesworth at the New Museum, June 18, 2015
Krug, SimoneThe Brooklyn Rail, Sarah Charlesworth - Doubleworld, September 8, 2015
2014The New Yorker, Sarah Charlesworth, April 25 2014 – June 21 2014
Coleman, Sarah Artnews, ‘Sarah Charlesworth: Objects of Desire, 1983–1988′ at Maccarone, July 30, 2014
Cristello, StephaniePier Review, Sarah Charlesworth: Stills at the Art Institute of Chicago, Chicago, IL, September 19, 2014
Fiske, Courtney Art in America, Sarah Charlesworth at Maccarone, September 3, 2014
Guarino, MarkThe Guardian, Considering the humanity of falling bodies in Sarah Charlesworth's Stills, September 18, 2014
Heinrich, Will New York Observer, ‘Sarah Charlesworth: Objects of Desire: 1983-1988’ at Maccarone, May 7, 2014
Laster, Paul Timeout New York, Sarah Charlesworth, "Objects of Desire: 1983-1988", May 20, 2014
MacDonnell, Nancy W Magazine, Ahead of her Time, April 28, 2014
Russeth, Andrew Artnews, ‘Challenged to Encompass Everything', September 18, 2014
Schjeldahl, PeterThe New Yorker, Get with It
Vogel, Carol The New York Times, Hurtling Bodies, Frozen in Time: 'Stills' by Sarah Charlesworth, September 12, 2014, p. AR4
Hutt, John Musée Magazine, Sarah Charlesworth “Objects of Desire 1983-1988″ at Maccarone, May 3, 2014
2013Russeth, AndrewNew York Observer, Sarah Charlesworth, Incisive Conceptual Photographer, Dies at 66, June 26, 2013
Artlyst, Sarah Charlesworth American Conceptual Artist And Photographer Dies, June 29, 2013
Boucher, BrianArt in America, Sarah Charlesworth 1947-2013, June 26, 2013
Gallun, LucyInside/Out, A MoMA / MoMA PS1 Blog. Unwriting: Sarah Charlesworth, November 15, 2013 (blog)
Goldstein, Andrew M.
Corbett, Rachel
Artspace, Remembering Sarah Charlesworth, Groundbreaking "Pictures Generation" Photographer, June 28, 2013
Handzo, BenBomb Magazine, Sarah Charlesworth, 1947 - 2013, July 17, 2013
Kazakina, KatyaBloomberg, Sarah Charlesworth Leaves Magic Images, Beloved Garden, June 29, 2013
Lee, Soo JiPDN, Obituary: Fine-Art Photographer Sarah Charlesworth, 66, June 27, 103
Putrino, MattNothing Major, R.I.P. Sarah Charlesworth, July 1, 2013
Simmons, LaurieArtforum, Sarah Charlesworth (1947–2013), November 2013
Smith, RobertaThe New York Times, Sarah Charlesworth, Artist of Deconstructed Photographs, Dies at 66, June 30, 2013
Traub, Charles
Lange, Matthew C.
The Brooklyn Rail, Remembering Sarah Charlesworth (1947-2013), July 15, 2013
Woodward, Richard B.The Wall Street Journal, Pictures, Without Their Thousand Words, July 3, 2013
2012Smith, RobertaThe New York Times, Sarah Charlesworth: Available Light, March 29, 2012, p. C26.
Columbia: A Journal. No. 50, 2012. pp. 83-84.
Flash Art. Sarah Charlesworth & Sara VanDerBeek: A Space in Between. Summer 2012. pp. 80-83. (interview)
Life + Times. Lights Please: Sarah Charlesworth, April 16, 2012.
The New Yorker. Goings on About Town: Art. April 9, 2012, p. 10.
Frolov, OlegPopulist Magazine, Interview with Sarah Charlesworth, February 2012, p. 4-16.
Modern Painters. Reviews in Brief: Sarah Charlesworth. June 2012.
2011Moyer, CarrieArt in America. “The Deconstructive Impulse” (review) May 2011, p. 163
Hodara, SusanThe New York Times. “Taking on the Role of Gender in Media” March 13, 2011
Cembalest, RobinARTnews. A Terrible Beauty?, Summer 2011
2009Tikhonova, JuliaFLASH ART. "Sarah Charlesworth at Susan Inglett" (review) July-Sep 2009, Vol XLII, pp 98
Hafner, Hans-Jurgenartnet Magazine. “Sarah Charlesworth bei Galerie Tanit, Munich: The Colour of Conceptual Criticism” (review) Oct 13
Barnes, SteveARTnews. “Sarah Charlesworth: Review (review), Summer pp 128
2008Smith, RobertaThe New York Times, "The Human Face is a Monument" April 25, 2008
ARTnews, "Concrete Color" (review) March 2008
2007Fitzpatrick, Andrea D.Art Journal, "The Movement of Vulnerability: Images of Falling and September 11" Winter 2007. col 66. no 4. pp. 85-102
North Drive Press, "Sarah Charlesworth and Sara Vanderbeek: An Interview" #4, Fall
2006BOMB Magazine (cover), Summer, Number 96
2005O'Brien, GlennGQ, "How to Collect Photography," Sept, pp 302
2004Spicer, JakkiartUS, "The Last Picture Show," January and February; pp. 36-37
Deitcher, DavidArtforum, "Spiritual America: David Deitcher on pre-teen spirit," Oct, p.
2003Hamilton, JeanneThe Commercial Appeal, 'Cold Comfort' clutches a warm and fuzzy void, 21 January;p. C4
Hamilton, JeanneArtforum, One Year Under the Mast, Alexander Alberro on The Fox, Summer 2003 ; pp. 162 - 164, p. 206
Hainley, BruceArtforum, "Designs for Living," December; p. 151
(Eds.) O'Brien, Glenn and Max BlaggBald Ego; Fall 2003, Vol. 1 and Vol. 2 (ill. cover and reproductions)
2002unsignedThe New Yorker, Photography: Sarah Charlesworth, 16 Dec.; p.20
Johnson, KenThe New York Times, Art Guide: Sarah Charlesworth, 13 Dec.; p.E45
2001Marschall, Laurence A.The Sciences, Book in Brief: The Story of P (illustr.), Jan.-Feb.; p.44
2000Saltz, JerryThe Village Voice, The I-Don't-Get-It-Aesthetic, 25 January; p.57
Cohen, MichaelFlash Art, Review: Sarah Charlesworth at Gorney Bravin + Lee, May - June; p. 116
Aletti, VinceThe Village Voice, Voice Choice: Photo: Sarah Charlesworth, 25 Jan.; p.79
Cotter, HollandThe New York Times, Surging Into Chelsea, 21 Jan.; pp. E37, E41
Schwendener, MarthaTime Out New York, Art reviews: Sarah Charlesworth at Gorney Bravin + Lee, 27 Jan-3 Feb., p. 58
Pagel, DavidLos Angeles Times, Sarah Charlesworth - Magical Forms, 28 January
1999unsignedThe Chronicle of Higher Education, A Poetry of Metaphor and Magic, 7 May.
Temin, ChristineThe Boston Globe, Photo Synthesis: in a 20 year retrospective at the Rose Art Museum, Sarah Charlesworth transforms the medium and themessage of photography, 7 May.
1998Buckley, Patricia MorrisNorth County Times, Artist Explores philosophies in retrospective photoexhibit, 20 March (review: LaJolla)
Charlesworth, SarahCamera Austria International (Graz), Sarah Charlesworth - A Retrospective, Vol.64, illus. (review)
Domandi, Marie-CharlotteAperture, Sarah Charlesworth: retrospective at SITE Santa Fe, June,p.76-7, illus. (review: Site)
Forrest, Jason AThe Atlanta Journal Constitution, Look twice, then again, at thesecomplex photos, Fri., 27 Nov., p.Q8, illus. (review: Fay Gold)
Goldberg, VickiThe New York Times, Messages in the media: varied perceptions offactuality, 31 July, p.B33 (review: Nat'l. Museum...)
Green, FrankCleveland Free Press, Master Juggler: The Restless Experiments of Sarah Charlesworth, 16-22 Dec.
Knight, ChristopherThe Los Angeles Times, An Artist Taking Pictures (Literally), 22 April,p.F-1,4, illus. (review: LaJolla)
Lewis, JoAnnThe Washington Post, Slight of Lens" Sarah Charlesworth, deconstruc-ting 'Truth' frame-by-frame, 10 August (review: Nat'l. Museum...)
Linker, KateArt in America, Sarah Charlesworth: Artifacts of Artifice, July, p.74-79, 106 + cover (feature)
Litt, StevenThe Plain Dealer (Cleveland), Photography as a form of Contemplation:Charlesworth's Artistic Images a Rich and Compelling Presence, Sun.,22 Nov., p.4-I (review: CCA)
Morgan, AnneArt Papers, Peering through History: an interview with Sarah Charlesworth, May-June, p.17-21, illus. (feature)
O'Sullivan, MichaelThe Washington Post, Charlesworth's truth in pictures, 17 July (review: Nat'l. Museum...)
Pincus, RobertSan Diego Union Tribune, Pool of images, pearles of truth, 5 April(review: LaJolla)
Shaw-Eagle, JoannaSunday Times, Exhibition of Shifting Realities, 12 July
Smith, RobertaThe New York Times, Art Review: Evocative Cells: Uptown, Downtown,All Around, 27 Nov.
Swarski, LindseyUCSD Guardian, Cutting-edge photography is candy for the mind, 2 April (review: LaJolla)
unsignedAntiques and the Arts Weekly, First Retrospective of Sarah Charlesworth's Photo-Objects, 28 Aug. (review: Nat'l. Museum...)
unsignedFlash Art, Sarah Charlesworth Retrospective, Jan.-Feb, p.46, illus. (newssection)
unsignedVision Magazine, Recycling Culture: an interview with SarahCharlesworth, 28 May
Bolger, MichaelLa Jolla Village News, Charlesworth tests sense, sensibilities in "Retrospective" 28 May
Baldridge, CharleneLa Jolla Village News, Artists offer resonant juxtapositions, 23 April
1997Walker, HollisPasatiempo, The New Mexican, A Landscape of Images, 31 Oct.-6 Nov.,pp.32-33 (review: Site)
MacNeil, WilliamAlbuquerque Journal, Celebrated Photographer Blurs Line between Fact,Fiction, 4 Nov., pp.1&3 (review: Site)
Clemmer, DavidSanta Fe Reporter, Context, Content and the Vessel of the Miraculous, 12-18 Nov., p.27 (review: Site)
1996unsignedThe Sciences, Sept/ Oct, pg. 28, illus.
unsignedNew Observations, Sarah Charlesworth: Text, Jan/ Feb, pg. 22, illus.
unsignedAt The Museum (Los Angeles County Museum of Art), Some Grids, p.9
Johnson, PaulCover, Sarah Charlesworth, March , p.53, illus. (review: J.G.M.A.)
Goldstein, LaurenceMichigan Quarterly Review, Introduction, Vol. XXXV, No.4, Fall, p.574, illus.
1995Yablonsky, LindaTime Out / New York, Sarah Charlesworth: Doubleworld, 15-22 Nov.,p.25, illus. (review: J.G.M.A.)
unsignedCanadian Art, Fast Forward, Fall, illus. (preview: S. L. Simpson)
Hagen, CharlesThe New York Times, Sarah Charlesworth,17 Nov., p. C-30, (review: J.G.M.A.)
Aletti, VinceThe Village Voice, Choices: Sarah Charlesworth, 7 Nov.; supplementp. 8, illus. (review: J.G.M.A.)
1994unsignedThe New Theater Review, fall, #11,pg. 8, illus. + cover
Hickey, DaveParkett, A Matter of Time: On Flatness, Magic, Illusion, and Mortality,#40/41, Summer, (feature)
1993Romano, GianniZoom (Milan), Sarah Charlesworth, Nov.-Dec., illus. (feature)
Mifflin, MargotArtnews, What do Artists Dream?, Oct. (editorial)
Hess, ElizabethThe Village Voice, Materialized Girls: Nancy Rubins, Lisa Hoke, MeganWilliams, Sarah Charlesworth, 20 April (review: J.G.M.A.)
Hess, ElizabethThe Village Voice, Body Triple, 30 Nov., illus. (review: Drawing Center)
Heartney, EleanorArtnews, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.)
1992Campitelli, MariaJuliet (Trieste), Sarah Charlesworth, Feb.-March (review: J.G.M.A.)
1991Thompson, ElspethThe Guardian (London), Portrait of a Friendship, 4 Dec., illus. (review:Interim Art)
Brenson, MichaelThe New York Times, Sarah Charlesworth: Shifted Images of theRenaissance, 22 March, illus. (review: JGMA)
Dennis, MelvinPuchong Folios, Sarah Charlesworth, Spring (review: J.G.M.A.)
Denson, G. RogerBijutsu Techo, (Tokyo) Traces of Feminity: Sarah Charlesworth, JanGroover & Ida Applebroog, reprint / translation of What's in a Word, pgs.28-43, illus. + cover (feature)
Gardner, PaulArtnews, What Artists Like About the Art They Like When They Didn't Know Why, Oct., illus. (questionnaire interview)
Lewis, JamesArtforum, Sarah Charlesworth, Summer, (review: J.G.M.A.)
Litt, StevenThe Plain Dealer, (Cleveland) Using or Abusing a Powerful Symbol?, 8 Sept.
O'Rourke, MegArts Magazine, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.)
Stiwer, Pierre & Di Felice, Paul.Cafe-Creme, (Luxembourg), Sarah Charlesworth: L'immaculée conception, #15-Summer, pgs. 38-43, illus. + cover (interview)
unsignedArt and Man, Sept/ Oct, pg. 16, (feature)
Van der Ploeg, KeesFlash Art, Sarah Charlesworth, Summer, illus. (review: J.G.M.A.)
Weily, SusanArtnews, Sarah Charlesworth's Abracadabra, March, pgs. 116-121, illus. + cover (feature)
Meuris, JacquesLa Libre Belgique, (Brussels) Au temps de l'image: l'artiste américaine Sarah Charlesworth entend révéler ... froid les passions contemporaines...travers une imagerie omni-présente, 15 May, illus. (review:Hufkens)
1990Denson, G. RogerContemporanea, Sarah Charlesworth: What's in a Word, Oct., pgs.70-75, illus. (feature)
New Observations, Issue.74, March 15-31, p.5
Charlesworth, SarahArtforum, A Grammar of Essence: A Project for Artforum by Sarah Charlesworth, Feb., pp.123-125, illus. (project)
Denson, G. RogerTema Celeste, The New Metaphysical Art and It's Legacy, July-Oct., No. 25, p.37-42, illus. (editorial)
Durand, RegisArt Press (Paris), Fragments d'un Paysage d'images, #153, Dec.(feature)
unsignedInterview Magazine, full page reproduction, Feb.
unsignedThe New Yorker, Goings On About Town: Art, July 23, (review: J.G.M.A.)
1989Kent, SarahTime Out / London, Sarah Charlesworth, May 10-17, illus. (review: Interim Art)
Caley, ShaunFlash Art, A Forest of Signs: One is Ushered into a Wonderland of Banality, Nov/Dec, (review: M.o.C.A.)
Faber, MonikaCamera Austria, (Graz) Vis a Vis der Kamera, #30, (review: Grita Insam)
Grundberg, AndyThe New York Times, Two Shows: One Works the Other Bogs Down,Sunday, Aug 13, illus., (review: I.C.P. & Metropolitan)
Heartney, EleanorArtnews, Sarah Charlesworth, Sept., illus. (review: J.G.M.A.)
Jones, BillArts Magazine, Born Again: Seeing the End of Photography, Oct.,pgs. 72- 77, illus. + cover (editorial)
Kimmelman, MichaelThe New York Times, At the Whitney, 100 Works From the Last 30Years, Nov 10, (editorial)
Levin, KimThe Village Voice, April 25, (review:J.G.M.A.)
Mueller, CookieDetails Magazine, Art and About, Sept., illus. (review: B.A.M.)
Princenthal, NancyBarron's, More Positives Than Negatives: Collectors Bids Up ArtisticPhotographs, May 22, illus. (editorial)
Scheuer, DanielCenter Quarterly: A Journal of Photography and Related Arts, 150th at f2Snapshots of Contemporary Art Photography, Vol. 11, #1
Silko, Leslie M.Artforum, The Fourth World, Summer, pgs.124-127, illus.: Madonna and Child, special project by Sarah Charlesworth (in special section designedby Robert Barry, pgs.124-135)
Phillipi, DesaArtforum, Shifting Focus, Nov., p.168 (review: Serpentine Gallery)
Smith, RobertaThe New York Times, Charting Traditions of Non-traditional Photography, June 11, (review: National Museum)
Sussler, BetsyBomb Magazine, Profile / Art: Sarah Charlesworth, Winter, pgs.30-33, illus. (feature)
unsignedCorriere della Serra (Roma/Milano), Sarah Charlesworth, Aug 18
Wise, KellyThe Boston Globe, Redefining the Language of Photography, Oct.17(review: Segal)
Zampaglione, ArturoLa Repubblica, Il Venerdi (Rome), p.92, Sept 8, (interview)
1988Glanzman, JudithJournal of Contemporary Art, Sarah Charlesworth, Spring, pg. 56 (interview)
Kramer, HiltonNew York Observer, Sexual Difference:, April 18, p.1&11 (review: Wallach Art Gallery)
multiple authorsThe Print Collector's Newsletter, Photographs and ProfessionalsIV , Vol.XIX, No.3, July/Aug, pgs.81-91+cover illus. (panel discussion)
Saltz, JerryArts Magazine, The Implacable Distance: Sarah Charlesworth's "Unidentified Woman, Hotel Corona, Madrid (1979-1985)", March, pgs.24-25, illus. (feature)
Smith, RobertaThe New York Times, Galleries Paint a Brighter Picture for Women,April 14 (editorial w/review: J.G. M.A.)
unsignedFlash Art News, Supplement # 143, Nov/Dec
Sischy, IngridThe New Yorker, Photography: Sarah Charlesworth, April 24, (review: J.G.M.A.)
1987Selwyn, MarcL.A. Weekly, Sarah Charlesworth, May 8- 14, pg.44 (review: Leavin)
Cameron, DanFlash Art, Art and Its Double, Summer
Clarkson, DavidParachute, (Montreal) Sarah Charlesworth: An Interview, Dec., pgs.12-15 (interview)
Cohen, Ronny HThe Print Collectors Newsletter, New Abstraction V, Mar/Apr., p.9-13, illus.
Collins, Tricia & Milazzo, RichardNew Observations, Oct.
Gilbert-Rolfe, JeremyArts Magazine, Where Do Pictures Come From? Sarah Charlesworth and the Development of the Sign, Dec., pgs.58-60, illus. (feature)
Shottenkirk, DenaC Magazine, (Toronto) Sarah Charlesworth: Imaging the Other, Spring,pgs. 18- 23 + cover (feature)
Stretch, Bonnie BarrettArt and Auction, Contemporary Photography, May, pgs.140-147, illus.
Turner, DotVanguard (Toronto), Sarah Charlesworth, Feb./Mar., illus. (review:S.L. Simpson)
unsignedArtnews, October issue, p.135
unsignedBomb, (Toronto), Issue CCI, Fall, cover
Wilson, WilliamLos Angeles Times, The Art Galleries: Joel Otterson / Sarah Charles-worth, May 1, (review: Margo Leavin)
1986unsignedEffects Magazine, Winter 1986 (cover)
Brenson, MichaelThe New York Times, Sunday July 13, (review: Venice Biennale)
Brody, JackyThe Print Collectors Newsletter, (review: print portfolio by Sarah Charlesworth)
Cameron, DanFlash Art, Post-Feminism, Feb/Mar, pgs.80-83, illus. (editorial)
Collins, TriciaKunstforum (Köln), Sarah Charlesworth: Natural Signs From Milazzo,Richard Structural Reformation to Iconic Abstraction, April/May, p.314-315
Indiana, GaryVillage Voice, Liquid Memory, Solid Objects, April 1, illus. (review: Int'l with Monument)
Jones, AlanGalleries Magazine (Paris), Paravision: Une Interview avec TriciaCollins et Richard Milazzo, Aug./Sept., (interview)
Collins, Tricia and Milazzo, RichardKunstforum (Köln), New York: Tropical Codes, April/May, p.308
1985Warren, RonArts, Sarah Charlesworth, May, (review: Int'l with Monument)
unsignedAperture, Sarah Charlesworth, No. 100, Fall
Linker, KateArtforum, Sarah Charlesworth, Summer, pg.105, illus. (review: Int'l with Monument)
Kohn, MichaelFlash Art, Sarah Charlesworth, April/May, illus. (review: Int'l with Monument)
1984Hathaway, JaneNew York Beat, Photography: Sarah Charlesworth, 2 May, p.15,illus. (review: Clocktower)
Bob, PaulThe East Village Eye, Cutting Up Culture: Photo Artist Sarah Charlesworth is Pointing to..., June, pgs. 15 & 17, illus. (feature)
Deitcher, DavidAfter-Image, Questioning Authority: Sarah Charlesworth's Photographs,Summer, pgs. 14-17, illus. (feature)
Indiana, GaryArt in America, Sarah Charlesworth, Sept., illus. (review: Clocktower)
Linker, KateArtforum, Eluding Definition
Smith, RobertaThe Village Voice, Chrysler's Wings of Fashion, April (review:Clocktower / Feldman / Castelli)
unsignedContact Sheet #41, published by Light Work, Syracuse, NY
unsignedEsquire, Openings: Sarah Charlesworth, Feb., p.100 (preview: Clocktower)
1983unsignedAfterimage, May
Samore, SamExposure (pub. by the Society for Photographic Education), Playing it Again, Winter
Grundberg, AndyThe New York Times, Post-Modernists in the Mainstream, Nov. 20
1982unsignedArtistes, Fall (review)
unsignedArt in America Guide to Museums, Galleries, and Artists, Tabula Rasa, by Sarah Charlesworth, listed as an Outstanding Solo Show of1982)
Scully, JuliaModern Photography, Seeing Pictures, June
Owens, CraigArt in America, Sarah Charlesworth, May, (review: Gagosian)
Hagen, CharlesArtforum, Sarah Charlesworth, Dec., p.80, illus. (review: Gagosian)
1981Sussler, BettyCover Magazine, Interview with Sarah Charlesworth, Spring / Summer (feature)
Castle, TedFlash Art, Verbal Art, Nov.
1980Frank, ElizabethArt in America, Sarah Charlesworth, April, illus. (review: Shafrazi)
GROUP EXHIBITION CATALOGUES AND BOOKS:

2016Hickey, Dave25 Women: Essays on Their Art, Published by The University of Chicago Press
2014Migayrou, FrédéricBernard Tschumi - Architecture: concept & notation, Special Project: Stills, Published by Centre Pompidou, Paris, France
Le Bal / Éditions Textuel / Centre National des Arts PlastiquesLa Persistance des Images
Ebner, Florian
Greiff, Sophia et al.
(Mis)Understanding Photography, Sarah Charlesworth, Special Project: Herald Tribune: September 1977, Edited by Museum Folkwang, Essen, Germany
2012Colpitt, FrancesColor Pictures. (The Art Galleries of TCU, Fort Worth, TX)
Brodie, JudithShock of the News. (National Gallery of Art, Washington, DC)
2011Ware, KatherineEarth Now: American Photographers and the Environment. (Museum of New Mexico Press, Sante Fe, NM)
Princenthal, Nancy, McDonough, Tom, Pollock, Griselda, Posner, Helaine,The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973-1991. (Prestel USA, New York, NY)
Honold, AstridCirca 1986. (Black Cat Publishing, Amsterdam)
Hoffman, FelixThe Uncanny Familiar – Images of Terror. (Buchhandlung Walther Konig, Koln)
Eleey, Peter; Hoffman, FelixSeptember 11. (MoMA PS1, Long Island City, NY)
2010Klein, AlexWords Without Pictures, Discussion Series curated by Charlotte Cotton and Alex Klein (LA County Museum, Los Angeles, CA; 2nd ed. Aperture Foundation, New York, NY, 2010)
Captured in Time: ART in Embassies Exhibition Paris, France. (ART in Embassies, Washington, DC)
Blessing, Jennifer, Trotman, NatHaunted: Contemporary photography, video, performance. (Guggenheim Museum, New York)
Doswald, ChristophPress Art: Sammlung Annette und Peter Nobel. (Stampfli Publikationen AG, Bern)
Modrak, Rebekah, Anthes, BillReframing Photography: Theory & Practice. (Routledge, London)
2009Eklund, DouglasThe Pictures Generation, 1974 – 1984. (The Metropolitan Museum of Art, NY)
Aupetitallot, YvesImages & (re)presentations: Les Annee 1980s, (Centre d'Art Contemporain, Grenoble, France)
2008Congdon, Kristin
Hallmark, Kara Kelley
Twentieth Century United States Photographers: A Student�s Guide, (Greenwood Press, Westport, CT)
Jedermann Collection- Set 5 from the Fotomuseum Winterthur Collection, (Fotomuseum Winterthur, Switzerland)
2007A New Reality: Black-and-White Photography in Contemporary Art. Jane Voorhees Zimmerli Art Museum, Rutgers. The State University of New Jersey, New Brunswick, NJ
2006Traub, Charles
Heller, Stephen
Bell, Adam B.
The Education of a Photographer, "Objects of Desire: An interview with Sarah Charlesworth" (Allworth Press and School of Visual Arts, NY)
2005Foster, Hal
Krauss, Rosalind
Bois, Yve-Alain
Buchloh, Benjamin
Art Since 1900: Modernism, Antimodernism, Postmodernism (Thames & Hudson, New York, NY)
2004Witkovsky, Matthew S
Mariño, Melanie
Trotman, Nat
Speaking with Hands: Photographs from the Buhl Collection, (Solomon R. Guggenheim Museum, New York, NY)
Fogle, DouglasThe Last Picture Show: Artists Using Photography 1960-1982; (Walker Art Center, Minneapolis, MN)
2003Off the Press: Recontextualizing the Newspaper in Contemporary Art,(Southwest Museum of Photography, Daytona, FL)
Scott, SueConstructed Realities: Contemporary Photography, (Orlando Museum,Orlando, FL)
2002Wolfe, SylviaVisions from America: Photographs from the Whitney Museum of American Art, 1940-2001, (Whitney Museum of American Art, New York, NY)
Warner, Mariana
Haworth-Booth, Mark
Seeing Things: Photographing Objects, 1850-2001, (The Victoria and Albert Museum, London, UK)
Decter, JoshTelevisions, (Kunsthalle, Vienna, Austria)
2000(various)Post Modernism, (Tate Gallery, London, UK)
1999Phillips, LisaThe American Century: Art & Culture 1950-2000, (Whitney Museum of American Art & Norton Publishers, New York, NY)
1998Bunnell, Peter C.Photography at Princeton, (Princeton University, Princeton, NJ)
1997Sobel, DeanIdentity Crisis: Self Portraiture at the End of the Century, (Milwaukee Art Museum, Milwaukee, WI)
Blaettler, James
Nieboer, Jan willem
Steensma, Regnerus
The One Chosen: Images of Christ in Recent New York Art, (ThomasWalsh Gallery, NY)
1996Tallman, SusanThe Contemporary Print: From Pre-Pop to Postmodern (book)
Pierce
Rosenberg, J.
A Question of Balance: Artists and Writers on Motherhood, (Papier Mache, Watsonville, CA)
Heiss, Alana
Streeter, Sabina
Model Home, (The Clocktower Gallery, Institute of Contemporary Art, New York, NY)
1995Denson, G. RogerChasing Angels, (Christinerose Gallery, New York, NY)
Grigoteit, Ariane, et al.Tradition and Zeitgeist: Works from the Collection of Deutsche Bank North America, (DuMont Verlag, Köln, Germany)
1994Morgan, DahliaAmerican Art Today: Heads Only, (The Art Museum, Florida Int'l. University, Miami, FL)
Felshin, NinaEmpty Dress: Clothing as Surrogate in Recent Art, (Independent)
Decter, JoshuaDon't Look Now, (Thread Waxing Space, New York, NY)
1993Schaffner, IngridThe Return of the Cadavre Exquis, (The Drawing Center, New York, NY)
Phillips, LisaPhotoplay: Works from the Chase Manhattan Collection, (The Chase Manhattan Corporation, New York, NY)
Jacobson, MarjoryArt for Work: The New Renaissance in Corporate Collecting, (HarvardBusiness School Press, Boston, MA)
Hill-Perrell, FranklinImage Makers, (Nassau County Museum of Art, Roslyn Harbor, NY)
Espy-Burns, VictoriaVivid: Intense Images by American Photographers, (Raab Galerie, Berlin, Germany)
Brunon, BernardAutoportraits Contemporains: Here's Looking at Me, (Espace Lyonnais d'Art Contemporain, Lyon, France)
anonymousSex Quake - Art After the Apocalypse, (1st Art- Genes Portable Museum)
1992Rosenberg, Barry A.
Leigh, Christian
Straus, Marc J.
Quotations: The Second History of Art, (The Aldrich Museum of Contemporary Art, Ridgefield, CT)
Colpitt, Frances
Plous, Phyllis
Knowledge: Aspects of Conceptual Art, (University Art Museum, Santa Barbara, CA)
Bond, Anthony, et al.9th Biennale of Sydney: The Boundary Rider, (Art Gallery of New South Wales, Sydney, Australia)
1991Rubin, David S.Cruciformed: Images of the Cross Since 1980, (Cleveland Center for Contemporary Art, Cleveland, OH)
Reynolds, Jock &Sheldon, JamesMotion and Document - Sequence and Time: Eadweard Muybridge and Contemporary American Photography, (National Museum of American Art, Smithsonian Institution, Washington, DC)
Morin, France,
et al.
The Interrupted Life, (New Museum of Contemporary Art, New York, NY)
Liebmann, LisaSoutheast Bank Collects: A Corporation Views Contemporary Art, (Southeast Bank)(cat.)
Gumpert, Lynn
Wallis, Brian
Beyond the Frame: American Art 1960-1990, (Institute of Contemporary Art, Tokyo, Japan)
Belli, Gabriella
Saltz, Jerry
American Art of the 80's, (Electa, Milan, Italy)
1990Cooke, LynneReorienting: Looking East, (Third Eye Centre, Glasgow, Scotland and Nicola Jacobs, London, UK)
Derrickson, StephenInsect Politics, Body Horror/ Social Order, (Hallwalls Contemporary Art Center, Buffalo, NY)
Gandini, ManuelaTaking the Picture: Photography and Appropriation, (Castelli, New York, NY and Gallery, Milan, Italy)
Graw, Isabella
Lanzinger, Pia
Das Sibyllinische Auge: Fotokünstlerinnen aus dem Anglo-Amerikanischen Raum, (Foto e.V. München and Barbara Gross Gallery, Munich, Germany)
1989Jones, Ronald
Steinbach, Haim
Avant 1989: Exposition con‡ue par Haim Steinbach, (Fonds Régional d'Art Contemporain, Rhônes-Alpes, France)
Subject:Object, (Nicola Jacobs Gallery, London, UK)
Braulick, Nathan
Haworth, Dale K.
Sowder, Lynne.
What Does She Want: Current Feminist Art from the First Bank Collection, (First Bank System Division of Visual Arts)
Butler, SusanBristol and Serpentine Gallery, London)
Ferguson, Bruce
Simon, Joan
Smith, Roberta
Contemporary Perspective I: Abstraction in Question, (The John and Mable Ringling Museum of Art, Sarasota, FL)
Foresta, Merry A.
Smith, Joshua P.
The Photography of Invention: American Pictures of the 1980's, (M.I.T.Press, Cambridge, MA)
Goldstein, Ann
Jacob, Mary Jane
A Forest of Signs: Art in the Crisis of Representation, (Museum of Contemporary Art, Los Angeles, CA and M.I.T. Press, Cambridge, MA)
Grundberg, Andy
Saltz, Jerry
Abstraction in Contemporary Photography, (Emerson Gallery, Hamilton College and Anderson Gallery, Virginia Commonwealth University, Richmond, VA)
Halpern-Brougher
Nora, Hopkins
Henry T.
Stein, Donna.
Selected Works from the Frederick R. Weisman Foundation, (Wight Art Gallery, U.C.L.A.)
Hanhardt, John G.
Heiferman, Marvin
Phillips, Lisa
Image World: Art and Media Culture, (Whitney Museum of American Art, New York, NY)
Hoy, AnneFabrications, Staged, Altered and Appropriated Photographs, (Abbeville Press, New York, NY)
Kosuth, JosephThe Play of the Unsayable-Wittgenstein and the Art of the XXth Century, (Wiener Secession, Vienna, Austria)
Misiano, Viktor
Wasow, Oliver, et al.
Moskau - Wien - New York, (Wiener Fastwochen, Vienna, Austria)
Rauch, JosephFictive Strategies: Actuality and Originality in Contemporary Photography, (The Squibb Gallery, Princeton, NJ)
Rosenberg, Barry
Straus, Marc
Selections from the Collection of Marc and Livia Straus (Aldrich Museum of Contemporary Art, Ridgefield, CT)
Stainback, CharlesCulture Medium, (International Center of Photography, New York, NY)
1988Collins, Tricia
Milazzo, Richard
Indiana, Gary
Hybrid Neutral: Modes of Abstraction and the Social, (Independent Curators Intl., New York, NY)
Carter, Curtis L.Photography On the Edge, (Haggerty Museum of Art, Marquette University, Milwaukee, WI)
Collins, Tricia
Collins, Tricia
Milazzo, Richard
Art at the End of the Social, (Rooseum, Malmö, Sweden)
Collins, Tricia
Milazzo, Richard
Just Like a Woman, (Greenville County Museum of Art, SC)
Collins, Tricia
Milazzo, Richard
Media Post Media, (Scott Hanson Gallery, New York, NY)
Godeau, Abigail Sol.Sexual Difference: Both Sides of the Camera, (Wallach Art Gallery, Columbia University, New York, NY)
Liebmann, Lisa
Monforton, Mary-Ann
Contemporary Art Auction to Benefit El Bohio. (Bohio Community and Cultural Center, New York, NY)
1987Saltz, JerryRecent Tendencies in Black and White, (Sidney Janis Gallery, New York, NY)
Jacobs, JosephThis is not a Photograph: Twenty Years of Large Scale Photography; 1966-1986, (The John and Mable Ringling Museum of Art, Sarasota, FL)
Halley, Peter
Saltz, Jerry
Smith, Roberta
Beyond Boundaries: New York's New Art, (Alfred van der Marck Editions, New York, NY)
Feinstein, RoniContemporary Diptychs: The New Shape of Content, (Whitney Museum of American Art, New York, NY)
Denson, G. RogerPoetic Injury: The Surrealist Legacy in Postmodern Photography, (Alternative Museum, New York, NY)
Cameron, DanArt and Its Double: A New York Perspective, (Centre Cultural de la Fundacio Caixa de Pensions, Barcelona, Spain)
Brunon, BernardContemporary Photographic Portraiture, (Musee St. Pierre, Lyon, France)
1986Heiferman, MarvinThe Issue of Modern Art in Boston, (Institute of Contemporary Art, Boston, MA)
Collins, Tricia
Milazzo, Richard
Spiritual America, (CEPA Gallery, Buffalo, NY)
Collins, Tricia
Milazzo, Richard
Ultrasurd, (S. L. Simpson Gallery, Toronto, ON)
Heiferman, MarvinThe Big Picture, (The Queens Museum of Art, New York, NY)
Heller, ReinholdDissent: The Issue of Modern Art in Boston, (Institute of Contemporary Art, Boston, MA)
1985various1985 Biennial Exhibition, (Whitney Museum of American Art, New York, NY)
Olander, BillThe Art of Memory, The Loss of History, (New Museum of Contemporary Art, New York, NY)
Lawson, Thomas
Nagy, Richard
Robbins, David
Trow, George W.S.
Infotainment: 18 Artists from New York, (J. Berg Press, New York, NY)
Jones, RichardPublic Art, (Nexus Contemporary Art Center, Atlanta, GA)
Collins, Tricia
Milazzo, Richard
Cult and Decorum, (Tibor de Nagy Gallery, New York, NY)
1984Wallis, BrianArt After Modernism, Rethinking Representation, (The New Museum of Contemporary Art, New York, NY)
Brooks, RosettaBetween Here and Nowhere: 9 New York Artists, (Riverside Studios, London, UK)
1983Solomon-Godeau, A.In Plato's Cave, (Marlborough Gallery, New York, NY)
Olander, BillArt and Social Change U.S.A., (Allen Memorial Art Museum, Oberlin College, Oberlin, OH)
1982Lawson, TomArt and the Media: A Fatal Attraction, (The Renaissance Society, University of Chicago, Chicago, IL)
1979Lambert, YvonArtemisia, (Paula Cooper Gallery, New York, NY)
GRANTS:

1995John Simon Guggenheim Fellowship Award, Visual Art
1983National Endowment for the Arts
1980National Endowment for the Arts
1977New York State Creative Artists Public Service
1976National Endowment for the Arts
TEACHING:

2012Princeton University, Princeton, NJ; Lecturer with Rank of Professor, Visual Arts in the Lewis Center
2000 - 2008Rhode Island School of Design, Providence, RI; Graduate Tutorial Masters in Photography (Spring/Fall)
1994Hartford University, Hartford Art School, Hartford, CT; adjunct faculty, Graduate Seminar and Critique, (Fall)
1993New York University, Department of Art and Art Education, New York, NY; graduate photography critique
1992 - 2013School of Visual Arts, New York, NY; Masters Program in Photography and Related Media, graduate faculty member, Masters Critique Seminar (1992-96)
1983- 1985New York University, Department of Art and Art Education, New York, NY; graduate faculty instructor, Advanced Photography: Critical Seminar and Workshop (1983-1984, 1984-1985)
VISITING ARTIST / LECTURES / SEMINARS / RESIDENCIES:

2011Neuberger Museum of Art, Purchase, NY; “Panel Discussion: Feminism, Deconstruction, and Desire” with Sarah Charlesworth, Helaine Posner and Nancy Princenthal; March 17
SUNY Purchase, Purchase, NY; Visiting artist/lecturer, March 17
Guggenheim Museum Bilbao, Spain; Sarah Charlesworth Lecture in Conjunction with “Haunted: Contemporary Photography/Video/Performance”, January 27
2010Bard College, Annandale-on-Hudson, NY, Visiting artist/lecturer, Masters program in Fine Arts, September 20
The New Museum, New York, NY; “The Last Newspaper Artists in Conversation” Benjamin Godsill, Moderator, with Sarah Charlesworth, Nate Lowman, and Aleksandra Mir; October 9
Solomon R. Guggenheim Museum, New York, NY; Sarah Charlesworth Lecture, “Conversations with Artists”, 4 May
2009Art Institute of Boston, Boston, MA, Visting artist/lecturer, Masters program in Fine Arts, June 23 – June 24
2008LACMA, Los Angeles, "Remembering and Forgetting Conceptual Art" 15 April
School of Visual Arts, New York, Visiting Artist, Masters program in Fine Arts
2007The Kitchen, New York, "Re-Take: A Panel on Art and Appropriation" Organized by Afterall. 27 Nov
Parsons, The New School for Design, New York, Visiting Artist, Masters program in Photography
2005Maine College of Art, Portland, ME, visiting artist and guest lecturer, 24 March
Princeton University, Panel curated by Johanna Burton in conjunction with "For Presentation andDisplay: Some Art of the 80s" curated by Johanna Burton and Hal Foster; 14 April
Bard College, Annandale-on-Hudson, NY, Visiting lecturer, Masters program in curatorial studies,15 March
Bard College, Annandale-on-Hudson, NY, Visiting artist / lecturer, Masters program in Fine Arts.June
2004Columbia University School of the Arts; Sarah Charlesworth: The Philosophical and Political Role of the Artist, New York, NY; 15 June
Rhode Island School of Design; TC Colley Visiting Artist and Lecturer, April
2003Orlando Museum of Art, Orlando, FL; A Conversation with Sarah Charlesworth, April 9
Maine College of Art, Portland, ME; lecturer, March
2002Bard College, Annandale-on-Hudson, NY; lecturer, March
2000Rhode Island School of Design, Providence, RI; Public lecture & visiting artist / critic, May
Brandeis University, Waltham, MA; Public lecture / interdisciplinary seminar, April
New York University, American Photography Institute, Guest Lecturer.
1998-1999The Cleveland Center for Contemporary Art, Cleveland, OH; The Photography of Sarah Charlesworth: A Psychoanalytic Perspective (series of five thematic discussions)
1998Yale University, New Haven, CT; Masters Program in Photography, Oct.
Museo Santa Maria della Scala, Siena, Italy; Visiting Artist in Residence, Aug.
1997Bard College, Annandale-on-Hudson, NY; Lecturer, Visiting Artists and Masters program in theArts, July
New York University, New York, NY; American Photography Institute, lecturer
1995New York University, Tisch School of the Arts, New York, NY; artist / lecturer, Nov.
Rutgers University, New Brunswick, N.J.; artist / lecturer , Oct.
Independent Curators Incorporated, New York, NY; artist / lecturer , March
1994Tel Aviv Museum of Art, Tel Aviv, Israel; artist / lecturer , Oct.
Camera Obscura School of Art, Tel Aviv, Israel; artist / lecturer - symposium Art andTechnology: 2009, Oct.
1993University of Las Vegas, Las Vegas, NV; guest lecturer, March
Culture Lab, University of Toronto, Toronto, Canada; guest lecturer
Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico; guest lecturer, panelist: Photoplay
1990New York University, New York, NY; panel/symposium with Jean Baudrillard, May
La Jolla Museum of Contemporary Art, La Jolla, CA; guest lecturer, March
University of California, San Diego, CA; visiting artist / lecturer, March
Art Center College of Design, Pasadena, CA; visiting artist, March
School of Visual Arts, New York, NY; panel Uses & Abuses of History, Peter Halley, moderator, March
California State University, Fullerton, CA; guest lecturer, May
New York University / International Center of Photography, New York, NY; graduateprogram visiting artist / critic, May
1989Carleton College, Northfield, MN; symposium, What does she want?
The Whitney Museum of American Art, panel discussion, Image World: Art and Media Culture, Nov.
S.U.N.Y. Purchase, Purchase, NY; guest lecturer, The Politics of Representation, Oct.
National Gallery of American Art, Washington, DC; panel discussion in conjunction with the exhibition Photography of Invention, April
1988Nova Scotia College Art and Design, Halifax, Nova Scotia, Canada; visiting artist / lecturer, March
1987Tyler Gallery, Tyler School of Art, Temple University, Elkins Park, PA; guest lecturer, International Center of Photography, New York, NY; guest lecturer, May
Public Collections:

Addison Gallery of American Art, Phillips Academy, Andover, MA
Allen Memorial Art Museum, Oberlin College, Oberlin, OH
Art Gallery of Ontario, Toronto, Canada
Art Institute of Chicago, Chicago, IL
Baruch College, New York, NY
Berkeley Art Museum, University of California, Berkeley, CA
Birmingham Museum of Art, Birmingham, AL
Cleveland Museum of Art, Cleveland, OH
Fotomuseum Winterthur, Switzerland
Harvard Business School, Boston, MA
High Museum of Art, Atlanta, GA
International Center of Photography, New York, NY
Israel Museum, Jerusalem, Israel
J. Paul Getty Museum
Los Angeles County Museum of Art, Los Angeles, CA
Metropolitan Museum of Art, New York, NY
Moderna Museet, Stockholm, Sweden
Montclair Museum, Montclair, NJ
Museum of Contemporary Art, Los Angeles, CA
Museum of Contemporary Art, San Diego, CA
Museum of Fine Arts, Boston, MA
Museum of Modern Art, New York, NY
Museum of New Mexico, Santa Fe, NM
Musée d’Art Moderne and d’Art Contemporaine, Nice, France
National Museum of Women in the Arts, Washington DC
New Britain Museum of American Art, New Britain, CT
New York Public Library, New York, NY
Orlando Museum of Art, Orlando, FL
Philadelphia Museum of Art, Philadelphia, PA
Princeton University Museum, Princeton, NJ
Rose Art Museum, Brandeis University, Waltham, MA
Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE
Smith College Art Museum, Northampton, MA
Smithsonian Institute, National Museum of American Art, Washington, DC
Solomon R. Guggenheim Museum, New York, NY
Stedelijk Van Abbemuseum, Eindhoven, Holland
Tang Museum, Saratoga Springs, NY
Vancouver Art Gallery, Vancouver, BC, Canada
Victoria and Albert Museum, London, England
Walker Art Center, Minneapolis, MN
Whitney Museum of American Art, New York, NY
Yale University Art Gallery, New Haven, CT

Back to top